The Two Gentlemen of Verona

Fiasco Theater’s

The Two Gentlemen of Verona

Theatre for a New Audience

April 25, & May 7, 2015

Deirdre M. DeLoatch and I went to see Fiasco Theatre’s The Two Gentlemen of Verona at Theatre for a New Audience a week apart.  We decided to share our thoughts on the show together.

Photo courtesy of Fiasco Theatre

Deirdre:  After seeing many Shakespearean tragedies over the last year, I looked forward to watching one of his comedies.  I enjoyed a recent performance of Hamlet and A Winter's Tale considerably more than The Two Gentlemen of Verona.  Considering the script, this contemporary performance adds both another dimension and depth to the play via props, costumes, set design, and lighting that helps the audience view the play in a contemporary manner instead of fostering nostalgia for the Elizabethan era.

Domenick:  The breakdown of the script and the consolidation of the cast to a solid, strong ensemble of six actors created a flowing, comprehensive, and pleasant two hours.  The directors, Jessie Austrian and Ben Steinfeld, clearly have a strong knowledge of Shakespeare and insight into the story lines and themes of this comic love story.  They found the heart of The Two Gentlemen of Verona and interpreted it with delight and care.

Photo courtesy of Fiasco Theater

Synopsis (from Deirdre):  Shakespeare's The Two Gentlemen of Verona, a romantic comedy and purportedly Shakespeare's first play, is the story of love, friendship, and betrayal.  Valentine is in love with the lovely Sylvia; his best friend from Childhood, Proteus, is in love with Julia. Proteus, upon meeting Sylvia at the Duke's Court immediately surreptitiously professes his love for her, although he heretofore professed his love for Julia.  Proteus is aware that he is betraying his best friend but he decides to woo Sylvia in spite of behaving duplicitously.  Sylvia, however, has been betrothed to Thurio, a suitor for whom she has no interest.  Julia disguises herself as a man, so that she can reunite with Proteus.  She eavesdrops on Proteus's conversations to find out information about Proteus and Silvia.  Valentine is banished by Silvia's father, the Duke, preventing his love for Silvia from prospering.  During his banishment, he continues to pine for Sylvia, as Proteus desires to plot and scheme to get Sylvia.  In the end, Proteus and Julia salvage their relationship and profess their love; Similarly, Valentine and Sylvia, with the blessing of her father, join together in love, as he realizes that Thurio does not have the depth of character as Valentine.

Deirdre:  This fine youthful ensemble cast adds to the success of the play.  When one thinks of marriage, youthfulness is usually apparent.  Many of the characters play multiple roles that allow us to see the professional skill of the actors playing varied and distinguished characters.  Before the play starts, the cast is on stage jovially playing with each other and engaging in conversations about the lighting and how they will look on stage.  It is obvious that they all work well together.

Domenick:  I agree.  The ensemble was fabulous.  They were skillful and fun and worked together seamlessly bringing joy and passion to every moment.  

Deirdre:  Zachary Fine plays both Valentine and Crab, the dog.  His emotions are somewhat melodramatic especially when he is banished and he is not able to see his beloved Sylvia.  That scene seems to be cloying with extreme sentimentality. The love that he has for her is affective to the extent that the audience feels his emotions, which move us to empathy.  

Zachary Fine as Crab & Andy Grotelueschen as Launce
Photo courtesy of Fiasco Theater

Domenick:  The characterization and interactions of Crab, the dog, were fun and charming.  Mentioning this first by no means takes away from Zachary Fine’s performance in his primary role of Valentine.  The scenes with Crab added just the right amount of fun and frivolity to the mood of the production.

Deirdre:  Noah Brody, as Proteus, illustrated the character well for we see how Proteus is a cad because he allows us to see his own reflective thoughts aptly about his dishonorable actions. 

Domenick:  Jessie Austrian was charming and feisty as Julia.  Her ability to color and shade her monologues with tactics that clarified the text and engaged the audience was skillful and entertaining.

Emily Young as Sylvia & Jessie Austrian as Julia
Photo courtesy of Fiasco Theater

Deirdre:  Emily Young is adorable as Sylvia. Her pulchritude is evident.  We can see why Valentine loves her and why Proteus has fallen for her as well.  She is lovely with her beautiful white dress (symbolizing her purity) and exquisite beauty.  The deep love that Valentine and Sylvia have for each other is evident and can be seen through the great chemistry that is depicted throughout the play.  The characters exhibit great emotion when their reflection, passion, and despair are all needed to match the events in the play.

Domenick:  Andy Grotelueschen played three roles (Launce, the Duke, and Antonia).  The differentiation of his roles was clear and sharp.  His Antonio was especially witty and charming.

Deirdre:  The set, designed by Derek McLane, is not elaborate but its simplicity adds to its simple elegance.  

Domenick:  I agree.  I found it whimsical, light, and fun.  It was sheets of paper, crumpled and flat, in a mosaic collogue along the upstage, stage right, and stage left walls.  It also draped from the ceiling.  The white of the paper reflected the color of the lights as the scenes, moods, and time shifted.  The sheets of paper were representative of how many love letters were sent throughout the play, and connected to the sentiment in the closing line of how sharing a story reveals how you are through the writing.

Deirdre:  The red paper on which one letter is written in Act II is fabulous when it is torn to pieces.  It is as if Valentine's heart is bleeding from over sentimentality.  When each piece hits the stage with great lighting punctuating both the love that he is feeling and the hurt by his inability to consummate his relationship by marrying Sylvia.  Lighting, designed by Tim Cryan, is also used as a way of changing the color of the crepe paper on the set.

Domenick:  The second act had a lot more hutzpah than the first.  The action rose and the energy excelled as the plot became full of intrigue.  My favorite scene was in the forest in Act II when Sylvia confronts Proteus and confesses her love for Valentine.  Valentine forgives Proteus for acting like an untrustworthy fool, and Julia reveals herself from behind her disguise.  It all came together in a high point of action and enthusiasm. 

Photo courtesy of Fiasco Theater

Deirdre:  Although, this play is not my favorite and the story lacks both the power and intrigue of Shakespeare's tragedies, the modernization of this rendition helps one place himself into the lives of the characters who are similar to youthful romantic couples of today.  The set is minimalist; but the acting is great.  The whimsical nature of the play makes the audience to both chuckle and smile and subsequently say, “Bravo.”  Thus, in spite of a nearby audience member's exclamation, “I had forgotten how dumb this play actually was,” I actually enjoyed it for the comedy in which it was intended.  Although not as stimulating as Hamlet or Macbeth, it is no less worthy of great commendation for the direction it was given by the creative team and for the talented cast that delivered a great performance.

Domenick:  I truly enjoyed The Two Gentlemen of Verona.  This was my first time experiencing a Fiasco Theatre production.  They have a list of credits to their name from the past few seasons including Into the Woods at Roundabout Theatre.  I intend to make a point to see more of their work in the future.  The level of quality is very high. 

Deirdre:  I saw the Fiasco's production of Into the Woods at the Roundabout Theater.  The acting was vigorous which brought the drama to great height.  After seeing the production, I ordered the music from the original production with Bernadette Peters because I wanted to stay connected to Stephen Sondheim's music.  Seeing that production was the impetus for seeing the Fiasco's production of The Two Gentlemen of Verona.  I knew that their rendition of this work would be excellent.

Domenick:  I love the space at Theatre for a New Audience.  The classic theatre design allows every seat to have a great view of the performance space, even the higher up, less expensive seats.   They are producing great theatre in downtown Brooklyn at reasonable ticket prices.  Get there early, like I do, and enjoy a snack in the lobby café before the performance.

Deirdre:  I am looking forward to The Public Theater's Performance of The Tempest and Cymbeline (I've neither read nor seen Cymbeline) at the Delacorte Theater in Central Park.  I hope that they will be just as ebullient with vivacity as The Two Gentlemen of Verona.

Domenick:   The Drilling Company is also producing The Two Gentlemen of Verona in association with Bryant Park from May15 – 31 on the Upper Terrace.  The performances are FREE, Fridays and Saturdays at 6:30 PM, and Sundays at 2:00 PM.  Knowing the quality of the Drilling Company, this is sure to be a great production as well.

Photo courtesy of Fiasco Theater

Fiasco Theater’s The Two Gentlemen of Verona runs until May 25 at Theatre for a New Audience in Brooklyn (across the street from BAM).  Go to see it before it closes.  Add to the conversation Deirdre and I started here by writing your comments about this or any other upcoming Shakespeare productions in the city. 

Domenick Danza

Deirdre M. DeLoatch

Experiencing the Heart & Culture of London

Several years ago while visiting the United Kingdom, a cab driver quoted, in a satirical manner, a familiar UK saying that states, "The sun never sets on the British empire."  I assumed that meant that the British thought very highly of themselves and that it was a statement of grandeur because the light would never dim on any of its territories.  It meant that and more because of its expansive empire that spans the globe.  The sun was always shining on one of its territories at all times throughout the day. Although the British territories are not as expansive as they once were, Britain still has both elegance and allure that has caused a certain amount of je ne sais quoi that caused me to think about visiting London.  I previously went to Scotland and enjoyed Glasgow and Edinburgh.  I imagined that this trip was going to be vastly different from Scotland.

This is an actual person who stays like this all day!
Who started this spectacle which has not become pastiche?
New Yorkers or the British?

In February 2015, I made my journey to  London, a global city with which I had become enamoured. I had previously never desired to visit London because I always enjoyed going to more exotic places- countries with a culture vastly different from my own; however, since I started having a more voracious appetite for the theater, I decided that I would go to the West End to comparatively analyze theater and visit central London to get both a taste and a feel of the local culture and local color (I previously viewed productions in the US by London's National Theater and by London's Young Vic).  Moreover, I had become increasingly enthralled with several BBC shows like Downton Abbey, Mr. Selfridge, and Call the Midwife (and others).  As the last few years past, I realized that I had become an anglophile.  While watching Shakespearean plays annually and becoming ensconced with British phrases and accents, I realized that I both admired and respected both British theater and television. Logically I decided that the best place to visit on my vacation would be London.  My goal was to see as much theater that I could afford to see and to go to as many art exhibits humanly possible. Because I am an avid walker, I decided to walk everywhere in lieu of the tube or the bus.  I walked about twelve hours daily so that I could enjoy the local flavor.  I visited the National Theater multiple times as well as a couple of theaters in the West End and five museums, each with its own focus.  As a result, I gained a greater appreciation and cultural awareness for both the British culture and for my own.  As anywhere, one can reside at hotels of great grandeur or hotels of more modesty.  I stayed in Fitzrovia at St. Giles, a three star hotel with a full breakfast, in the heart of the West End.  European hotel accommodations tend to be small.  I expected a small room because I booked a single room. The concierge and other workers were exceptionally genial toward me.  Although the room was small, it did not matter.  I only intended to sleep there, thus the only thing that mattered was its cleanliness.  If one is looking forward to attending the theater in the West End, I highly recommend St. Giles.  The Marriott Hotel, although pricier, is located on the South Bank in proximity to the National Theater and it has all the glitz and glamor that goes with a four star hotel.  The Ritz Carlton, is located in Piccadilly, a half hour walk to the theater district.  One can get a superb afternoon tea there, but the cost is much greater than at other locations.

Harrods, the most opulent department store in which I had
ever shopped.  I managed to buy a pistachio pastry and some
 perfume, Spring Flowers by Creed

From the moment I arrived at the hotel,  I was captivated by the frenetic pace of the city, by the avuncular people who often helped me when I looked lost, and by the people moving about while enjoying good sunny weather- three words that do not normally go together in London.  I absolutely adored London.  I cannot say it enough.  I am not sure whether I adored it because the culture was acutely aligned with my own American culture or because of the quality of the theater and other performing arts.  I spent time walking all over central London.  As a peripatetic person, walking pleasantly suited me and I did not tire easily.  I loved the architecture and the general beauty of the city.  I visited both Selfridges and Harrods.  I could have spent days basking in the opulence of each store while enjoying afternoon teas and tempting pastries that truly were works of art.  The price tag attached was commensurate with their worth.  Selfridges now boasts that it is the only department store with a cinema.  The main film that seemed to be ubiquitous throughout central London was Fifty Shades of Grey.  I decided, however, to pass on that film.  The main thought that I came away with regarding British culture as I walked and perused stores was the extent that British culture influences American culture.  It became apparent that the American culture is a pastiche of British culture.  The nomenclature of both countries is the same (street names, districts, etc.).  The one thing that we have not esteemed to the same level as the British is enjoying a cup of tea.  We are more fascinated with coffee than with tea.  The British are still arguing over how to best enjoy a cup of tea. Does one put the milk in first or last?  How hot should the water be?  Tea bag versus loose tea?  How long is it steeped?  After enjoying English Breakfast during the morning and in the afternoon daily, I thought I might have caffeine withdrawal upon disembarkation at Kennedy.  Would you like a pot of English Breakfast?

The National Theater
Have you ever seen any of their filmed productions?
They are spectacular, especially if you cannot get to London
or cannot see their productions on Broadway or elsewhere.

Before going on holiday (British vernacular of course), I researched the plays that I was interested in seeing.  I narrowed the list down to six and I made my final decision upon arrival the first day.  Visiting London without attending theater is like touring New York City without ever seeing Broadway, Times Square or the 9/11 Memorial.  Why would anyone travel so far without ever taking in the Theater?  While in London, I visited the New Globe Theater and the National Theater.  I took tours of both theaters including a back stage tour of the National Theater.  The New Globe was financed by Sam Wanamaker.  It is open during the spring and the summer.  Bring blankets to keep warm, as it is an outdoor theater.  Contrary to the outdoor New Globe Theater is the indoor National Theater that has three theaters with many plays running concurrently.  The National Theater boasts about having a drum revolve that is five stories high and contains several elevators used to hoist huge objects onto the stage.  It is one of two in the world.  I loved the National Theater with its cafes, its restaurants, its bookstore and its general ambiance.  One could stay there all day and read and relax or enjoy a great dinner before a show.  Even though I attended the theater alone, I met people during the interval (vernacular for intermission).  I engaged in conversations about the British and about New Yorkers.  If ever one is undecided about attending the theater alone, it can be a great experience.

The New Globe Theater is built to be a replica of the
original Globe Theater.  I took a tour and learned interesting
facts about the productions at the original Globe Theater.

While in London, I saw five plays. I saw Man and Superman, by George Bernard Shaw. This play expands on Nietzsche's concept of superman in which man explores his own morality and shakes off the conventions that have been placed on him.  The main character is played by Ralph Fiennes who tries to live by his own set of rules  and opines on women and marriage.  This four hour performance was exceptional.  I also saw, A View from the Bridge, in the West End.  It was directed by Ivo Van Hove and written by Arthur Miller.  It was fresh on the heels of their Young Vic production.  It is my belief that this play will arrive on Broadway within the next year.  We love Arthur Miller and we love Brooklyn.  The play was spectacular (I will review it in a separate post).  If it arrives here, I strongly recommend it.  Additionally, at the National Theater is Behind the Beautiful Forevers, a play adapted from the non fiction narrative by Katherine Boo.  This play is about a group of people who live behind the airport in Mumbai.  This group lives in the shadow of great development in Mumbai while millions continue to live in indigence.  This play is emotionally moving, and it prompted me to read the original narrative.  Also, at the National Theater is Tom Stoppard's new play, The Hard Problem.  The play explores consciousness.  It asks the hard questions about the things of which we are aware and that can be proved.  Although Stoppard is known to be logorrheic, the issues discussed were fascinating and the verbosity of the play did not detract from its themes.  The set was minimalistic and the acting was superb. The lead actor, Olivia Vinall, reminded me of Carey Mulligan in Skylight. She was passionate in her beliefs as she opined on her belief of the consciousness of God.  Do coincidences exist or are we merely unaware of the circumstances that create them?  Does God exist or are we orchestrating our own paths?  Lastly, I saw War Horse, which was great in spite of technical difficulties that caused the show to stop for about ten minutes to correct the problem.

One of the last events in which I engaged was visiting The National PortraitGallery; it gives visitors a great history of the kings and queens of England.  Viewing the exhibit has inspired me to gain a more complete picture of the history of the British monarchy.  Much has been written about the British monarchy, but the exhibit gives a complete and accurate history without embellishment.  Currently on Broadway are two productions about the British monarchy, Wolf Hall (Parts I and II produced by the Royal Shakespeare Company starts March 20th) and The Audience.  All anglophiles are rushing to get tickets now!

As a result of my vacation, I have gained more wisdom from traveling and I have a better consciousness of London and its environs.  I am now positioned to return and branch out to other areas of England and also to visit Wales and Northern Ireland.  When I return in subsequent years, I will continue to visit the theater and art museums.  I will also visit Stratford so that I can see the Royal Shakespeare Company and the place of Shakespeare's birth. I learned that if I am having difficulty understanding someone, it is also likely that he or she is having difficulty understanding me.  Walking and not taking bus tours is really the best way to get around (if you can walk without fatigue).  When converting currency, always use "the hole in the wall" (vernacular for ATMs). The best rate is given through the machine.  Bring a small amount of local currency before arriving. Always include respite in your day by having an afternoon tea at one of the better locations.  Get to know some of the locals.  That is how one learns the true culture of a place.  Take time to enjoy the night -life.  London is a beautiful city at night.  I cannot wait to return.  In the meantime, Wolf Hall awaits me.  I have tickets the first full week in April.  A review will follow.  Cheerio!

 Deirdre M. DeLoatch

Guest Contributor