Showing posts with label James T. Lane. Show all posts
Showing posts with label James T. Lane. Show all posts

Sunday, February 17, 2019

Kiss Me, Kate!


Kiss Me, Kate!
Roundabout Theatre Company
Studio 54
February 16, 2019

Photo courtesy of Roundabout Theatre Company
The Roundabout Theatre Company revival of Kiss Me, Kate! is vibrant, jovial, and vivacious.  Kelli O’Hara and Will Chase make the well-known lead roles their own with a chemistry and style that rock the house.  Warren Carlyle’s choreography is sheer perfection.  Director Scott Ellis finds the right pace to keep the laughter flowing and the romantic moments touching and sentimental.

The story revolves around the out of town preview of a new musical version of Shakespeare’s The Taming of the Shrew.  Actor/Director Fred Graham (played by Will Chase) is starring as Petruchio opposite his ex-wife and diva, Lilli Vanessi (played by Kelli O’Hara), as Kate.  The sparks fly between the two actors backstage as well as onstage when Lilli receives an opening night bouquet from Fred by mistake.  The flowers are meant for Lois (played by Stephanie Styles), who is playing Bianca.  When Bill Calhoun (played by Corbin Bleu) signs Fred Graham’s name to an IOU for a gambling debt, two gangsters (played by John Pankow and Lance Coadie Williams) come to the theatre to collect.  Fred turns this around in his favor by using these two hit men to keep Lilli from walking off the show.

Kelli O'Hara, Corbin Bleu, Stephanie Styles, & Will Chase
Photo courtesy of Roundabout Theatre Company
Kelli O’Hara has an elegant and commanding presence.  Her rendition of “So in Love” is beautifully delivered.  Will Chase sings “Were Thine That Special Face,” and “Where is the Life that Late I Lead” with robust vigor.  Stephanie Styles brings down the house with “Always True to You in My Fashion,” including the well-deserved encores.  James T. Lane and the company open the second act with a magnificent “Too Darn Hot” that exuberantly lives up to its title.

This is the best of Cole Porter’s scores.  There are cuts and additions to the book and lyrics, made by Amanda Green, that keep the show running smoothly.  The addition of “From This Moment On” in the second act adds a new motivation for Lilli’s decision to return to Fred.  Changes in lyrics to the finale (both Shakespeare’s and Cole Porter’s) ring truthfully to the theme of the show, and add a message of gender equality.

Photo courtesy of Roundabout Theatre Company
Kiss Me, Kate! is playing at Studio 54 through June 2.  Don’t miss this outstanding production of a classic musical.

Domenick Danza

Friday, July 27, 2018

Don’t Bother Me, I Can’t Cope


Don’t Bother Me, I Can’t Cope
New York City Center
Encores! Off-Center
July 26, 2018

Photo courtesy of New York City Center Encores! Off-Center
The New York City Center Encores! Off-Center production of Don’t Bother Me, I Can’t Cope brings new life to Micki Grant’s music and lyrics.  Savion Glover’s staging and direction are concise and engaging.  His choreography merges the precision and energy of the time period with his unique style and rhythm.  His vision for the show is skillfully achieved by the strong singing voices and powerful stage presence of a vibrant ensemble cast.

Originally on Broadway in 1972, Don’t Bother Me I Can’t Cope was conceived by Vinnette Carroll.  The story is told entirely through Micki Grant’s music, which includes a range of compositions from blues and jazz to gospel and Reggae.  From the New York City Center Encores! Off-Center program:  “Don’t Bother Me has always been powered by the energy of the cast and music, along with its story being built on the African American experience.  Even more, Vinnette Carroll and Micki Grant’s presence on Broadway with this show came on the heels of Lorraine Hansberry, the first African American woman to present work on Broadway.”  There are strong and emotionally driven performances by Rheaume Crenshaw, Dayna Dantzler, Aisha de Haas, James T. Lane, and Wayne Pretlow.  

Photo courtesy of New York City Center Encores! Off-Center
Don’t Bother Me, I Can’t Cope remains a relevant piece of musical theatre.  It frames the social voice and point of view of the time period in which it was written, and genuinely rings true today.  The show runs for a very limited time at New York City Center through July 28. 

Domenick Danza