Showing posts with label Nadia Bowers. Show all posts
Showing posts with label Nadia Bowers. Show all posts

Sunday, October 27, 2019

Macbeth


Macbeth
Classic Stage Company
October 26, 2019

Photo courtesy of Classic Stage Company
The Classic Stage Company has produced a heart-racing, one hour and forty-minute rendition of Shakespeare’s Macbeth.  Director John Doyle cuts right to the insatiable lust for power that drives the play, then overshadows it with the overwhelming sense of guilt that brings the downfall of the characters.  The cast of nine seamlessly move the action forward, skillfully portraying noble loyalty, voracious cunning, and vengeful retribution. 

Macbeth (played by Corey Stoll) is sought after by the three weird sisters (played by the ensemble) to predict his rise to power.  When his wife, Lady Macbeth (played by Nadia Bowers) hears the news, she devises a plan to hasten the events.  She manipulates her husband to kill King Duncan (played by Mary Beth Peil) to gain the throne.  He does the deed as planned and finds it only one of many slaughters to come.  He hires assassins to kill his friend Banquo (played by Erik Lochtefeld) in order to secure his position as king.  When the ghost of Banquo haunts him, Macbeth is propelled to visit the three weird sisters for an answer to its meaning.  Their revelations fuel Macbeth’s thirst for power and hide the clues to his imminent downfall.

Corey Stoll as Macbeth
Photo courtesy of Classic Stage Company
John Doyle’s choice to have the three weird sisters played by the ensemble is truly inspired.  The theater echoes with their unsettling verse and their evil is existent within every person on stage.  He ends the play with the same lines and formation as the opening, showing how this driving force of selfishness is ever present and seductive as events shift and move forward.

Corey Stoll portrays Macbeth as an honorable man, lured into making choices from which he cannot escape.  His character is changed after the murder of Duncan.  His physical and emotional transformation is clear and strong.  He spends the remainder of the play masking his emotional state as he continues to cause harm.  As he says to Lady Macbeth, “False face must hide what the false heart doth know.”  

Nadia Bowers as Lady Macbeth
Photo courtesy fo Classic Stage Company
Nadia Bowers is powerful as Lady Macbeth.  She conjures forces within herself to construct her plan and moves on it with unwavering determination.  Her mad scene is focused and unnerving.  Barzin Akhavan is strong as Macduff, and Raffi Barsoumian is passionate and innocent as Malcolm.  Mary Beth Peil is imposing as Duncan, and Erik Lochtefeld is loyal and gentle as Banquo. 

This production of Macbeth is boldly conceived and masterfully interpreted.  It is playing at Classic Stage Company through December 15.  If you are a Macbeth fan, as I am, you will truly enjoy it.

Domenick Danza


Sunday, November 26, 2017

Describe the Night

Describe the Night
Atlantic Theater Company
Linda Gross Theater
November 24, 2017

Photo courtesy of Atlantic Theater Company
The New York premier of Rajiv Joseph’s play Describe the Night is presently in previews at Atlantic Theater Company.  It explores the phenomenon of how perception can become reality, and how facts can easily be replaced by fabrications that become acceptable truths.  Mr. Joseph’s writing is luminous and engaging.  The action of the play spans the years from 1920 through 2010.  It follows the events connected by Isaac Babel, considered one of Russia’s greatest writers of his time, and Nicolai Yezhov, who was closely associated with Stalin and became the chief of the Soviet Police from 1936-38.  Their fabricated truths are linked to the plane crash in 2010 that killed the President, First Lady, and virtually every top member of Poland’s government and military.

Danny Burstein & Zach Grenier
Photo courtesy of Atlantic Theater Company
In 1920 Isaac Babel (played by Danny Burstein) meets Nicolai Yezhov (played by Zach Grenier).  They are both Soviet Soldiers.  Isaac is writing in his journal, describing the night, and teaches Nikolai how easy it is to tell a believable lie.  Fast forward to the plane crash of 2010, where Mariya, a journalist (played by Nadia Bowers), urgently needs to rent a car to flee the Soviet Police investigation of the events leading up to the crash.  Feliks, the car rental agent (played by Stephen Stocking), gives her his truck to escape unnoticed.  He passes on to her an old journal that was given to him by one of the victims of the plane crash before she died.  This is the journal belonging to Isaac Babel.  The play goes back and forth in time and follows the hand to hand journey of this journal, covered in truth, lies, perceptions, and falsities, from its start in 1920 until it gets into the hands of Vova (played by Max Gordon Moore), the man from St. Petersburg, who is on his way to be one of the most powerful men in the world.

Max Gordon Moore & Nadia Bowers
Photo courtesy of Atlantic Theater Company
The cast is superb in bringing clarity and life to the brilliant writing of Mr. Joseph’s play.  Every scene is driven by characters who are rich and real.  Danny Burstein and Zach Grenier juxtapose their characters with traits, physicality, and vocal rhythms that give visceral vigor to every scene they share.  Tina Benko is charming and heartbreaking as Yevgenia, the wife of Nicholai Yezhov.  The chemistry between her and Mr. Burstein is tangible.  Their connection is honest and genuine.  Nadia Bowers is powerful as Mariya.  She shows her range by also playing Mrs. Petrovna.  Max Gordon Moore’s character of Vova grows from an unassuming, eager government employee to a manipulative and aggressive official.

Danny Burstein, Zach Grenier, & Tina Benko
Photo courtesy of Atlantic Theater Company
Playwright Rajiv Joseph and director Giovanna Sardelli conquer a huge subject matter that is tightly interwoven with clear themes that are relative to every audience member.  The Atlantic Theater Company production of Describe the Night is running at the Linda Gross Theater through December 24.  The play has many layers that will keep you thinking.  See it with someone with whom you can have a deep, detailed discussion, or be prepared to do as I did and engage the person next to you during the two intermissions.   

Domenick Danza