Prosperous Fools

 Prosperous Fools
Theatre for a New Audience
Polonsky Shakespeare Center
June 3, 2025

Photo courtesy of Theatre for a New Audience

In the new play, Prosperous Fools, Taylor Mac leaves no stone unturned in the examination of today’s political landscape and its effect on the arts.  The commentary is direct, but more importantly, the audience is left with questions, placing a spotlight on every participant in our present day society, and highlighting everyone’s role in its obliteration. 

The action of the play surrounds a gala performance of a new ballet, created by the Artist (played by Taylor Mac).  The Philantrhopoid (played by Jennifer Regan) is the Artistic Director of the dance company, willing to sell her soul and every element of the production to please the gala’s two wealthy honorees (played by Jason O’Connell and Sierra Boggess).  One is a despised capitalist oligarch, and the other a beloved sponsor of needy children.  Everything spins out of control as basic facts, creative expression, and philanthropic endeavors are manipulatively spun into fake news and absurd outcomes.  The Artist realizes they sold out and that the Intern (played by Kaliswa Brewster) is more deserving of praise than any of the artists or honorees. 

The full cast of Prosperous Fools
Photo courtesy of Theatre for a New Audience

Taylor Mac’s writing is exceptionally focused.  Even when expounding on minute details, the main point is always vividly clear.  During one scene, seven genres of humor are illustrated, defining how a message can be successfully communicated and for which demographic they are most suitable.  When the Artist addresses the audience at the conclusion of the show, they wear the hat of the fool.  This is most appropriate, based on how the message is to be heard.  The audience now learns forward, listening carefully to how to process the play.  This intellectualizes the full experience.  Answers to these questions are not provided, nor is the audience led to one specific message.  These questions are for the audience to ponder and discuss. The perspective of what we witness and experience in our daily life shifts, as we consider these questions through the lens of the absurd action of the play.  The big picture changes.  The responsibility of our individual choices becomes clear. 

Director Darko Tresnjak finds the right balance for this piece so the audience can hook into the humor and understand the metaphor.  The cast broadly plays the absurdity, but never goes too far over the top.  The choreography by Austin McCormick is stunning and clever. 

Prosperous Fools is playing at Theatre for a New Audience through June 29.  It is a riveting experience. 

Domenick Danza

Lunar Eclipse

 Lunar Eclipse
2^nd Stage Theater
The Pershing Square Signature Center
May 31, 2025

Photo courtesy of 2nd Stage Theater

Donald Margulies’ new play, Lunar Eclipse, is now running Off-Broadway.  It is an intimate two-hander, filled with deep sentiment that lingers long after the play is over.  Mr. Margulies structured the piece to parallel the stages of a lunar eclipse.  Director Kate Whoriskey shapes the emotions in the dialogue to gently draw the audience in.  Reed Birney and Lisa Emery are wonderful together.  Their connection is honest, innate, and effortless. 

George (played by Reed Birney) is sitting in the middle of a field in the dead of night, crying.  When a car pulls up and headlights illuminate his emotional state, he quickly pulls himself together.  It is his wife, Em (played by Lisa Emery), who has come to keep him company.  It is George’s ritual to watch the lunar eclipse, and she brought supplies to get them through the cold night.  Em tells George she saw him crying when she drove up.  He denies it at first, then finally opens up.  George admits that he misses their newly deceased pet dog.  They reminisce about all the dogs they have had on the farm over the years, all of whom have been buried in the field where they are sitting.  He also tells Em that he is awake in the middle of the night worried about the state of the world, and is having trouble remembering everyday details.  She makes light of his getting older.  They talk about their inability to have children and the challenges they faced adopting.  George tells Em that he knows how and when they are both going to die. 

Photo courtesy of 2nd Stage Theater

As in all Donald Margulies plays, the rhythm of the dialogue flows naturally, which offers visceral insight into the relationship of the characters.  They poke and tease, lose their patience, shut down, then selfishly blurt out their feelings.  What is different in this piece is the location.  A farm in western Kentucky requires a different pace and ease than Ms. Margulies’ earlier plays, and it works beautifully.  The audience sits back and absorbs the revelations in the dialogue. 

In the final scene George and Em are transported back in time to the night they ventured out to the field to watch their first lunar eclipse together.  They are young and hopeful.  They have their whole lives ahead of them.  This scene perfectly frames the couple’s reflections during the previous scenes.  Their journey has just begun and, knowing where it takes them, we understand the importance of appreciating every moment. 

Lunar Eclipse is playing at The Pershing Square Signature Center through June 22.  It is a touching and intimate play.  Go see it. 

Domenick Danza

Moulin Rouge! The Musical!

 Moulin Rouge!
The Musical!
Al Hirschfeld Theatre
May 28, 2025

Photo courtesy of Moulin Rouge! the Musical!

The Broadway production of Moulin Rouge! is an extravagant, larger than life musical.  It engages all the senses.  The book, by John Logan, far exceeds the story of the Buz Luhrmann movie.  Sonya Tayeh deserves every award she won for her choreography when the show opened in 2019, including the Tony.  The set and costumes are spectacular.  Director Alex Timbers connected every detail to deliver an emotional and passionate journey that has lasting impact. 

Christian (played by Jordan Fisher) travels from Ohio to Paris to find his voice as an artist and composer.  He meets Toulouse-Lautrec (played by André Ward) and Santiago (played by Pepe Muňoz), who are working on a musical about their bohemian lifestyle.  They take Christian to the Moulin Rouge, where they hope to get their show produced.  Their plan is to meet the club’s star, Satine (played by Solea Pfeiffer) and present the show to the owner, Harold Zidler (played by Austin Durant).  Satine confuses Christian for The Duke of Monroth (played by Andy Karl), who Zidler expects Satine to charm in order to get money to keep the club afloat.  When Satine falls in love with Christian, she puts the future of everyone at the Moulin Rouge at risk.  

Photo courtesy of Moulin Rouge! The Musical!

The cast is amazing, and the ensemble is phenomenal.  Solea Pfeiffer is powerful as Satine.  Jordan Fisher delivers a naive, passionate, and vulnerable Christian.  André Ward is outstanding as Toulouse-Lautrec.  His character is wise, charming, and determined.  Andy Karl is demanding and controlling as The Duke of Monroth.  Austin Durant portrays Harold Zidler as pompous and pushy, with a genuine soft spot in his heart for Satine.  Their energies meld as the journey of their characters transport the audience to 1899 Paris. 

Moulin Rouge! won ten Tony Awards in 2020, including Best Musical.  It is playing at the Al Hirschfeld Theatre.  It is a must see production, full of truth, beauty, freedom, and love. 

Domenick Danza

Six

 Six
Lena Horne Theatre
May 21, 2025

Photo courtesy of Six

Six is a high energy competition between the wives of King Henry VIII.  It showcases six powerful women with an incredible score by Toby Marlow and Lucy Moss.  The choreography, by Carrie-Anne Ingrouille, is sharp and over the top.  It is a daring show, filled with historical references, sassy attitudes, and an empowering message. 

The six wives of Henry VIII come together to tell their stories.  Their goal is to have the audience decide which one of them endured the most traumatic heartache during their time as queen.  Once the goal is clearly stated, each one does their best to win favor from the audience.  They go in order, and it’s the sixth wife who makes them see the flaw in their competitive nature.

The songs shared by each of the characters are distinctive and give the audience a full understanding of their backgrounds and the challenges they faced as queen.  Najah Hetsberger is noble and commanding as Catherine of Aragon (divorced).  Gianna Yanelli is brash and impish as Anne Boleyn (beheaded).  Kelsie Watts is both humble and arrogant as Jane Seymour (died).  Krystal Hernandez is fierce and controlling as Anna of Cleves (divorced).  Kay Sibal is spicy and sensual as Katherine Howard (beheaded).  Taylor Marie Daniel is sensible and intelligent as Catherine Parr (survived).    

Six is the winner of twenty-three awards, including the 2022 Tony Award for Best Original Score (music & lyrics) and Best Costume Design, and the 2022 Outer Critics Circle Award for Best Musical.  The show is glitzy, fast-paced, and relevant.  

Six is playing at the Lena Horne Theatre.  Be sure to see it! 

Domenick Danza

The Last Five Years

 The Last Five Years
Hudson Theatre
May 17, 2025

Photo courtesy of The Last Five Years

The Last Five Years is a uniquely structured one-act musical.  It has a non-sequential storyline, which causes you to lean in and listen carefully.  It is all song, with very little dialogue.  The music and lyrics, by Jason Robert Brown, draw the audience in, immersing them in the emotional journey of the two main characters.  Director Whitney White allows the actors to delve deeply into the needs of their characters, giving them complete ownership of the trajectory and texture of the piece. 

Jamie (played by Nick Jonas), a young Jewish novelist, meets and falls in love with Cathy (played by Adrienne Warren), an aspiring actor/singer/dancer.  When we first meet them, Jamie is singing about the beginning of their relationship, while Cathy is lamenting about the end, five years later.  As the story progresses, we find out about the challenges in their relationship.  Jamie’s success quickly rises, while Cathy struggles to get noticed.  Their needs are different, yet their love is genuine. 

Adrienne Warren & Nick Jonas
Photo courtesy of The Last Five Years

The action goes back and forth between the two characters as they deliver solos that reveal their
emotional perspectives.  Nick Jonas is charismatic and debonair as Jamie.  His songs are delivered as monologues, layered with rich subtext.  Adrienne Warren is grounded and bold as Cathy.  Her voice is powerful, while her character grapples with insecurities.  This dichotomy gives her character a truthful, empathetic dimension.  The audience feels for her and identifies with her emotional journey. 

The chemistry between Mr. Jonas and Ms. Warren is vibrant.  Their relationship sizzles and solidifies when they sing together.  Their connection is honest, and their voices blend amazingly well. 

The Last Five Year is playing at the Hudson Theatre through June 22.  It is a ninety-minute emotional and personal journey with an absolutely beautiful score.  

Domenick Danza

Hell’s Kitchen

Hell’s Kitchen
Sam S. Shubert Theater
May 14, 2025

Photo courtesy of Hell's Kitchen

Hell’s Kitchen is a joyous and bold celebration of growing up in the middle of New York City.  The story is loosely based on the teen years of Alicia Keys.  The show features her music with a book expertly structured and written by Kristoffer Diaz.  Director Michael Greif seamlessly brings all the elements together, especially Camille A. Brown’s amazing choreography.  The energetic cast skillfully brings this vibrant story to life. 

Ali (played by Jade Milan) lives in Manhattan Plaza with her mother, Jersey (played by Jessica Vosk).  Ali likes exploring the streets of the city with her friends, but her mother prefers she comes right home after school.  Her mother prepares dinner for them every night at 6:00, and expects Ali to be there and on time.  When Ali starts seeing Knuck (played by Phillip Johnson Richardson), one of the street drummers who performs outside her building, her mother is furious.  She does not want Ali to get pregnant at seventeen, as she did.  Ali escapes to the Ellington Room at Manhattan Plaza.  While there, she meets Miss Liza Jane (played by Kecia Lewis), who sits Ali down at the piano and teaches her to channel her emotions through music.  This is how Ali discovers what is most important in her life. 

Photo courtesy of Hell's Kitchen

Jade Milan is charming and charismatic as Ali.  Her portrayal is a perfect mix of street smarts, trust, and heart.  Most of the story is told through her narration, and she carries it beautifully, keeping the audience fully engaged.  The relationship she builds with Phillip Johnson Richardson (Knuck) is caring and genuine.  Their uncomfortable flirting is funny and endearing.  It quickly shifts into an intimate connection, then grows to mature self-awareness. 

Kecia Lewis as Miss Liza Jane
Photo courtesy of Hell's Kitchen

Kecia Lewis commands the stage in the few scenes she is in.  Her portrayal of Miss Liza Jane is wise and grounded.  Her singing rings with power and emotion.

The ensemble is skilled and energetic.  Camille A. Brown’s choreography covers a wide range of emotions as the storyline develops.  The style is specific and sharp, and this ensemble consistently delivers it with a strong sense of character. 

Hell’s Kitchen is playing at the Sam S. Shubert Theatre.  If you are a fan of Alicia Keys’ music, and even if you are not, you will enjoy this show. 

Domenick Danza

Floyd Collins

 Floyd Collins
Lincoln Center Theater
at the Vivian Beaumont
May 10, 2025

Photo courtesy of Lincoln Center Theater

The Lincoln Center Theater production of Floyd Collins is touching, bold, and absorbing.  Adam Guettel’s score captures the Kentucky setting and the 1925 time period.  His music delivers the emotions of each character, illuminating the urgency of their traumatic experience.  Director Tina Landau, who also wrote the book, creates an encompassing atmosphere for the story.  The characters are fully dimensional, driven by strong objectives that create active conflict that builds throughout the show.  This is not an easy story to tell, and this cast and creative team tell it beautifully. 

Floyd Collins (played by Jeremy Jordan) spends his time exploring underground caves, seeking a cavern with immeasurable magnificence.  He plans on claiming it and opening it to the public to enjoy and spend money on visits.  He calls out in the darkness of the underground spaces, listening for a delayed echo.  When he finally finds one, he also finds himself trapped under a large limestone boulder.  People come from miles to help with his rescue.  Over the seventeen days he is trapped underground, the story of his rescue efforts spreads throughout the country.

Jason Gotay & Jeremy Jordan
Photo courtesy of Lincoln Center Theater

The songs composed for the character of Floyd Collins are stunning, and Jeremy Jordans voice rings
with clarity and emotion.  It’s as if they were written especially for him.  Jason Gotay plays Floyd’s brother, Homer.  They develop an endearing bond.  Their characters are distinctly different, making their relationship genuine and honest.  Lizzy McAlpine portrays their fragile sister Nellie.  Deep within her breakable exterior lies the rock that her brothers rely on.  When these three skilled actors join in song, magic happens.  Taylor Trensch plays reporter, Skeets Miller.  His character is quirky and likeable.  He matures because of his participation in the rescue effort, carrying the action forward to the end of the story.    

The vast stage of the Vivian Beaumont theater is purposefully and efficiently utilized.  Lighting creates the claustrophobic underground spaces.  This effectively contrasts with the openness of the scenes on the surface.  The staging is simple and extraordinary.  The cast of fifteen is amazing. 

Floyd Collins is playing at the Vivian Beaumont Theater through June 22.  Don’t miss it! 

Domenick Danza