Days of Wine & Roses

 Days of Wine & Roses
The Musical
Studio 54
January 25, 2024 

Photo courtesy of Days of Wine & Roses

Days of Wine & Roses tells the tragic story of a married couple fighting alcoholism.  The book by Craig Lucas is compact and effective.  The music and lyrics by Adam Guettel are captivating.  The score pulls you into the downward spiral of the characters.  It offers moments for both characters to discover and reveal the cause of their pain, as well as revel in moments of clarity and hope.  Under the direction of Michael Greif, Kelli O’Hara and Brian d’Arcy James deliver breathtaking performances.

Kristen Arnesen (played by Kelli O’Hara) meets Joe Clay (played by Brian d’Arcy James) at a work function.  He is in public relations, and she is his boss’s secretary.  His is drinking heavily, and she is reading.  She tells him that she does not like the taste of alcohol and that her weakness is chocolate.  He orders her a Brandy Alexander, which she drinks quickly as they open up about their childhoods.  A few weeks later, they are celebrating Joe’s promotion with champagne, Johnny Walker, and margaritas.  After they elope, Kristen takes Joe to meet her father (played by Byron Jennings).  He immediately dislikes Joe.  Kristen stops drinking when she has a baby, but is lured back by Joe’s desperation.  Their emotional need is only fulfilled when they are both drinking.  It is their magic place.  Their life begins to crumble.  Kristen abandons Joe and their daughter to stay with her father.  Their time apart is focused on healing and forgiving.  They long to be together as a family, yet the road to recovery is rough. 

Brian d'Arcy James & Kelli O'Hara
Photo courtesy of Days of Wine & Roses

The story is dark and heavy.  The highs of the drunken scenes feel risky and dangerous.  Each character has the ability to manipulate the other and pull them down just as they are getting themselves together.  That is the tragedy of the piece, and Kelli O’Hara and Brian d’Arcy James are so viscerally connected that these moments are real and tangible.  You feel for both of them throughout the story.  You hope they will not succumb to the temptation, yet you gain a true understanding of the depth and severity of their disease.

The skillfully crafted book, lyrics, and score is matched by the masterful performances, yet this is not an easy subject matter to sit through.  It is a beautiful production of a heartbreaking story.  Days of Wine & Roses is playing at Studio 54. 

Domenick Danza

Jonah

 Jonah
Roundabout at Laura Pels Theatre
Harold & Miriam Stenberg Center for Theatre
January 20, 2024 

Photo courtesy of
Roundabout Theatre Company

The Roundabout Theatre Company production of Jonah is mesmerizing.  Playwright Rachel Bonds has skillfully crafted this piece to keep her audience fully engaged.  Each scene takes the characters through vital experiences that shape them, scar them, and propel them forward.  It is through the linking of these events that a tender story evolves.  Director Danya Taymor works with a phenomenal cast to convey this story clearly and truthfully. 

Anna (played by Gabby Beans) meets Jonah (played by Hagan Oliveras) outside her dorm room one night.  He follows her.  He waits for her.  Their connection is visceral and mutual.  We later meet Danny (played by Samuel Henry Levine), Ana’s step-brother.  After Ana’s mother passes away, Danny protects her from his father, but never comes to terms with the abuse he experienced.  When Ana meets Steven (played by Jon Zdrojeski) years later at a writers’ retreat, she faces her past, the harm inflicted upon her by Danny, and the joy and intimacy she only dreamed about with Jonah. 

Photo courtesy of
Roundabout Theatre Company

Gabby Beans is remarkable as Ana.  Her character shifts in age from scene to scene, and Ms. Beans fully embodies each phase of this character’s experiences.  She portrays different aspects of Ana in the way she relates to the three male characters in the story.  All are genuine and grounded relationships.  There is an innocence shared between her and Hagar Oliveras’ Jonah, a strong bond, based on fear and need, between her and Samuel Henry Levine’s Danny, and a vulnerability that connects her to John Zdrojeski’s Steven.  These relationship are powerful, and the performances are riveting. 

It is in the final moment of the play that everything pulls together.  It is satisfying and healing.  It is a beautifully written moment, succinctly directed, and perfectly performed.  

Jonah is playing at the Laura Pels Theatre through March 10.  Don’t miss it!  

Domenick Danza