The Ladder

 The Ladder
IRT Theatre
January 31, 2026 

Photo courteys of The Ladder

Isaac Bryne’s play, The Ladder, tells the mythical tale of Theseus slaying the Minotaur.  Director Haley Rice beautifully builds the mystery and suspense in this well-crafted play.  The characters are often searching in the dark, causing the audience to lean in and listen, until the light reveals the object of their search and the desperation of the adventure.  The cast skillfully balances the heightened action with grounded emotion, engaging the audience in their individual journeys. 

When Theseus (played by James Jelkin) escapes the labyrinth after killing the Minotaur (played by Ken Orman), he has tall tales to tell.  He weaves a tale of bravery for Pirithous (played by Justin Senense), capturing his heart and loyalty.  He lures Ariadne (played by Lucy Turner) to a secluded island, only to desert her so as not to reveal how he broke his promise to her in the labyrinth.  King Ageus, Theseus’ father (played by Ken Orman), kills himself when he thinks his son is dead.  It is Persephone (played by Rebekah Rawhouser) who draws the true story out of Theseus by holding Pirithous hostage.  Even then Theseus holds back the full truth of his lustful rise to power. 

James Jelkin creates an egotistical Theseus with a blend of strength and humor.  It is the humor that makes this god-like figure a truthful and identifiable character.  Justin Senense is seductive and adversarial as Pirithous, capturing Theseus’ attention and affection.  Mr. Jelkin and Mr. Senense cleverly play at this masculine tug of war, developing a relationship based on need and convenience. 

Lucy Turner is beguiling as Ariadne.  There is a power in her self-assurance.  Theseus easily falls into her trap, only to betray her when he no longer needs her.  Ms. Turner dominates her scenes, even when she is fully defeated and confronted by Baccus (played by Justin Senense).  Mr. Senense brings an impish quality to the role of Baccus. 

Ken Orman plays a mighty King Ageus and a frightening Minotaur.  He has a majestic and commanding presence.   Rebekah Rawhouser is evil and manipulative as Medea, and fearsome and erotic as Persephone.  She is a true dynamo. 

Playwright Issac Byrne focuses on the story that each of these mythical characters holds within them.  These stories are explored as each character is introduced, giving the play a non-linear structure.  Mr. Byrne successfully delivers an ending that pulls all the loose ends together, and Ms. Rice affectively delivers it with amazing style.

The Ladder is playing at IRT Theatre (154 Christopher St., 3^rd floor) through Feb. 15. 

Domenick Danza

Transgression

 Transgression
HERE Arts Center
July 14, 2025

Photo courtesy of Transgression

Terry Curtis Fox’s new play, Transgression, questions and explores the boundaries of an artist’s creative process.  His characters are all affected by the private discoveries made during the course of the play, giving a rich perspective on the severity of actions previously taken.  Director Avra Fox-Lerner sheds equal light on the sensitivity of each of these perspectives, allowing the audience to use their own moral compass to draw a conclusion. 

Gina (played by Jane Ives) finds a series of photos taken by her deceased husband, Norman (played by James Jelkin), a renown photographer, famous for his female nude portraits.  She immediately contacts Martin (played by Yuvai Boim), who is curating a retrospective of Norman’s work.  He confirms that the newly discovered photos are Norman’s best work and that the subject is an under-aged girl.  She is sleeping in all the photos, so it is unclear if Norman had her consent.  Martin sends out a press release to find this young woman.  She is now in her sixties, and wants the photos destroyed.  When Gina uncovers additional secrets Norman kept from her, she realizes Norman’s creative process crossed ethical lines. 

Susan Bennett & Yuvai Boim
Photo courtesy of Transgression

Jane Ives drives the action of the play in the character of Gina.  She makes the discoveries of her husband’s hidden work and, in the end, makes a crucial decision.  Ms. Ives goes deep to portray the inner conflict this character faces.  She plays numerous scenes with Yuvai Boim as Martin, who, as a museum curator, has a very different point of view of how to handle the newly discovered portraits.  He has a responsibility to share the work, where Gina feels betrayed and is concerned with how the photos reflect her husband’s immoral behavior.  This conflict plays very well, and these two actors use it to raise the stakes.  As Martin faces a personal crisis of his own, he forms a bond with Gina.  Ms. Ives and Mr. Boim portray every component of these multidimensional characters, fully engaging the audience in their emotional challenges.  

Susan Bennett shows her range by playing two very distinct roles.  First is the older version of Robin, the underage object of Norman’s nude portraits.  She subtly portrays the effect of the sexual abuse this character experienced, while also admitting to being a seducer.  This dichotomy gives her character extreme complexity.  After years of therapy, she is able to clearly articulate her feelings.  Ms. Bennett skillfully handles the challenge of this role with grace and confidence.  Her second role is Robin’s mother.  This is another highly complex character that Ms. Bennett pulls off beautifully. 

James Jelkin & Ivy Rose Cort
Photo courteys of Transgression

James Jelkin and Ivy Rose Cort play Norman and the young Robin.  Their chemistry is potent.  Robin is both Norman’s artistic muse and the object of his sexual desire.  These two actors instinctively play this multiplicity.  The dramatic question of the piece centers around the morality and legal ramifications of this relationship.  The writing in these scenes is intriguing, giving the audience a lot to absorb and think about.  They are sensitively directed, producing performances that are intimate and tender.

Transgression is playing at HERE Arts Center through August 2.  It is thought provoking subject matter, skillfully handled and excellently produced. 

Domenick Danza