Death Becomes Her

 Death Becomes Her
Lunt-Fontainne Theatre
November 2, 2024 

Photo courtesy of Death Becomes Her

Death Becomes Her is a bold and brassy new Broadway musical, based on the 1992 movie of the same title.  The music and lyrics, by Julia Mattison and Noel Carey, are dazzling, energetic, and zestful.  The songs both drive the plot and offer an insightful look into the characters.  Marco Pennette’s book is crisp, campy, and full of one-liners that bring the house down.  Christopher Gattelli’s direction is fast paced, and his choreography is vigorous.  It keeps the audience fully engaged.  The cast is great, and the ensemble creates an atmosphere that allows the audience to joyfully buy into the magic and mystery of the storyline.

Helen Sharp (played by Jennifer Simard) introduces her life-long friend and two-time Academy Award nominated actress, Madeline Ashton (played by Megan Hilty), to her fiancé, Ernest Menville (played by Christopher Sieber).  At first, Madeline is not impressed.  She then finds out that Ernest is a plastic surgeon.  She immediately puts her hooks into him, and steals him from Helen.  This is the last straw for Helen, who has suffered from Madeline’s petty jealousies for decades.  She winds up in a mental hospital, and vows to seek revenge. 

Megan Hilty & Jennifer Simard
Photo courtesy of Death Becomes Her

Fast forward ten years.  Madeline’s career has gone downhill, and her marriage to Ernest is failing.  Meanwhile, Helen has published a new bestseller, looks fabulous, and is riding high on her success.  This sends Madeline into a downward spiral, until she meets Viola Van Horn (played by Michelle Williams), who sells her a potion that restores her youthful looks.  It does, however, come with a serious warning.

Megan Hilty and Jennifer Simard are amazing as Madeline and Helen.  Their characterizations are over the top.  Their comic timing is perfect, and their singing is spectacular.  The scene where Madeline falls down a flight of stairs is skillfully staged.  The biggest surprise is when she loses her head, literally.  Megan Hilty plays the next scene with her head on the bar cart.  It is hysterical… and highly effective.  Christopher Sieber plays Ernest with heart.  Both women use him for their selfish need, yet he never gives up on himself.  

Michelle Williams & the Ensemble
Photo courtesy of Death Becomes Her

Scenic design by Derek McLane is sumptuous.  The lighting by Justin Townsend is superb.  Paul Tazwell’s costumes are incredible and full of imagination.  There are a lot of very fast changes, both for costumes and sets.  Everything is seamless and brilliantly paced.  This creates a stunning glamour that, combined with the campy, over the top humor, gives this show an opulent style of its own.

Death Becomes Her is playing at the Lunt-Fontanne Theatre.  It is presently in preview, and officially opens on November 21.  Go see it! 

Domenick Danza

Stereophonic

 Stereophonic
Golden Theatre
October 26, 2024 

Photo courtesy of Stereophonic

The Tony Award winning Broadway production of Stereophonic is a unique and engaging experience.  Playwright David Adjmi draws you into the relationships, challenges, and backstories of the characters.  His well-crafted dialogue causes you to lean forward and listen carefully.  The phenomenal cast, under the masterful direction of Daniel Aukin, plays the rich subtext, raising the stakes in every moment.  Heated arguments flare up, rooted in ambition, jealousy, and need.

It is 1976 in a recording studio in Sausalito, California.  The band is cutting their second album.  Diana (played by Amy Forsyth) just had a single from their previous album rise high on the charts.  Peter (played by Benjamin Anthony Anderson), who is her lover and manager of the band, is proud of her, but also threatened by her rising success.  Reg, the bass player (played by Will Brill), arrives drunk for the recording session.  Grover, the sound engineer (played by Eli Gelb) confesses to his assistant, Charlie (played by understudy Denver Milord), that he lied about his experience to get this job.  He is nervous about the band members finding out, so he keeps them supplied with alcohol and cocaine.  Holly, the keyboard player (played by Rebecca Naomi Jones), confides in Diana that she is moving out of the house the band shares because she needs space.  She bought a condo.  When Reg retreats under a blanket in his usual funk at the end of the session, the drummer, Simon (played by Chris Stack), tries to cheer him up.  Peter, looking to bond, joins in their conversation.  He admits that his brother is competing in the Olympics.  His whole family is watching the televised swim meet, except him.  His choice is to be in the recording studio with the band.  Every time the band records a track, they fight.  Every piece of advice for improvement is taken as a personal criticism.  The more they try to separate the work from their personal lives, the more entwined they all become.  When their album is completed, it goes to number one on the charts, and the complex entanglements accelerate. 

Photo courtesy of Stereophonic

This is truly an ensemble piece.  Each character is precisely developed.  Their needs, ambitions, and flaws are distinct and intense, creating a dynamic that fuels their work together.  As their success increases, so does their dependence on one another, causing deep-seeded conflict in their ability to achieve their individual objectives.  Some of them rise independently from this struggle, and some do not.  Each character has their own arc of growth and self-awareness, creating a realistic tone and enthralling atmosphere.  This cast has a phenomenal connection, each delivering fierce portrayals of these compelling characters.

Stereophonic is playing at the Golden Theatre through January 12.  It is skillfully written, directed, and performed.  You will be fully immersed in the passions of the characters for the three-hour fifteen-minute running time.  Don’t miss it! 

Domenick Danza

Ashes & Ink

 Ashes & Ink
AMT Theater
October 18, 2024 

Photo courtesy of AMT Theater

Ashes & Ink is an emotionally charged piece of theatre.  Playwright Martha Pichey presents well-developed characters facing the challenges of loss, grief, and addiction.  The relationships are truthful and clear.  Her dialogue is rich and honest.  There are a few very poignant, well-written monologues, revealing the inner turmoil of the main characters.  Director Alice Jankell keeps this excellent cast connected and focused on the action, while sustaining a smooth pace.

Molly (played by Kathryn Erbe) is surprised when her son, Quinn (played by Julian Shatkin), arrives home unannounced.  He left rehab without telling anyone.  He is preparing for an important audition for acting school, and cannot concentrate at the rehab center.  Molly allows him to stay, and helps with his monologues.  The next day they visit Molly’s boyfriend, Leo (played by Javier Molina), and his young son, Felix (played by Rhylee Watson).  Quinn takes Molly’s car and disappears without saying a word, leaving her frantic.  When he returns, he spends time teaching Felix to ride his bicycle.  They are very fond of one another, linked by loss.  Felix longs for his mother, who died of cancer when he was a baby.  Quinn misses his father, who passed away from a seizure a few years earlier.  Leo wants to take his relationship with Molly to the next level.  He suggests a romantic weekend, but she keeps putting him off.  She is overwhelmed with Quinn’s behavior, the transition of her business, and the failing health of her sister, Bree (played by Tamara Flannigan).  She risks losing Leo.  She first must come to terms with her son’s addiction and his inability to take responsibility for himself. 

Julian Shatkin & Kathryn Erbe
Photo courtesy of AMT Theater

Kathryn Erbe is wonderful as Molly.  She skillfully links into a deep and genuine level of emotion for this character.  She and Javier Molina (Leo) have wonderful chemistry.  They tenderly reach for one another, and almost get what they want.  Pain and apprehension overwhelm Molly.  Ms. Erbe plays these moments beautifully.  Mr. Molina delivers a touching portrayal of this patient and caring character.  It is heartbreaking when he realizes the truth of the situation. 

Julian Shatkin plays every tactic in delivering a truthful performance of Quinn’s addiction.  He is likeable, sympathetic, and, at times, untrustworthy.  His charm wins Molly over, then his behavior reveals his true colors.  He ends up pushing her further than she can handle.  Mr. Shatkin creates a strong and truthful relationship with Rhylee Watson (Felix).  They create honest and caring moments together.  

Ashes & Ink is playing at AMT Theater through November 3. 

Domenick Danza

The Counter

 The Counter
Roundabout at Laura Pels Theatre
Harold and Miriam Steinberg Center for Theatre
October 16, 2024 

Photo courtesy of Roundabout Theatre Company

The Counter is a touching new play by Meghan Kennedy.  It tells the story of two characters who take the time to reach out.  Ms. Kennedy’s dialogue is honest and direct.  Secrets are revealed.  Bonds are formed.  A shift takes place in the routines and expectations of the characters, causing an emotional release for both of them.  It shows how a small connection can make a big difference in a life.  

It is winter in a small upstate New York town.  Paul (played by Anthony Edwards) goes to the same diner for breakfast every morning.  He is served at the counter by Katie (played by Susannah Flood).  They noticed little things about one another, but keep their observations to themselves.  One morning, Paul breaks the routine by asking Katie to be his friend.  He shares a secret about himself, and asks Katie to do the same.  She hesitates, but eventually tells him about voice mails she has saved on her phone from a person she once dated.  After listening to one of them, Paul makes a request that shocks Katie, pulling her in deeper than she anticipated.  

Susannah Flood & Anthony Edwards
Photo courtesy of Roundabout Theatre Company

Anthony Edwards and Susannah Flood create a genuine bond in this piece.  It slowly develops, then catapults to a point of no return.  Both actors stay attuned to each other throughout the play, delivering a rhythmic portrayal of connection and reliance.  The more they open up, the more we feel their desperate need.  Their commitment to their word is honorable, building trust that is life-changing for both of them.  

Amy Warren plays Peg, the town doctor.  She unexpectedly shows up at the diner one morning, craving coffee cake.  This brief scene is a turning point for the action.  It is well directed and beautifully performed.  With no words, she and Mr. Edwards show a deep level of intimacy.  This reveals a side of Paul that Katie had not seen before.  She urges Paul to act on his feelings.  He refuses, but later supports her with the same genuine care. 

David Cromer has done an excellent job directing this remarkable cast.  They all deliver captivating performances in this well-crafted play.  The Counter is playing at the Laura Pels Theatre through November 7.  Don’t miss it! 

Domenick Danza

The Roommate

 The Roommate
The Booth Theatre
October 12, 2024 

Photo courtesy of The Roommate

Mia Farrow and Patti LuPone are delightful in Jen Silverman’s play, The Roommate.  Their characters are complete opposites, and their energies bounce off one another brilliantly.  Director Jack O’Brien builds on the suspense in Ms. Silverman’s writing, allowing each moment to take the audience by surprise.

Sharon (played by Mia Farrow) is anxious to get to know her new roommate, Robyn (played by Patti LuPone), who drove for two days to get from the Bronx to Iowa City.  Sharon is an open book, telling Robyn all about her reading group and her son, who lives in Park Slope.  Robyn is a little more reserved, but does tell Sharon that she is a vegan and a lesbian.  The more Sharon pries, the more Robyn pulls away.  When Robyn reveals she has a daughter, Sharon feels they can share the challenges and disappointments of motherhood.  Sharon discovers something among Robyn’s belongings that concerns her.  She addresses it directly, only to be more intrigued when Robyn tells her the truth.  The life that Robyn has been running from is just the excitement Sharon craves. 

Patti LuPone & Mia Farrow
Photo courtesy of The Roommate

The transformation both characters undergo during their journey together is tangible.  Their bond gradually develops.  Sharon continually backs away, while Robyn’s aggressions and charms lure her in.  Ms. Farrow and Ms. LuPone play this game of cat and mouse beautifully.  Ms. Farrow varies her tactics, and Ms. LuPone avoids and defends.  Ms. Farrow’s persistence is sometimes tender and sometimes manipulative.  Ms. LuPone’s responses are often direct.  When that doesn’t work, she shuts down and leaves the room.  This back and forth is genuine and continuous, propelling the action at a brisk and natural pace.  When the table turns and Sharon takes control, Ms. Farrow blossoms with excitement, causing trepidation in Robyn.  Ms. LuPone plays this shift with sincerity, giving Sharon the closure she needs, while also allowing her to continue to discover herself. 

Don’t miss these two superstars in this excellent play!  The Roommate is playing at the Booth Theatre through December 15. 

Domenick Danza

Our Town

 Our Town
Ethel Barrymore Theatre
September 28, 2024 

Photo courtesy of Our Town

Director Kenny Leon brings Thornton Wilder’s Our Town into the 21st Century.  His casting choices are purposeful and comprehensive.  His timing is compact and concise.  He trimmed down this three act classic to a one hour, forty-five-minute running time, with no intermission.  The action flows continuously, and the pace impacts the theme.  Even though a few of the quaint, defining moments are missed, Thornton Wilder’s words and philosophy ring with effortless sincerity, giving the audience timeless truths to contemplate.

Photo courtesy of Entertainment Weekly First Look

The play opens as the cast slowly assembles on stage singing a spiritual hymn that unites an extensive population.  The Stage Manager (played by Jim Parsons) silently enters.  As the cast disperses, he welcomes the audience, introduces the play, and describes the town.  He presents the characters, focusing on the Gibbs and Webb families.  Dr. Gibbs (played by Billy Eugene Jones) is returning from delivering twins on the other side of town, as Mrs. Gibb (played by Michelle Wilson) and their neighbor, Mrs. Webb (played by Katie Holmes), prepare breakfast for their families.  It is a day in the life of the residents of Grover’s Corners.  Time passes with ease and grace. 

Ephraim Sykes, Richard Thomas, & Zoey Deuth
Photo courtesy of Entertainment Weekly First Look

The action swiftly moves into the second act with the wedding of George Gibbs (played by Ephraim Sykes) and Emily Webb (played by Zoey Deutch).  The pace picks up.  The anticipation of this event is high and full of anxiety.  The Stage Manager takes us back a few years to the day that George and Emily discover that they are meant to be together for the rest of their lives.  This is a life changing moment for them.  We move forward to the nuptials, when Mrs. Soames (played by Julie Halston) proclaims that it is a beautiful wedding. 

Act III is where Thornton Wilder makes his statement about life and eternity.  It is in this act that every subtle detail from Acts I and II are profoundly seamed together.  The writing is poignant and touching.  The action is unexpected and reflective.  The journey might end here, but the experience continues to exist in perpetuity. 

Jim Parsons as the Stage Manager
Photo courtesy of Entertainment Weekly First Look

The hymn sung in the opening is “Braided Prayer” by Abraham Jam, which features prayers from Muslim, Jewish, and Christian faiths.  Anyone knowing this play is aware that this is a new addition, and a brilliant one.  The audience is immediately pulled into an experience that extends beyond the scope of any previous production.  With interracial casting and the casting of a deaf actor playing Howie Newsome (John McGinty), the diversity of Our Town now reflects who we are as a nation.  The ease in which the characters communicate in sign language and live together as a united multiracial community speaks volumes.  This story has always been universal, and now, due to Mr. Leon’s vision, is fully inclusive.

Our Town is playing at The Ether Barrymore Theatre.  It is a new interpretation of a great American classic. 

Domenick Danza

Redeemed

 Redeemed
Contemporary American Theater Festival
59E59 Theaters
September 21, 2024 

Photo courtesy of
Contemporary American Theater Festival

Chisa Hutchinson’s play, Redeemed, starts off with a relatively simple and direct premise, then turns into a complex journey of manipulation and power.  Her characters are hyperaware of the other’s ploys, constantly anticipating the next move.  The dialogue is rich, requiring the audience to lean in and listen intently.  Director marcus d. harvey allows the power shifts to be clear, concise, and visceral.  The audience invests in the characters, tracking their efforts and eagerly awaiting the outcome.

Trevor (played by Doug Harris) is serving a prison term for a hate crime.  While in solitary, he is visited by the spirit of his victim.  This leads him on a journey of redemption.  He writes to Claire, the sister of his victim (played by Elizabeth Sun).  To Trevor’s surprise, she visits him.  He tells her of the discussion that took place between him and her deceased brother.  He shares the stories he was told of their family history, revealing facts that only she would know.  This angers Claire, who does not let her guard down.  Trevor then asks Claire, who is a publisher, to read a manuscript he has been working on, chronicling his redemption.  He feels it is his mission to transform the hateful thinking of white supremacy.  Claire sees this as a ploy to get her to influence his upcoming parole board hearing.  She returns for a second visit, after a copy of Trevor’s manuscript is anonymously delivered to her home mailbox.  She is moved by the sincerity of the writing, and drawn to the power of its content.  She offers Trevor a deal, putting herself in total control. 

Doug Harris & Elizabeth Sun
Photo courtesy of Contemporary American Theater Festival

Doug Harris portrays Trevor as vulnerable and empathetic.  Elizabeth Sun plays Clarie as angry and guarded.  Each of these characters have clear and strong objectives that drive the action.  As they shift their tactics, they reveal different aspects of their personalities.  Mr. Harris and Ms. Sun play each shift genuinely, exposing the deeper, more crucial needs of their characters.  They do not stop until they uncover all the information they need to achieve their objectives.  Their performances are captivating.

Playwright Chisa Hutchinson shines a light on white privilege, racial injustice, and the hatred we have become accustomed to in our present climate.  As both characters speak their minds and express their points of view, the audience gets a chance to objectify the emotions and process the conflict.  She does not conclude the play with a definitive outcome, allowing the audience to face their own sense of justice and redemption.  This is a prolific piece, expertly structured, and beautifully delivered. 

Redeemed is playing at 59E59 theaters through October 5. 

Domenick Danza