Playing
Shylock
Polonsky Shakespeare Center
November 29, 2025

Photo courtesy of Playing Shylock
Saul Rubinek’s one-person show, Playing Shylock, is inspiring and pertinent. He closely collaborates with writer Mark Leiren-Young and director Martin Kinch to create this unique performance. Mr. Rubinek tells personal stories of his family and how he longs to play Shakespeare’s character, Shylock, a role his father dreamed of playing, but never did. The piece addresses antisemitism, the identity of Jewish actors in the profession, and the art of creating performances that are both timely and timeless.
It is intermission during a production of William Shakespeare’s
The Merchant of Venice. The
second act is about to begin, but the curtain is held due to technical difficulties. The actor playing Shylock enters. He is Saul Rubineck, and he addresses the audience
as himself, not Shylock, to explain the delay.
Protests outside the theater over this controversial play have created
concerns from the show’s backers. The
cast received notice during the intermission that this will be the final
performance, so Saul decided to cancel the second act. He is appalled that in 2025 fear could cause
their work to be censored. He speaks directly
about his goals in portraying Shylock, the history of Shakespeare’s work, and
how infrequently the role has been played by a Jewish actor.
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| Saul Rubinek Photo courtesy of Playing Shylock |
The highlights of the piece are the three sections where Mr. Rubinek performs Shylock's monologues from The Merchant of Venice. They are focused and intense. He instantly drops into them, transporting himself to a different time and location. His physicality and vocal timbre shift. His final monologue is performed in Yiddish. It is a bold choice that makes a powerful statement. It is truly riveting.
Playing Shylock is running at The Polonsky Shakespeare Center in downtown Brooklyn through December 7. It is a timely and intimate piece of theatre.
Domenick Danza

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