Monday, November 28, 2022

Becky Nurse of Salem

 Becky Nurse of Salem
Lincoln Center Theater
The Mitzi E. Newhouse
November 26, 2022 

Photo courtesy of Lincoln Center Theater

Dispelling myths.  Facing truths.  Releasing the past.  Accepting the present.  Sara Ruhl’s Becky Nurse of Salem does all of this, and more.  It is an emotionally engaging play that makes you look into yourself and recognize the cycle of accusation and victimization that keeps so many of us down.  The ending has an empowering effect.  Director Rebecca Taichman guided this phenomenal cast to discover truthful characters and create genuine moments while encompassing the wide range of topics Ms. Ruhl addresses in this play.

Becky (played by Deirdre O’Connell) is a tour guide at the Salem Witch Museum.  She is the very great granddaughter of Rebecca Nurse, the true character from Arthur Miller’s play The Crucible, who was hanged as a witch in 1692.  Becky is fired from her job for speaking honestly to a group of museum visitors and then mouthing off to her supervisor.  She looks for a job at the Marriot, where she meets Stan (played by Julian Sanchez).  He recommends that she see a witch to help her find a new job, as he did.  The witch (played by Candy Buckley) can see that Becky tragically lost her daughter and is struggling to care for her teenage granddaughter, Gail (played by Alicia Crowder), who suffers from depression.  When the witch tells Becky it will cost her $400 to release her from the curse she carries from her ancestors, Becky turns to her old friend Bob (played by Bernard White) for a loan.  The witch also throws in a love potion for Becky to attract Bob into a romantic relationship.  Things get out of hand very quickly as Becky gets caught up in a cycle of self-destruction, and is arrested for breaking and entering.  While in jail, she is forced to do without her pain killers, which she is addicted to.  During her withdrawal, she faces the haunting of her past.  She is able to release the pain of losing her daughter and move forward with a stronger sense of acceptance. 

Deirdre O'Connell as Becky Nurse
Photo courtesy of Lincoln Center Theater

From the minute the lights come up for her opening monologue, Deirdre O’Connell grabs the audience’s attention and does not let it go for a second.  Her character holds nothing back.  She is gruff, straight forward, and brutally honest.  She tells it like it is, which is why the character of Bob is attracted to her.  Bernard White (as Bob) and Ms. O’Connell have a strong connection.  The backstory of these characters is alive in every scenes they share.  Their attraction is strong and visceral.  These two actors allow their characters to grow and change through their interactions, keeping the story richly engaging.

Candy Buckley is mysterious and funny as the witch.  Ms. Ruhl has sharply written this character to include a shrewd balance of truthful insight and selfish chicanery.  Julian Sanchez and Alicia Crowder are solid as Stan and Gail.  The focus goes to both of these actors during their scenes, which is important since their characters play vital roles in the objectives and actions of the main character (Becky).

Deirdre O'Connell & Candy Buckley
Photo courtesy of Lincoln Center Theater

Ms. Ruhl tackles a heavy load in this play.  She challenges Arthur Miller’s chronicling of the Salem witch trials in The Crucible.  She magnifies the objectification of the women in history who were falsely accused and murdered.  She points a finger at the causes of addiction, taking the pressure off the user so they can focus on healing.  She gives voice to the accused, not as a defense, but as a request to be seen.  The emotional impact of the final moment of the play is clear evidence of Ms. Ruhl’s success in the taking on of these heavy challenges.  This is an important play for the healing of our present situation, just as The Crucible was when it was written in 1953.

Rebecca Nurse of Salem is playing at Lincoln Center’s Mitzi Newhouse.  Don’t miss it!  

Domenick Danza

Friday, November 11, 2022

Topdog/Underdog

 Topdog/Underdog
Golden Theatre
November 10, 2022 

Photo courtesy of Topdog/Underdog

The 20th anniversary Broadway revival of Suzan-Lori Park’s Topdog/Underdog is magnificent.  It is an engaging and powerful piece of theatre.  This 2002 Pulitzer Prize winning play still packs a potent punch.  Kenny Leon has masterfully directed this piece with two strong, captivating actors.  Corey Hawkins and Yahya Abdul-Mateen II are brilliant together.  The competition between their two characters is constantly present.  It continually builds with a visceral tension until it explodes in an unexpected climax.

Corey Hawkins & Yahya Abdul-Mateen II
Photo courtesy of Topdog/Underdog

Lincoln (played by Corey Hawkins) is staying with his brother, Booth (played by Yahya Abdul-Mateen II).  Booth is practicing dealing Three Card Monte to hustle on the street.  He wants to change his name to Three Card.  Lincoln has given up the cards and has a “real job.”  He is portraying Abraham Lincoln in an arcade, where people pay to assassinate him.  The brothers were abandoned by their parents when they were teenagers.  Each was given a five hundred dollar “inheritance” before their parents walked out on them.  Lincoln spent his, while Booth saved it, untouched.  When Lincoln loses his job, he reverts back to hustling cards.  Booth forces him to share his secrets on dealing.  While doing so, Lincoln wins his brother’s inheritance money.  This pushes Booth farther over the edge than either of them anticipated.

Corey Hawkins & Yahya Abdul-Mateen II
Photo courtesy of Topdog/Underdog

The play’s effectiveness relies on the relationship of the two brothers.  They count on each other, yet are constantly trying to top one another.  One of the brothers explains that their father gave them their names (Lincoln and Booth) as a joke.  Their rivalry and bond were engrained in them from birth.  Corey Hawkins and Yahya Abdul-Mateen II find the rhythm to impressively create this dichotomy.  They are competitive allies, supporting each another one minutes, then seamlessly transitioning into high stakes opposition.  Mr. Hawkins and Mr. Adbul-Mateen are genuinely connected throughout the story.  Their moments of triumph and defeat are clear and critical to the momentum of the action. Their physical portrayals are distinctive, creating strong antagonism and making them equally enthralling.  

Topdog/Underdog is Suzan-Loir Parks at her best.  Director Kenny Leon connects every seed Ms. Parks plant throughout the action, delivering this piece to a stunning and shocking conclusion.  Don’t miss this production.  It is playing at the Golden Theatre.  

Domenick Danza

Friday, November 4, 2022

Parade

 Parade
New York City Center
Annual Gala Presentation
November 3, 2022 

Photos courtesy of New York City Center

The New York City Center Annual Gala Presentation of Parade is flawless.  Jason Robert Brown magnificently conducts his lavish score, passionately depicting a distinctive setting and bringing to life vibrant characters.  Alfred Uhry’s 1998 book shines bright in the light of our present day sensitivities.  Director Michael Arden stages the production on a simple unit set.  The action continually move, building dramatically to reveal the truth, not only for the main characters, but for the beliefs of the people of Georgia.

Leo Frank (played by Ben Platt) is transplanted to Marietta, Georgia when his wife’s uncle offers him a job.  Leo is a Jew from Brooklyn.  His wife, Lucille (played by Micaela Diamond) is a Jew from Georgia.  They were raised in the same faith, but it’s as if they are from different lands.  Leo feels out of place in Marietta, and Lucille wants him to slow down and enjoy the southern way of life, including the Memorial Day Parade, which celebrates the efforts of the Confederate Soldiers during the Civil War.  When the body of Mary Phagan, a 14 year old girl (played by Erin Rose Doyle) is found dead in the basement of Leo’s factory, his is arrested and found guilty of murder.  He is sentenced to death, yet continually maintains his innocence.  Lucille makes a strong appeal to Governor Slaton (played by Sean Allan Krill).  He investigates the testimony of the witnesses in Leo’s trial, and uncovers inconsistencies and lies.  He repeals Leo’s sentence to life in prison, but the good citizens of Marietta have another plan in mind.

Micaela Diamond & Ben Platt
Photo courtesy of New York City Center

Ben Platt and Micaela Diamond are brilliant as Leo and Lucille Frank.  Leo holds a conservative point of view of their roles in the marriage, therefore does not have much faith in his wife.  Lucille steps up to help Leo when all hope seems lost.  Ms. Diamond rises in that moment.  Her character defies her husband’s expectations.  Mr. Platt and Ms. Diamond become united in these moments.  They achieve a genuine bond, which propels the story through to the end.  Jason Robert Brown’s songs in the second act for these two characters are passionate and visceral, reflecting the deepening of their relationship.  These songs soar with emotion, as Mr. Platt and Ms. Diamond voices blend and fill the expansive City Center auditorium with joy and abandon.

Photo courtesy of New York City Center

The intimate story of Leo and Lucille Frank takes place within the value system of the old south, which includes the need to defend that way of life at all cost.  This production will make you stop and realize how little we have progressed in the past decades, and how vital it is to continue to push forward.  

Jason Robert Brown’s score requires a large cast of superb voices in order to be performed successfully.  This cast exceeds all expectation, delivering brilliance throughout the show.   

Parade is playing at City Center through November 6.  Don’t miss it! 

Domenick Danza