Lempicka

 Lempicka
Longacre Theatre
March 30, 2024 

Photo courtesy of Lempicka

Tamara de Lempicka is a world renown artist, whose paintings define the Art Deco period.  Her work and life flourished between World War I and World War II in Paris.  The new Broadway musical, Lempicka,  celebrates her unique style, and tells the story of her life and loves during that time period.  The score by Carson Kreitzer is bold and daring.  The music soars through the Longacre Theare, amazingly performed by this outstanding cast.  

We first meet Tamara de Lempicka (played by Eden Espinosa) in the 1970s in Los Angeles.  She is an older, eccentric woman, sitting on a park bench, painting, and contemplating the journey of her life.  We travel back with her sixty years, to her wedding day in Russia.  She marries Tadeusz Lempicki (played by Andrew Samonsky).  When the Russian Revolution begins, her husband, a Polish royal, is taken prisoner.  She gives herself to a Russian officer in order to get her husband released.  They flee to Paris with their baby daughter.  In Paris, Tamara returns to painting, something she did less of after she married.  Her work catches the eye of the Baron and Baroness (played by Nathaniel Stampley and Beth Leavel), who recommend she study under Marinetti (played by George Abud).  She immerses herself in her studies, and desperately tries to earn money selling her paintings.  When she meets Rafaela (played by Amber Iman), Tamara is immediately attracted to her.  She asks to paint her portrait.  It is with this nude painting that Tamara discovers her own style, which brings her great success in Paris.  Her affair with Rafaela, though known by her friends and husband, is kept very secret.  As Tamara’s fame rises, so does the power of the Nazi Party.  Her husband returns to Poland, and Tamara, being Jewish, flees to the United States with her daughter and the Baron.  

Eden Espinosa as Tamara de Lempicka
Photo courtesy of Lempicka

The production is sharp and stylistic, reflecting the unique and bold style of Lempicka’s Art Deco
masterpieces.  Although focusing on the two loves in Lempicka’s life, the story covers decades of time.  There is chaos and political upheaval, as well as social and artistic evolution, yet the story is told clearly and succinctly. 

Beth Leavel & Nathaniel Stampley
Photo courtesy of Lempicka

In Act II, Beth Leavel delivers an emotionally impactful solo.  The Baroness comes to Tamara to have her portrait painted.  The Baroness has been informed that she has a very short time left to live.  She wants her husband to remember her as she is, strong and full of life.  These are the qualities the Baroness sees in Tamara’s work, and she trusts Tamara to capture what she wants her husband to remember.  The Baroness admits that her husband is in  love with Tamara.  She makes Tamara promise to help her husband, who is also Jewish, escape the Nazis.

Before her death in 1980, Tamara de Lempicka’s paintings were recovered and put on auction in the United States.  They brought in millions, and re-establish her reputation.  Her work transformed the way women were viewed in society.  This musical documents her struggle, both personal and as an artist, to achieve her vision and make a name for herself.  

Domenick Danza

The Gardens of Anuncia

 The Gardens of Anuncia
Lincoln Center Theatre
at the Mitzi E. Newhouse
October 28, 2023 

Photo courtesy of Lincoln Center Theatre

The Gardens of Anuncia, a new musical by Michael John LaChiusa, tells  the story of the early years in the life of Broadway Director/Choreographer Graciela Daniele.  Directed and co-choreographed by Ms. Daniele, the Lincoln Center Theatre production is tender, sensitive, beautifully staged, and skillfully performed.

Anuncia (played by Priscilla Lopez) is working in her garden, trying to decide the best place to bury the ashes of her Tia.  Her mind is flooded with memories of her younger years in Argentina.  Her father left at an early age, and her Mami (played by Eden Espinosa) brought them to live with Granmama (played by Mary Testa) and Tia (played by Andréa Burns).  These three women raise Anuncia with firm hands, strong wills, and open hearts.  When Younger Anuncia (played by Kalyn West) experiences pain in her feet, Mami enrolls her in ballet class to strengthen her arches.  A whole new world opens for Anuncia.  Tia teaches her to listen to the music and see the stories.  Granmama keeps her grounded, yet responds to life with a high level of dramatics.  When Anuncia gets a job dancing in Europe, Mami is happy she will escape the violence caused by the end of the Peron regime.  Anuncia does not want to leave her home.  She still holds the hurt of her father’s abandonment.  It is Tia who convinces her to go.  Now that Tia is gone, Anuncia is the last of the strong women in her family.  She realizes how much these three women will always be with her.

Eden Espinosa, Kalyn West, Mary Testa, & Andréa Burns
Photo courtesy of Lincoln Center Theatre

Andréa Burns, Mary Testa, and Eden Espinosa are a powerful trio as Tia, Granmama, and Mami.  Their energies balance beautifully.  Their distinctive characters build as their backstories are revealed and the world of Anuncia’s upbringing becomes clear.  Priscilla Lopez and Kalyn West have a genuine bond as Older and Younger Anuncia.  Their movements often mirror one another.  They are physically and emotionally in sync throughout the story, giving us a visceral understanding of how the past is always present. 

There are also strong performances by Enrique Acevedo and Tally Sessions, who play all the male roles in the story.  Their Moustache Brothers are bold and funny.  Mr. Acevedo’s Granpapa is rough and heartwarming.  Mr. Sessions’ interpretation of The Deer is magical and humorous.  

Photo courtesy of Lincoln Center Theatre

As Anuncia relives and changes her memories, she comes to a surprising conclusion of what she takes with her and what she has to leave behind.  It is an ending that leaves the audience feeling peaceful and comforted.  

The Gardens of Anuncia is playing at Lincoln Center Theatre’s Mitzi E. Newhouse through December 31. 

Domenick Danza