Evening at the
Talk House
The New Group
The Pershing Square Signature Center
February 4, 2017
Photo courtesy of The New Group |
Evening at the Talk House,
by Wallace Shawn, is a haunting and disturbing theatrical encounter. The New Group production, under the direction
of Scott Elliott, engages the audience with a visceral and thought provoking
experience. The play starts off as an
easy going reunion of old theatre buddies and gradually turns into a truthful
revelation of the darker side of human survival. What at first seems like a funny retelling of
events quickly becomes honest confessions of the reality of these characters’
existence.
The
play opens with an extended monologue by Robert (played by Matthew
Broderick). He tells of how he was
recently contacted by Ted (played by John Epperson), who wrote the music for
his play Midnight in a Clearing with Moon
and Starts ten years earlier. Ted
and Robert plan a reunion of those involved in the original production at their
old hang out, The Talk House. While
reminiscing, they welcome on uninvited guest, Dick (played by the playwright Wallace
Shawn). He is an old acquaintance of all
involved, and an occasional boarder at The Talk House. Dick was recently brutally beaten by a group
of strangers. Disturbing connections are
uncovered as two guests confess they have been earning extra money “targeting,”
which is when they quietly plan the murders of people who are out to “cause
harm.”
The cast of The Talk House photo courtesy of The New Group |
The stellar cast is an amazingly strong ensemble.
Matthew Broderick, Jill Eikenberry, John Epperson, Larry Pine, Wallace
Shawn, Claudia Shear, Annapurna Sriram, and Michael Tucker work tightly to
create an open and welcoming environment with deep, hidden truths. They mingle with the audience before the show
begins, setting them up for a relaxing, nonchalant experience that
abruptly transforms. One of the most
subtle and powerful effects is that the actors do not seem to be wearing
microphones. The air has a quiet calm
that proficiently shifts from placid to eerie as the play evolves.
Playwright Wallace Shawn |
Scott
Elliot has directed this production with gradual shifts in mood and tone that,
when juxtaposed against the jarring revelations in Mr. Shawn’s script, create
effective discomfort and an element of disbelief. As the story progresses and additional facts are revealed about mysterious and sudden deaths of people the characters know,
you question how such realities can be occurring in this comfortable and warm
environment. You become more disturbed
as you realize these are the truths of the world of the play, and you have been
an intimate part of it.
Evening at the
Talk House
is playing at the Pershing Square Signature Center through March 12.
Domenick Danza
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