Chasing Grace

 Chasing Grace
The Mezzanine Theatre
She NYC Arts
March 17, 2026 

Photo courtesy of Chasing Grace

What do you want to leave behind?  How do you want to be remembered?  These are the questions Elizabeth Addison asks in her new musical, Chasing Grace, as her characters face the challenge of their addiction.  These characters take a unique and winding journey to discover the answers to these inquiries.  Ms. Addison’s writing is poignant, funny, emotionally engaging, and sometimes over the top.  Her music spans a wide range of styles to tell this incomparable story.  The cast delivers bold and daring performances, making the audience laugh, while tenderly touching their hearts. 

Photo courtesy of Chasing Grace

Grace (played by Harper Miles) enters a treatment center to gain control over her addiction.  She has a difficult time adjusting.  The other women share traumatic stories, have special needs, and most are missing their children.  When Grace’s counselor (played by Chantelle Guido) abruptly leaves the center, Grace hits bottom.  Then, Sheri (played by Kiara Wade), a sister addict, commits suicide.  

Photo courtesy of Chasing Grace

The second act takes a sharp turn when The Writer of the first act (played by Gabrielle Beckford) enters and puts the experiences of the characters she wrote about into a different perspective.  Her goal is to get her musical (the story of the first act) produced on Broadway.  She meets her collaborators (played by Shamiea Thompson and Chantelle Guido).  They commercialize the story and take away the dignity of the women in the treatment center.  As The Writer loses herself in the process of revising her work, her partner, Janessa (played by Kiara Wade) breaks up with her, leaving her alone to face herself. 

Gabrielle Beckford and Haper Miles are perfectly cast as The Writer and Grace, portraying versions of the same character at different times in their lives.  Their energies complement one another beautifully.  The moment when they face one another at the climax of the story is genuine and riveting, bringing the action to a satisfying conclusion.

Photo courtesy of Chasing Grace

Most of the women portray more than one character.  Kiara Wade plays Sheri in Act I and Janessa in Act II.  Sheri is both gusty and defeated.  Janessa is all heart.  Ms. Wade grabs the audience’s attention in these roles and does not let go.  

Shamiea Thompson plays Cece in Act I and The Tony Award Winning Black Writer/Director of Stage & Screen (one of the collaborators) in Act II.  Both characters are blatantly controlling.  Cece is manipulative, while the collaborator is egotistical and flamboyant.  Ms. Thompson makes these distinct characters her own. 

Photo courtesy of Chasing Grace

Tracey Conyer Lee plays Tessa, a woman at the treatment center with special needs, who is abandoned by her son and family.  Ms. Lee delivers an outstanding performance in this role.  Her physicality and vocal characterization are skillfully developed.  The heart of this character is fully exposed, making her vulnerable and empathetic. 

There are also excellent performances by LaDonna Burns, Theo Michaela, Marlaina Powell, and Chantelle Guido. 

Chasing Grace is playing at the Mezzanine Theatre at She NYC Arts (502 W. 53 St.) through March 29.  It is a brave and truthful telling of the pursuit of serenity, courage, and wisdom.  The production is skillfully directed by Elizabeth Addision.  The score is excellent.  The cast is superb. 

Domenick Danza

Marcel on the Train

 Marcel on the Train
Classic Stage Company
February 28, 2026

Photo courtesy of Classic Stage Company

Marcel on the Train uses the art of mime to tell the story of Marcel Marceau’s escape from France during the Nazi occupation in 1943.  The play is beautifully written by Marshall Pailet and Ethan Slater.  The scenic design by Scott Davis and lighting by Studio Luna seamlessly transport the audience to numerous locations by creating simple and bold effects.  Marshall Pailet directs this amazing cast with a sharp eye for detail and a skillful knowledge of physical storytelling. 

Marcel (played by Ethan Slater) is asked to take a group of Jewish orphans on a train across the French border to hike into Switzerland.  He and his partner (played by Aaron Serotsky) come up with the plan and create the falsified documents for the children, who are dressed as boy scouts.  Marcel tries to keep the children’s spirits up, especially Berthe (played by Tedra Millan), who is filled with fear and cynicism.  When the train car is searched, one of the children, Henri (played by Alex Wyse), engages the Nazi Officer (played by Aaron Serotsky) in a playful battle of wit.  They successfully get past the check point, then realize they will have to start hiking immediately without meeting up with the second group of orphans.  The humor that Marcel used to keep the children distracted while on the train is of little use in the snow and cold, but his imagination gets them through a dangerous encounter. 

Ethan Slater as Marcel Marceau
Photo courtesy fo Classic Stage Company

Ethan Slater is genuine and warm-hearted as Marcel.  He uses the only tools he knows to get the children across the border.  He fuels them with hope to get their courage up and keep them moving forward.  The core of the art that Marcel Marceau becomes famous for is clearly grounded through this experience.  His trust and belief in his whimsey and imagination deliver him and the orphans to safety. 

Alex Wyse, Tedra Millan, Max Gordon Moore, and Maddie Corman play the four orphans escaping with Marcel.  These actors create distinct characters who face their fears in different ways.  Alex Wyse portrays Henri as precocious and gutsy.  He steps up in the face of danger, and glibly brings his companions through a perilous situation.  Tedra Millan’s Berthe is highly pessimistic in the way she views the world.  She has a clear sense of reality and does not buy into any sugar coating.  Max Gordon Moore plays Adolphe as both antagonist and fainthearted.  He is always picking on Henri, then takes a back seat when Henri makes his bold move.  Maddie Corman delivers a touching performance as Etiennette, who does not speak.  She has a heartbreaking storyline, but never gives up hope.  These characters bicker, disagree, and poke fun at one another, yet pull together when their survival is on the line. 

Max Gordon Moore, Alex Wyse, Ethan Slater, & Tedra Millan
Photo courtesy of Classic Stage Company

Aaron Serotsky plays numerous roles, each of which is vital to the progression of action.  He transforms for each character, radiating a different energy with each costume change.

Marcel on the Train is an exceptional telling a heroic and poignant story.  The use of mime uniquely creates a throughline for the action.  The performances are outstanding.  The Classic Stage Company production is playing through March 22. 

Domenick Danza

Pied á Terre

Pied á Terre
Anne L. Bernstein Theater
The Theater Center
February 22, 2026 

Photo courtesy of Pied a Terre

Pied á Terre is a thought provoking  and mysterious piece of theatre.  Playwright John S. Anastasi peels back one layer at a time, keeping the audience questioning the identity and motives of each of the characters.  Director Peter Loewy builds the tension by keeping the action of each scene truthful in the moment.  The audience buys into the fallacies set up in the mind of each character, then faces a new reality as information is shared.  The cast creates empathetic characters that connect with the audience, emotionally engaging them in the action and outcome. 

Julia (played by Josephine Phoenix) enters a Greenwich Village apartment and discovers it is occupied by Katie (played by Macy McGrail), who reveals she has been living there with Jack (played by Jordan Allen Bell) for the past six months.  Julia tells Katie that she is Jack’s sister.  Katie explains that she met Jack at the grocery store when she was short on money for her purchases.  The truth is that Katie is a hooker and Jack invited her to move in.  Julie pushes for the details, trying to understand what Jack has been up to.  He gives Katie money for clothes, and takes her to museums and the ballet.  Katie is frustrated that Jack does not want a sexual relationship.  Julia finally admits she is Jack’s wife, and that he passed away a few days ago.  Katie and Julie must face facts and accept the dark truth. 

Photo courtesy of Pied a Terre

Josephine Phoenix and Macy McGrail are excellent together as Julia and Katie.  They are continually masking the truth, creating a vibrant tension with rich subtext.  They gradually open up to one another.  When they do, strong emotions flow.  There are resentments and denials, which evolve beautifully into honesty and acceptance. 

Jordan Allen Bell shows different sides of Jack’s character in the way he relates to Julia and Katie.  He is more reserved and cautious with Katie, while being relaxed and direct with Julia.  The audience gains full insight into his character by piecing together his actions in these distinct scenes.  When the truth is fully revealed, the audience understands his true objective and the deep of love he feels for both women.  

Pied á Terre is playing at the Anne L. Bernstein Theater at The Theater Center (210 W. 50 St.).  It is an engaging and skillfully crafted play.  The show runs in rep with their production of Perfect Crime, so check the website for specific dates and times.  

Domenick Danza

The Tragedy of Coriolanus

The Tragedy of Coriolanus
Theatre for a New Audience
Polonsky Shakespeare Center
February 8, 2026 

Photo courtesy of Theatre for a New Audience

The Theatre for a New Audience production of The Tragedy of Coriolanus is strikingly relevant.  Director Ash K. Tata sets this Shakespeare classic in “just after now.”  With the action including retribution by a powerful leader, the manipulation of the voice of the people, and war for personal gain, it is easy to see history repeating itself over centuries.  The cast works as a phenomenal ensemble, some playing numerous roles, all heightening the urgency with each consecutive scene.  

McKinley Belcher III as Coriolanus
Photo courtey of Theatre for a New Audience

Caius Martius (played by McKinley Belcher III) is victorious in the Roman siege of the Volscian city of Corioles, single handedly defeating Tullus Aufidius (played by understudy Shirine Babb).  He is hailed a hero and given the name Coriolanus.  When he returns to Rome, his pride causes him to lose favor with his citizens.  His mother, Volumnia (played by Roslyn Ruff) counsels him on how to calm the situation.  Menenius Agrippa (played by Jason O’Connell) pushes him to make a public appearance, where his temper gets the best of him.  After Sicinius Velutus (played by William Demeritt) and Junius Brutus (played by Zuzanna Szadkowski) cunningly manipulate the voice of the people, Coriolanus is banned from Rome.  He travels back to the city of his heroic battle to form an alliance with Tullus Aufidius and seek retribution on the city of his birth. 

Meredith Garretson, Emma Ramos, McKinley Belcher III,
Merlin McCormick, & Roslyn Ruff
Photo courtesy of Theatre for a New Audience

There are outstanding performances from every member of this cast.  McKinley Belcher III is a mighty Coriolanus, fearlessly filled with pride and courageously ready to defend his title.  Roslyn Ruff is powerful as Volumnia.  She proudly shows her adoration for her son, then shamelessly kneels to him to beg his return to Rome.  She commands the stage when Virgilia, Coriolanus’ wife (played by Meredith Garretson), his son, Martius (played by Merlin McCormick), and Valeria (played by Emma Ramos) try to convince Coriolanus to retreat in his attack on Rome.  It is a brilliantly director and masterfully performed scene, resolving the main conflict in the second act, while unknowingly setting Coriolanus up for his demise.

Due to sudden illness, understudy Shirine Babb went on as Tullus Aufidius with only one day of rehearsal.  She carried pages from her script and delivered a brilliant performance.  She was fully present in every scene, confronting Coriolanus in battle and meeting him head to head as an ally.  She and Mr. Belcher were evenly matched in strength and presence, building tension and raising the stakes. 

The Tragedy of Coriolanus is playing at Theatre for a New Audience’s Polonsky Shakespeare Center in downtown Brooklyn through March 1.  It is a spectacular production, maintaining the high standard of quality set by this magnificent company. 

Domenick Danza

The Cry of the Butterfly

 The Cry of the Butterfly
Theater for the New City
February 6, 2026 

Photo courtesy of Cry of the Butterfly

The Cry of the Butterfly is a beautifully written play by Nicca Ray.  It is full of raw emotion and stark reality.  Ms. Ray bravely tells the Hollywood story of her mother and father, their addictions, their infidelities, and their emotional inaccessibility.  Director Joe John Battista stages powerful cinematic moments that illustrate the relationships and heighten the emotional impact of story.  The cast skillfully portrays complex characters, who are suffering and searching for love and understanding. 

The play opens as a Podcast Host (played by Roger Gonzalez) is interviewing Nicca Ray (played by Mari Blake).  She has just published her book, Ray by Ray, which tells the story of her father and movie director Nicholas Ray (played by Tom Martin).  When the Podcast Host shifts his questions to a highly personal nature, Nicca refuses to answer and walks out.  This brings us back to the day her sister, Julie (played by Alexandra Laliberte), flew her across the country to celebrate the birthday of their mother, Betty (played by Penny Balfour).  Her daughters are concerned about their mother’s trance-like moments and emotional outbursts, but not having been together for a number of years, they push through as best they can.  All three women face their demons, but Betty has the roughest time.  The affair her husband had with James Dean (played by Michael John Gross) during the filming of Rebel Without a Cause created a severe rift in their marriage.  Nicholas never recovered from the sudden death of James Dean, which Betty has never fully accepted.  She faces this with urgency, as it is revealed that she recently received a diagnosis of terminal cancer. 

Alexandra Laliberte, Penny Balfour, & Mari Blake
Photo courtesy of The Cry of the Butterfly

Penny Balfour captures the essence of legendary movie star glamour as Betty.  She carries herself with grace, yet has a piercing directness.  Her ability to gloss over her daughter’s emotional experiences is juxtaposed by her skill at deeply cutting them down.  Mari Blake portrays Nicca with a stamina that comes from years of introspection and recovery.  Even though Betty pushes her buttons, she regains her strength and bounces back.  Alexandra Laliberte plays Julie with drive and moxie.  She has been witnessing her mother’s declining mental and physical health, and put great effort into bringing her sister in for this much-needed visit.  These three women are survivors, determined to keep moving, and these three actors portray them with grit and vigor.  Their scenes together are a constant battle for power, yet they each take on the role of caregiver when one of them is knocked down. 

Tom Martin, Michael John Gross, & Penny Balfour
Photo courtesy of The Cry of the Butterfly

Michael John Gross’ physical and vocal portrayal of James Dean is spot on.  His scenes with Penny Balfour are strong and impactful.  The stakes are high, the conflict is strong, and their connection is visceral.  Tom Martin plays Nicholas Ray with sleek elegance.  You can feel the power he has over Betty, and the love she feels for him.  It is ethereal and borderline psychotic.

The tone is set in the opening scene by Roger Gonzalez as the Podcast Host.  The audience expects the brutal truth, and that is exactly what is delivered.  The scenes between the three women are beautifully written and skillfully directed.  You can feel the isolation they are each experiencing as they relive their memories and try to connect.  They are all present in the room together, yet emotionally separate, incredibly alone, and yearning for connection. 

The Cry of the Butterfly is playing at Theater for the New City through February 22.  It is a uniquely structured and carefully crafted telling of a highly personal story. 

Domenick Danza

Just Desserts, A Musical Bake-Off

 Just Desserts
A Musical Bake-Off
AMT Theater
February 4, 2026 

Photo courtesy of Just Desserts, A Musical Bake-Off

Just Desserts, A Musical Bake-Off is a fresh new Off-Broadway musical with a poignant message.  The score, by Brad Ross, is lighthearted and fun.  The lyrics, by Barbara Campbell, dive deep into the backgrounds and motivations of the characters.  Director Tom Wallace magnifies the humor in Ms. Campbell's book, keeping the audience engaged and entertained.  Each cast member creates an identifiable character the audience roots for, even when they are suspected of foul play. 

The Jefferson County Fair Bake-Off is down to five finalists.  Mildred (played by Klea Blackhurst) is a four-time Bake-Off champion.  She is confident she will be taking the prize home again this year.  Emma (played by Tori Jade Lopez) was runner up last year.  She is young and has a bright future ahead of her, having just graduated from business school.  She is driven, focused, and dedicated.  Brandy (played by Lauren Nicole Sherwood) is no stranger to contests, having competed in beauty pageants her whole life.  This is, however, her first baking challenge, and she admits that she doesn’t like to cook.  Lou (played by JP Sarro) is a new resident of Jefferson County.  He is from Brooklyn and wants to open his own Italina restaurant.  Jean (played by Gina Lamparella) is a school nurse and doesn’t think she deserves to be in the finals.  She and Lou share an attraction that Brandy is continually egging on.  Zack (played by Michael Hunsaker) is the MC for the event, as well as the local weatherman.  He keeps the competition focused and moving, even though there are other places he’d rather be.  Each contestant has a lot at stake.  Some are willing to go further than others to take home to prize. 

Lauren Nicole Sherwood, Tori Jade Lopez, Klea Blackhurst, JP Sarro, & Gina Lamparella
Photo courtesy of Just Desserts, A Musical Bake-Off

Michael Hunsaker opens the show as Zack, the MC.  He is bold and energetic, setting the pace and humor that continues throughout the show.  Klea Blackhurst takes center stage, literally, as Mildred.  The character is a successful businesswoman who is very well known in the county.  She has a cold heart and is suspected of underhanded behavior.  When she reveals her personal story in Act II, she wins over her fellow contestants and every member of the audience. 

Lauren Nicole Sherwood grabs the audience’s attention from her first entrance as Brandy.  The character is openhearted and enthusiastic.  Ms. Sherwood portrays this with joy and vigor.  Tori Jade Lopez creates a multi-layered character with Emma.  She is sweet, cunning, naïve, and ambitious.  Ms. Lopez reveals these traits in the way she reacts and relates to the other characters, creating truthful moments that build a complete and genuine character. 

Gina Lamparella plays Jean as shy and unassuming.  The strength in her performance is in the subtlety of her portrayal.  She is underplayed and boldy resonant.  JP Sarro is gruff and gentle as Lou.  He and Ms. Lamparello have a tender connection, adding a sentimental layer to the over-the-top storyline. 

Be prepared to purchase sweets at the conclusion of the performance. The producers have invited some of the finest bakers to sell their creations in the lobby after the show.  For the matinee I attended, Rachel Cheng, a student from the Culinary Arts Program at John Dewey High School in Brooklyn, sold two of her original recipe cookies.  The Lemon-Glazed Earl Grey Cookies are as enticing as they sound.  The Neapolitan Cookies are a delectable mixture of flavors.  She was supported in her successful venture by her fellow students from the Business Academy at John Dewey.  

Just Desserts, A Musical Bake-Off is playing at AMT Theater (354 W. 45 St.) through February 22.  It is a heartwarming and delightful production.  Go see it!

Domenick Danza

The Ladder

 The Ladder
IRT Theatre
January 31, 2026 

Photo courteys of The Ladder

Isaac Bryne’s play, The Ladder, tells the mythical tale of Theseus slaying the Minotaur.  Director Haley Rice beautifully builds the mystery and suspense in this well-crafted play.  The characters are often searching in the dark, causing the audience to lean in and listen, until the light reveals the object of their search and the desperation of the adventure.  The cast skillfully balances the heightened action with grounded emotion, engaging the audience in their individual journeys. 

When Theseus (played by James Jelkin) escapes the labyrinth after killing the Minotaur (played by Ken Orman), he has tall tales to tell.  He weaves a tale of bravery for Pirithous (played by Justin Senense), capturing his heart and loyalty.  He lures Ariadne (played by Lucy Turner) to a secluded island, only to desert her so as not to reveal how he broke his promise to her in the labyrinth.  King Ageus, Theseus’ father (played by Ken Orman), kills himself when he thinks his son is dead.  It is Persephone (played by Rebekah Rawhouser) who draws the true story out of Theseus by holding Pirithous hostage.  Even then Theseus holds back the full truth of his lustful rise to power. 

James Jelkin creates an egotistical Theseus with a blend of strength and humor.  It is the humor that makes this god-like figure a truthful and identifiable character.  Justin Senense is seductive and adversarial as Pirithous, capturing Theseus’ attention and affection.  Mr. Jelkin and Mr. Senense cleverly play at this masculine tug of war, developing a relationship based on need and convenience. 

Lucy Turner is beguiling as Ariadne.  There is a power in her self-assurance.  Theseus easily falls into her trap, only to betray her when he no longer needs her.  Ms. Turner dominates her scenes, even when she is fully defeated and confronted by Baccus (played by Justin Senense).  Mr. Senense brings an impish quality to the role of Baccus. 

Ken Orman plays a mighty King Ageus and a frightening Minotaur.  He has a majestic and commanding presence.   Rebekah Rawhouser is evil and manipulative as Medea, and fearsome and erotic as Persephone.  She is a true dynamo. 

Playwright Issac Byrne focuses on the story that each of these mythical characters holds within them.  These stories are explored as each character is introduced, giving the play a non-linear structure.  Mr. Byrne successfully delivers an ending that pulls all the loose ends together, and Ms. Rice affectively delivers it with amazing style.

The Ladder is playing at IRT Theatre (154 Christopher St., 3^rd floor) through Feb. 15. 

Domenick Danza