Lempicka

 Lempicka
Longacre Theatre
March 30, 2024 

Photo courtesy of Lempicka

Tamara de Lempicka is a world renown artist, whose paintings define the Art Deco period.  Her work and life flourished between World War I and World War II in Paris.  The new Broadway musical, Lempicka,  celebrates her unique style, and tells the story of her life and loves during that time period.  The score by Carson Kreitzer is bold and daring.  The music soars through the Longacre Theare, amazingly performed by this outstanding cast.  

We first meet Tamara de Lempicka (played by Eden Espinosa) in the 1970s in Los Angeles.  She is an older, eccentric woman, sitting on a park bench, painting, and contemplating the journey of her life.  We travel back with her sixty years, to her wedding day in Russia.  She marries Tadeusz Lempicki (played by Andrew Samonsky).  When the Russian Revolution begins, her husband, a Polish royal, is taken prisoner.  She gives herself to a Russian officer in order to get her husband released.  They flee to Paris with their baby daughter.  In Paris, Tamara returns to painting, something she did less of after she married.  Her work catches the eye of the Baron and Baroness (played by Nathaniel Stampley and Beth Leavel), who recommend she study under Marinetti (played by George Abud).  She immerses herself in her studies, and desperately tries to earn money selling her paintings.  When she meets Rafaela (played by Amber Iman), Tamara is immediately attracted to her.  She asks to paint her portrait.  It is with this nude painting that Tamara discovers her own style, which brings her great success in Paris.  Her affair with Rafaela, though known by her friends and husband, is kept very secret.  As Tamara’s fame rises, so does the power of the Nazi Party.  Her husband returns to Poland, and Tamara, being Jewish, flees to the United States with her daughter and the Baron.  

Eden Espinosa as Tamara de Lempicka
Photo courtesy of Lempicka

The production is sharp and stylistic, reflecting the unique and bold style of Lempicka’s Art Deco
masterpieces.  Although focusing on the two loves in Lempicka’s life, the story covers decades of time.  There is chaos and political upheaval, as well as social and artistic evolution, yet the story is told clearly and succinctly. 

Beth Leavel & Nathaniel Stampley
Photo courtesy of Lempicka

In Act II, Beth Leavel delivers an emotionally impactful solo.  The Baroness comes to Tamara to have her portrait painted.  The Baroness has been informed that she has a very short time left to live.  She wants her husband to remember her as she is, strong and full of life.  These are the qualities the Baroness sees in Tamara’s work, and she trusts Tamara to capture what she wants her husband to remember.  The Baroness admits that her husband is in  love with Tamara.  She makes Tamara promise to help her husband, who is also Jewish, escape the Nazis.

Before her death in 1980, Tamara de Lempicka’s paintings were recovered and put on auction in the United States.  They brought in millions, and re-establish her reputation.  Her work transformed the way women were viewed in society.  This musical documents her struggle, both personal and as an artist, to achieve her vision and make a name for herself.  

Domenick Danza

Appropriate

 Appropriate
Belasco Theatre
March 28, 2024 

Photo courtesy of Appropriate

Branden Jacobs-Jenkins’ Appropriate is a phenomenal piece of theatre.  The focus of the story is a highly dysfunctional family facing their truths.  The deeper theme of inescapable heritage that underlines the action is highly impactful.  Director Lila Neugebauer boldly guides this cast through a roller coaster of emotion with truthful high points that trigger a downfall into fear and denial.  These characters are real and identifiable.  Their needs are viscerally understood.  Their desperation is palpable. 

The year is 2011.  Franz (played by Michael Esper) climbs through the window of his recently deceased father’s plantation home in Arkansas with his girlfriend, River (played by Ella Beatty).  They don’t think anyone is there, however, Franz’s sister, Toni (played by Sarah Paulson), and her son, Rhys (played by Graham Campbell), arrived a few days earlier to get ready for the estate sale.  Toni is not happy to see Franz, who has changed his name from Frank.  They have not seen one another in ten years.  No one was able to contact Franz/Frank to inform him of his father’s death, so Toni is very suspicious of his presence.  When their brother, Bo (played by Corey Stoll), arrives the next morning with his family, River pushes Franz to do what he came to do.  As part of his recovery, he needs to make amends to Bo and Toni.  Toni will have no part of it, yet Bo is open to forgiving and moving on.  Bo’s young son, Aisley (played by Lincoln Cohen), finds a photo album while helping to clean out his grandfather’s study.  When Bo’s wife, Rachel (played by Natalie Gold), looks closely at the photos, she is shocked.  A box of souvenirs is discovered in the study that provides serious evidence to a deep family secret. 

Michael Esper, Corey Stoll, & Sarah Paulson
Photo courtesy od Appropriate

Sarah Paulson is a firestorm as Toni.  Her resentment and pain fuel the action for the duration of the story.  She is equally matched by Corey Stoll, Natalie Gold, and Michael Esper.  They brilliantly portray a genuine, deep seeded family dynamic.       

Branden Jacobs-Jenkins has crafted a play with numerous, rich layers.  While the characters are in the middle of heightened sibling conflict brought on by the grief of their father’s recent passing and the stress of settling a large estate in high debt, they discover a horrifying truth in their heritage.  They don’t know how to handle it, so they continue to blame and fight.  It is their only outlet.  This action accelerates to the point of no return, and they wonder where all the hate and aggression comes from.  No matter how much they try to deny it or cut themselves off, they cannot escape their inheritance.  It is fully evident in their dialogue and behavior.  When they leave, it is clear they will most likely never see one another again, yet the plantation house is another story.  Time quickly moves forward to 2024, and the abandoned house still stands, festering in that energy that will survive them all. 

Photo courtesy of Appropriate

Appropriate was originally produced by Second Stage Theater, and had a successful run at the Hayes Theatre.  It is now playing at the Belasco Theatre through June 23.  It is a MUST SEE!

 

Domenick Danza

12 Angry Men

 12 Angry Men
City Gate Productions
The Stone Circle Theatre
March 1, 2024 

Photo courtesy of City Gate Productions

City Gate Productions was founded in December, 2021 with the main purpose of presenting quality theatre experiences around the borough of Queens.  The company travels to different locations, scouting out spaces that meet the specific feeling and environment for their upcoming shows.  The venue for their present production of 12 Angry Men is Stone Circle Theatre (59-14 70^th Ave., Ridgewood, NY 11385).  The play is presented in the round. Director Cathy Chimenti skillfully builds the tension in this classic courtroom drama, keeping the audience emotionally and intellectually engaged.  The cast creates distinct, headstrong characters, who discover the true concept of reasonable doubt. 

James Brautigam & Frank DiSpigno
Photo courtesy of City Gate Productions

As twelve men enter the jury room, you hear mention that their deliberations will not take very long.  It sounds like a cut and dry case.  Guilty as charged.  Juror #7 (played by Daniel Wolfe Mitnik) has theatre tickets, and wants to get out of there.  Juror #10 (played by Frank DiSpigno) is certain of his guilty vote, as are most of the other men.  There is one hold out.  Juror #8 (played by Max Bank) has reasonable doubt.  He requests a discussion before voting on the fate of the young man on trial.  The foreman (played by Joe Dujmic) leads the deliberation, then takes the vote.  Juror #9 (played by Bill McAndrews) is influenced by the reasoning of Juror #8, and votes not guilty.  Juror #3 (played by Robert Budnick) bullies him for being swayed.  This adds more doubt to the discourse, which extends the deliberation.  The more the men talk, the stronger their doubts become.  They re-enact parts of the crime.  The findings are surprising.    

Francis MacCall, Marco Malgioglio, & Joe Dujmic
Photo courtesy of City Gate Productions

The entire cast is excellent.  They are fully in sync with one another, creating heightened moments of frustration and aggression.  The arguments rise out of genuine concern for wanting to uncover the truth.  Robert Budnick (Juror #3) does not let up with the pushing and bullying, yet Max Bank (Juror #8) does not back down.  They are evenly matched.  The variation in their approach and tactics keeps the conflict polarized and realistic.  Bart Blachnio brings reason and intellect to the table as Juror #4.  He is fair and evenly tempered, allowing everyone’s voice to be heard.  This is why his changed vote carries so much weight.  Bill McAndrews is wise and calm as Juror #9.  Frank DiSpigno’s outburst as Juror #10 is shocking and impactful.

Photo courtesy of City Gate Productions

The play takes place in 1953, on a hot summer day in NYC with no air conditioning.  It offers a keen insight into the mindset of mid-century America.  Our shortcomings, prejudices, and judgments are blatantly clear.  This production is an interesting opportunity to assess how we, as a society, have and have not progressed over the past seventy years.   

City Gate Productions is a company worth keeping an eye on.  12 Angry Men is playing through March 10.  Take the M train to Queens, and check it out.  It is well worth the trip!  

Domenick Danza