The Glass
Menagerie
Belasco Theatre
May 20, 2017
Photo courtesy of The Glass Menagerie |
Tennessee
Williams’ words ring powerfully clear and vigorous in Director Sam Gold’s stark
and poignant interpretations of The Glass Menagerie. It is truly
breathtaking. The bare stage magically
lends itself to the illusion of memory that Mr. Williams poetically
inspires. The phenomenal cast draws you
in and engages you on a profoundly emitonal level.
The
stage is empty, except for a table and four orange chairs. Tom (played by Joe Mantello) enters and tells
us, “I have tricks in my pocket. I have
tricks up my sleeve. But I am the
opposite of a stage magician. I give you
truth in the peasant disguise of illusion.”
The truthful moments abound as Tom brings us deep into his intimate
memory of the relationships and struggles between him and his mother, Amanda (played
by Sally Field), and his sister, Laura (played by Madison Ferris). He takes us back to the 1930’s “when the huge
middles class of America was matriculating in a school for the blind.” Amanda worries about Laura’s future. She pays for her to go to business school,
but due to Laura’s shy nature and social disability, she drops out. Amanda convinces Tom to invite a friend from
his factory job to dinner as a “Gentleman Caller” for Laura. When Tom brings home Jim (played by Finn
Wittrock), Laura is paralyzed with fear. Jim charms her in a candle-lit scene that allows
her to see herself truthfully.
Madison Ferris, Sally Field, & Joe Mantello Photo courtesy of The Glass Menagerie |
Joe
Mantello’s portrayal of Tom is tender and troubled. The love he feels for his sister and his
mother is genuine, yet his need to escape the stagnation of his life in St.
Louis is crushing. The relationship
between him and Sally Field’s Amanda is realistic in its fire and
sensitivity. These two actors are
phenomenal in these roles. The moment
when Amada asks Tom to bring home a gentleman caller for his sister is heart
stopping. The scene between them when
Tom explains how Laura is different than other girls is emotionally
gripping. Joe Mantello’s Tom is clearly
his mother’s son, complete with a flair for the dramatics. It is Tom’s need to break the intimate bond
between these two characters that creates the main conflict of the play. This is clearly defined and powerfully
interpreted by these two stellar actors.
Photo courtesy of The Glass Menagerie |
Madison
Ferris’ Laura is strong and stoic. She
uses her withdrawal as a means to find inner strength. She is calm and resilient in the face of her
mother’s disapproval and outlook. Due to
her physical disability, the care and patience she receives from her
mother and brother become a driving force in the main conflict. The continual provision of this care is of
utmost importance to the both of them, yet their ability to maintain it is constantly
in question. The image used in the
poster for this production, which is distinctly atypical, is perfectly chosen
for Mr. Gold’s version of this play. Instead
of the usual representation of the fragility of Laura’s character, it symbolizes
her strength and perseverance.
Photo courtesy of The Glass Menagerie |
The
description Tom gives of Jim as “the most realistic character in the play, being
an emissary for a world of reality that we were somehow set apart from” is
impeccably portrayed by Finn Wittrock.
He is energetic and optimistic, and turns the world of the play upside
down.
Sam
Gold made profound choices in his direction of this American classic that
create a visceral experience beyond expectation. The closing scene is hauntingly insightful. Unfortunately, this astounding production ends
its limited Broadway run on May 21.
Domenick Danza
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