Showing posts with label Joaquina Kalukango. Show all posts
Showing posts with label Joaquina Kalukango. Show all posts

Monday, July 4, 2022

Paradise Square

 Paradise Square
Ethel Barrymore Theatre
July 3, 2022 

Photo courtesy of Paradise Square

Paradise Square is a MUST SEE  musical.  It tells the story of a twenty-block district in downtown Manhattan during the Civil War.  Populated by Irish Immigrants and free Black Americans, this area came under devastating attack during the New York Draft Riots in July 1863.  The fictional characters in the story are skillfully crafted to dramatize this unknown neighborhood and historic period.  The book by Christina Anderson, Craig Lucas, and Larry Kirwan is sharp and concise.  The plot is fueled by urgent, life changing decisions.  The score by Jason Howland is bold and emotionally impactful.  Lyrics by Nathan Tysen and Masi Asare bring the story forward with stunning clarity and heightened passion.  Director Moisés Kaufman masterfully pulls it all together to deliver a significant piece of musical theatre.

Photo courtesy of Paradise Square

Nelly O’Brien, a Black independent woman (played by Joaquina Kalukango), owns a bar in Five Points, also known as Paradise Square.  Her husband, Willie, an Irish Immigrant (played by Matt Bogart), is leaving to fight with the Union Army.  Willie’s sister, Annie (played by Chilina Kennedy) is remaining with Nelly to run the bar.  Annie’s husband, Reverend Samuel Jacob Lewis (played by Nathaniel Stampley) is a conductor on the Underground Railroad.  When a runaway slave (played by understudy Alan Wiggins) is separated from his partner, Angelina (played by Hailee Kaleem Wright), the Reverend seeks shelter for him at Nellie’s Bar.  At the same time, Annie’s nephew, Owen (played by A.J. Shively), arrives in New York, escaping the famine in Ireland.  Abraham Lincoln institutes the first Federal Draft, which imposes a $300 fine for any man who dodges his responsibility.  This creates a way out of the draft for the wealthy.  The immigrant population is required to serve and the Black population, who are willing, are prevented.  This creates a rift in the community of Five Points, especially within Nellie’s family.  When it is revealed to the authorities that Nellie is harboring a runaway slave, she becomes a target.  As the Draft Riots explode violently in the streets of New York, Nellie’s home becomes threatened.

Joaquina Kalukango & Chilina Kennedy
Photo courtesy of Paradise Square

Tony Award winner Joaquina Kalukango is a powerhouse.  She grabs your attention the minute she enters at the top of the show to tell Nellie’s story.  She continually engages your emotions, building to the spectacular number at the climax of the second act, which brings the audience to their feet. 

Also delivering a powerhouse performance is Chilina Kennedy as Annie Lewis.  She creates a rough, straightforward character who stands with Nellie through every emotional challenge and defining moment.  These two women are a remarkable duo.  There are also strong performances by Matt Bogart, Kevin Dennis, Nathaniel Stampley, A.J. Shively, Jacob Fishel, and understudies Alan Wiggins and Hailee Kaleem Wright.  The ensemble is outstanding.  They are full of energy, creating distinctive characters and vibrant moments that support the main action. 

Photo courtesy of Paradise Square

The choreography, by Bill T. Jones combines Irish step dancing and Black American Juba dance.  This sets the tone and pace for the story, while beautifully framing the historic and cultural content.  Scenic design, by Allen Moyer, creates a solid environment for the characters to inhabit.  It swiftly moves and shifts to keep the action continually connected.

In these current times where there is change and unrest, Paradise Square offers a startling perspective on the history of economic oppression in this country and the unrelenting need for standing up for freedom.  It is a monumental musical and a vital story.  Go see it! 

Domenick Danza

Monday, October 21, 2019

Slave Play


Slave Play
Golden Theatre
October 20, 2019

Photo courtesy of Slave Play
Jeremy O. Harris’ Slave Play makes clear and strong statements on race and identity.  It is a highly psychological look at the effect of trauma on inter-racial relationships, particularly from the point of view of the partner who identifies as black.  Director Robert O’Hara layers in humor to allow the audience to process the volume of information presented during the course of the action.  The cast of eight deliver high level performances, establishing genuine relationships as they reveal intimate inner-conflicts at an amazing pace.

Three couples are engaged in a week-long therapy retreat.  We enter the story on day three, as they are intensely invested in the fantasy portion of the process.  Kanesha (played by Joaquina Kalukango) portrays a house slave who is whipped and degraded by her overseer, Jim (played by Paul Alexander Nolan).  Alana (played by Annie McNamara) dominates her house servant, Philip (played by Sullivan Jones).  Gary (played by Ato Blankson-Wood) takes advantage of his indentured servant, Dustin (played by James Cusati-Moyer).  Their sexual fantasies take them all to the core issue they are struggling with in their relationships.  Some are able to come to acceptance of themselves and their partner.  Others need to dig deeper.

James Cusati-Moyer & Ato Blankson-Wood
Photo courtesy of Slave Play
Each actor develops their character with vigor and sensitivity that produces complex and truthful portrayals.  They lift Jeremy O. Harris’ writing off the page with raw honesty.  The play is packed with psychological theory and social data that is reflected in the relationships between the characters and the secrets they reveal. 

Slave Play is playing at the Golden Theatre.  It is multi-layered with profound insight that requires thoughtful discussion. 

Domenick Danza