Crossing
2017 BAM Next Wave Festival
October 8, 2017
Photo courtesy of 2017 BAM Next Wave Festival |
The
American Repertory Theater production of Crossing
was part of the 2017 BAM Next Wave Festival.
This new opera, composed, written, and conducted by Matthew Aucoin, was
inspired by Walt Whitman’s diary entries during the time he volunteered at a
Civil War hospital. It explores
Whitman’s essential question, “What is it, then, between us?” The production is majestic and relevant. Director Diane Paulus keeps everything simple
and concise, allowing the music to envelope the audience and the moments to be
true and personal.
Photo courtesy of 2017 BAM Next Wave Festival |
From
the BAM program notes, written by Matthew Aucoin: “So, in Crossing,
the Walt Whitman who walks the stage is not that familiar poetic persona. Rather, this is Whitman as I imagine he might
have been to himself, starting from a midlife crisis which prompts his radical,
heroic decision to drop everything and volunteer in the war hospitals. Naturally, this Whitman is a fictional
creation. Crossing is a musical fantasia which imagines and realizes the many
forces – generosity, insecurity, longing, selflessness, bravery, unfulfilled sexual
desire, a need to escape his own life, a boundless kindness – that caused a man
named Walter Whitman, Jr. to forge an indelible embodiment of the American
spirit in his poetry.”
Ron Gilfry & Alexander Lewis Photo courtesy of 2017 BAM Next Wave Festival |
Ron
Gilfry commands the stage as Walt Whitman.
Alexander Lewis creates intrigue in the character of John Wormley. Davone Tines captures the audience’s
attention when he tells the haunting background story of his character Freddie
Stowes.
The
projection design by Finn Ross brings depth and imagination to the emotional
stories shared by the characters. Jill
Johnson’s choreography adds dimension to the realistic and somber hospital
environment.
Crossing
was presented at the BAM Next Wave Festival from October 3 – 8. Keep your eyes peeled for additional live
performances or video broadcasts. It is
well worth seeing.
Domenick Danza
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