The Night of the Iguana

 The Night of the Iguana
La Femme Theatre Productions
The Pershing Square Signature Center
December 30, 2023 

Photo courtesy of
La Femme Theatre Productions

The La Femme Theatre Productions’ presentation of Tennessee Williams’ The Night of the Iguana is riveting.  Director Emily Mann has gathered a stellar cast and masterfully guided them through Mr. Williams’ poetic writing.  The characters are viscerally portrayed, desperately in need, and grasping at whatever life-line they can find.  Set design by Beowulf Boritt and lighting design by Jeff Croiter create a sultry atmosphere for this deeply complex journey.

Reverend T. Lawrence Shannon (played by Tim Daly) is guiding a bus tour of women from a Texan Christian University through Mexico.  He takes a detour to Hotel Costa Verde, looking for his friend Fred.  Upon his arrival, Fred’s wife, Maxine (played by Daphne Rubin-Vega) informs him that Fred recently died.  Maxine immediately sees that Shannon is having a break down, something she nursed him through in the past.  He was asked to leave his position in the church after preaching an inappropriate sermon and having relations with an under-aged member of his congregation.  Shannon is repeating this pattern of behavior on his bus tour.  Judith Fellows (played by Lea DeLaria) is bringing him up on statutory rape charges after he spent the night with Charlotte Goodall (played by Carmen Berkeley), an under-aged member of the bus tour who she is chaperoning.  While trying to convince the tour patrons to stay at Hotel Costa Verde instead of the more modern downtown hotel, Hannah Jelkes (played by understudy Dee Pelletier) arrives with her grandfather, Jonathan Coffin (played by Austin Pendleton).  Shannon takes Hannah’s side and convinces Maxine to give them a room, even though they are short on funds.  As Shannon’s anxiety reaches a breaking point, Hannah is the one who leads him to redemption.  

Daphne Rubin-Vega & Tim Daly
Photo courtesy of La Femme Theatre Productions

Tim Daly portrays the flawed Reverend Shannon with grit, guts, and stubbornness.  His actions are
aggressively motivated by hurt and damage.  He is a victim of his own self-indulgence, running from the cause of his pain and allowing the symptoms to rule his behavior.  Dee Pelletier (understudy) is grounded as Hannah.  She and Mr. Daly have a truthful connection, which allows to story line to build to a stunning conclusion.  Ms. Pelletier skillfully delivers genuine moments in the final scene that allow Mr. Daly’s character to open, calm, and make a choice.           

Daphne Rubin-Vega is sensual and tempestuous as Maxine.  Her jealousy over the attention Shannon gives to Hannah is palpable.  She is a powerful adversary to Ms. Pelletier’s Hannah.  There are also strong performance by Lea DeLaria, Carmen Berkeley, and Austin Pendleton. 

The Night of the Iguana is playing at the Pershing Square Signature Center through February 25.  This Tennessee Williams classic is rarely revived, and this production is well worth seeing. 

Domenick Danza

Make Me Gorgeous!

 Make Me Gorgeous!
Playhouse 46 at St. Luke’s
December 23, 2023 

Make me Gorgeous! is a stunningly engaging telling of the life story of Kenneth Marlow.  Written and directed by Donnie, this one person performance piece moves at a remarkable pace.  Wade McCollum portrays Kenneth with exquisite grace and style.  He also portrays a number of people Kenneth meets on his fascinating journey.  They are all crisp and colorful characters, grounded in truth, and showcase Mr. McCollum’s wide range of skills. 

As a young boy growing up in Iowa, Kenneth enjoys dressing up in girl’s clothing.  His mother  and grandmother encourage him.  As Kenneth enters high school and his mother’s drinking becomes more sever, Kenneth discovers his sexuality.  When his father leaves them, he finds the church.  His journey continues to California, where he turns tricks, gets a sugar daddy, and goes to hairdressing school.  His life as a female impersonator begins in Chicago, when one night he jokingly dances on the bar while he is working.  He runs from the mob, and lands in New Orleans.  It is there he reconnects with his mother.  He later becomes the hairdresser to the stars, gets drafted into the army, and discovers his voice as a writer.  He decides to have a sex change operation, and transitions to become Kate Marlow.

Mr. McCollum portrays Kenneth with optimism, charm, and a zest for life.  His performance is absorbing and enchanting.  There are only a few days left to see this truly fabulous performance.  Make Me Gorgeous! is playing at Playhouse 46 at St. Luke’s through December 31.  

Domenick Danza

All the Devils Are Here

 All the Devils Are Here
How Shakespeare Invented the Villain
DR 2 (Daryl Roth) Theatre
December 16, 2023 

Photo courtesy of All the Devils Are Here

In his one-person show, All the Devils Are Here, Patrick Page reaches deep into your soul and takes you on a journey to understanding the evil that lurks within.  He analyzes the development of William Shakespeare’s plays, as reflected in the evolution of his dark, villainous characters.  Director Simon Godwin collaborates with Mr. Page to fully embody these multidimensional, psychologically complex characters, who are driven by revenge, greed, ambition, and fear.

Mr. Page tells the story of the progression of Shakespeare’s philosophy and the evolution of his skills as a playwright and artist.  He takes a chronological looks at Shakespeare’s work, focusing on the villain characters to illustrate the growth and change in Shakespeare’s understanding of human nature.  He performs monologues, and sometimes scenes, from Hamlet, The Merchant of Venice, Othello, Macbeth, The Tempest, Richard III, and Twelfth Night.  His interpretation of these evil characters proves the thesis he claims in his narrative.  We feel Shylock’s thirst for revenge.  We grasp Richard III’s acceptance of his dark nature and aspiration of supremacy.  We witness Iago’s sociopathic manipulation.  We laugh at Malvolio’s pompous desire for power.  We sympathize with Claudius in his moment of prayer.  We follow Macbeth’s decision to commit the heinous act that severely alters the trajectory of his life.  We appreciate Prospero’s release of vengeance and acceptance of forgiveness.  This all exemplifies how William Shakespeare invented the villain by making them three dimensional, identifiable, and empathetic.  

Patrick Page
Photo courtesy of All the Devils Are Here

Mr. Page’s knowledge of Shakespeare’s canon of plays and the context in which his characters take action is expansive and admirable.  His skill in focusing this expertise to create truthful moments of passion is truly mesmerizing.  

All the Devils Are Here is playing at the DR2 Theatre through February 25.  It is an inspiring piece of theatre.  Get a ticket right away! 

Domenick Danza

Spamalot

 Spamalot
St. James Theatre
December 2, 2023 

Photo courtesy of Spamalot

The Broadway revival of Monty Python’s Spamalot is over the top fun!  Director/choreographer Josh Rhodes has a strong handle on the material, keeping the pace moving quickly and the physicality precisely timed.  The scenic and projection design by Paul Tate de Poo III is brilliantly conceived and meticulously accomplished.  The cast works as a tight ensemble, delivering high energy performances with flawless consistency in humor and style.  

King Arthur (played by understudy Graham Stevens) is in search of knights for his round table.  He first meets Dennis Galahad (played by Nik Walker), who questions Arthur’s authority.  Arthur tells him of when he met the Lady of the Lake (played by Leslie Rodriguez Kritzer), received Excalibur, and took his rightful place as King of England.  Dennis is convinced, and knighted Sir Galahad.  Robin (played by Michael Urie) is interested in joining King Arthur’s round table, but is leery of the fighting it requires.  Lancelot (played by Taran Killam) guides him, and they both become knights.  With the addition of Sir Bedevere (played by Jimmy Smagula) the band of knights is complete.  When Arthur has an inspired vision, he and his knights set out on a quest to find the holy grail.  The journey is rough, full of surprises and challenges.  Arthur and his knights are forced to dig deep and find their truths.  

King Arthur & his band of knights
Photo courtesy of Spamalot

Graham Stevens (understudy) is commanding as King Arthur, gallantly leading his knights on their quest.  Michael Urie is witty and charming as Sir Robert.  His comic timing is impeccable.  Taran Killam is fearless and funny as Sir Lancelot.  His comic ability ranges from subtle humor to over the top bawdy.  Nik Walker is strong and bold as Sir Galahad.  He also plays the Black Knight and Prince Herbert’s Father.  All these roles are fierce and menacing.  Leslie Rodriquez Kritzer is alluring as the Lady of the Lake.  She is a vocal powerhouse.  

The Lady of the Lake
Photo courtesy of Spamalot

Ethan Slater plays numerous roles.  He keeps the narrative connected as the Historian.  The physicality of his character Not Dead Fred is perfect.  His portrayal of Prince Herbert is clever, sharp, and allows the plot to take an unexpected turn.  Christopher Fitzgerald is hysterical as Patsy, King Arthur’s side kick.  His presence is steady, and his physicality is brilliant.

If you want a boisterous good time, go see Spamalot at the St. James Theatre.  It will leave you feeling uplifted and positive, a feeling that can benefit us all. 

Domenick Danza

Poor Yella Rednecks

 Poor Yella Rednecks
Manhattan Theatre Club
New York City Center Stage I
November 24, 2023 

Photo courtesy of Manhattan Theatre Club

The Manhattan Theatre Club production of Qui Nguyen’s Poor Yella Rednecks is outstanding.  Mr. Nguyen tells the story of his mother and father, and his growing up in a small town in Arkansas.  It is funny and touching, rough and sweet.  Mr. Nguyen’s storytelling style is unique.  He tells this personal story of struggle and hardship in a bold and colorful manner.  His rhythms and humor are fully engaging, pulling the audience into the deeper emotion of the story.     

Maureen Sebastian, Samantha Quan, Little Man,
& Jon Norman Schneider
Photo courtesy of Manhattan Theatre Club

The playwright (played by Jon Norman Schneider) enters the stage and tells the audience he is getting ready to interview his mother.  He is going to write a play about when she met his father.  His mother, Tong (played by Maureen Sebastian) lays down the rules for the interview and what she expects from his play.  She transforms into a young woman, a refugee from Vietnam in the 1981.  She meets and falls in love with Quang (played by Ben Levin), who has a wife and two children in Vietnam.  He was a helicopter pilot during the war.  His wife thinks he is dead.  He and Tong decide to get married.  They live in El Dorado, Arkansas with Tong’s mother, Huong (played by Samantha Quan), who helps raise their son, Little Man (a puppet, manipulated and voiced by Jon Norman Schneider).  When Quang receives a letter from his wife in Vietnam, the guilt from abandoning his two children rises to the surface.  He sends them money without telling Tong, which breaks her trust.  This is only the beginning of their many ups and downs, including the fact that Little Man is having trouble speaking English and is bullied at school.

Maureen Sebastian & Ben Levin
Photo courtesy of Manhattan Theatre Club

The cast is superb.  Maureen Sebastian and Ben Levin have great chemistry and create a genuine bond as Tong and Quang.  Samantha Quan is full of energy as Huong.  She not only delivers the laughs, but also renders a truthful and touching scene in Act II with her grandson, Little Man.  Jon Norman Schneider’s grounded presence keeps the whole story connected.  There are strong performances by Jon Hoche and Paco Tolson, who both play numerous roles.  

Mr. Nguyen tells a lot of the story through rap lyrics.  They enhance the plot and heighten emotional impact.  Director May Adrales has done a brilliant job bringing this play to the stage.  Scenic design by Tim Mackabee is bright and colorful.  It is full of surprises, as each piece turns around to reveal unexpected settings.  Choreography by William Carlos Angulo is fun and energetic.  Puppet design by David Valentine is wonderous and charming. 

Poor Yella Rednecks is playing at the New York City Center Stage I through December 3.  Don’t miss it! 

Domenick Danza

Waiting for Godot

 Waiting for Godot
Theatre for a New Audience
Polonsky Shakespeare Center
November 11, 2023 

Photo courtesy of Theatre for a New Audience

Theatre for a New Audience’s production of Waiting for Godot is dark, gritty, and haunting.  Under Arin Arbus’ direction, the poetry in Samuel Beckett’s writing emerges as the rhythms in the dialogue rise and play out between the characters.  Ms. Arbus creates honest moments of companionship and  comfort, as well as truthful instances of distress and suspense.  The cast delivers masterful performances, pulling the audience deeper and deeper into their endless waiting and mounting despair.

Estragon (played by Michael Shannon) and Vladimir (played by Paul Sparks) are waiting for Godot.  They know they are in the right location, by the tree.  Maybe it’s the wrong day.  How many days have they been there?  They think they see him coming, but it is Pozzo (played by Ajay Naidu) and his servant Lucky (played by Jeff Biehl).  Estagon and Vladimir pass the time with them, then Pozzo and Lucky leave.  A boy (played by Toussaint Francois Battiste) arrives with a message from Godot.  He will be there tomorrow. 

Michael Shannon & Paul Sparks
Photo courtesy of Theatre for a New Audience.

Tomorrow arrives.  Estragon and Vladimir are waiting for Godot.  The tree has one new leaf.  Time is
passing.  Pozzo and Lucky return, but they are blind and dumb.  They do not recall having been there the day before, and neither does the boy when he returns with the same message from Godot.  Estragon and Vladimir debate what to do, then they wait. 

When you first enter the theatre, Michael Shannon is sitting on the stage as Estragon.  The theatre space fills with a strange quiet and heavy anticipation.  The waiting has already begun.  Time feels suspended through a lot of this production, giving the audience a visceral sense of one of Mr. Beckett’s themes in the piece.  There are also numerous biblical references connecting the characters and the waiting to a greater sense of existence. 

Jeff Biehl, Michael Shannon, Ajay Naidu, & Paul Sparks
Photo courtesy of Theatre for a New Audience

Paul Sparks and Michael Shannon are phenomenal together.  They have impeccable timing and a genuine bond that keeps the audience fully engaged.  Mr. Sparks’ Vladimir is highly physical, fidgeting and rapidly moving around the entire playing area, while Mr. Shannon’s Estragon is sedentary, weary, and unsteady on his feet.  

Ajay Naidu is energetic and antagonistic as Pozzo.  Jeff Biehl is discomfiting and mesmerizing as Lucky.  Their presence throws the rhythm and pace of the play into another realm.  All your attention goes to Toussaint Francois Battiste both times he enters as the boy.  Mr. Battiste embodies a different energy from the other characters.  He is the only one who has seen Godot.  He embodies a calm and certainty that the others are lacking. 

Samuel Beckett’s play has elusive and provocative existential and philosophical images and levels.  This production will engage you emotionally and leave you thinking.  Waiting for Godot is playing at Theare for a New Audience’s Polonsky Shakespeare Center through December 3. 

Domenick Danza

The Frogs

The Frogs
Master Voices
Lincoln Center’s Rose Hall
November 4, 2023 

Photo courtesy of Master Voices

The Frogs, with music and lyrics by Stephen Sondheim, was performed in concert by Master Voices at Lincoln Center’s Rose Hall.  It was a rare opportunity to experience this unique  musical theatre piece.  Based on the 405 BC comedy by Aristophanes, the book was adapted by Burt Shevelove in 1974.  It was revived by Lincoln Center in 2004, with additional music by Mr. Sondheim.  That production was directed and choreographed by Susan Stroman, with book revisions by Nathan Lane.  Mr. Lane introduced and narrated this concert presentation.  

Dionysos, the god of theatre and wine (played by Douglas Sills), realizes there is a desperate need for truth and humor in present day theatrical productions.  He takes his servant, Xanthias (played by Kevin Chamberlin), on a quest.  They travel to Hades to bring back George Bernard Shaw (played by Dylan Baker) to write new work.  While crossing the River Styx, Xanthias and Charon, the Boatman (played by Chuck Cooper), save Dionysos after he is captured by a group of frogs.  Upon arrival in Hades, they meet Plato (played by Peter Bartlett), who allows Shaw to leave for a short period of time.  They are all set to depart until Dionysos encounters a few other surprises that alter his original plan. 

This stellar cast and brilliant chorus presented this lesser-known Sondheim gem with skill and grace.  There were masterful and humorous performances by Douglas Sills, Kevin Chamberlin, Marc Kudisch, Chuck Cooper, Peter Bartlett, Dylan Baker, Jordan Donica, and Candice Corbin.  The choreography by Lainie Sakakura was creative and energizing.  Director/Conductor Ted Sperling delivered a stunning concert event. 

This presentation of The Frogs played for only one weekend (November 3 & 4).  Congratulations to Master Voices for making it memorable.  Check out their website for future concert performances (mastervoices.org).  They are sure to be valuable experiences.      

Domenick Danza