A Lovely Sunday for Creve Coeur

A Lovely Sunday for Creve Coeur

La Femme Theatre Productions

Theatre at St. Clements

September 22, 2018

Photo courtesy of
La Femme Theatre Productions

A Lovely Sunday for Creve Coeur, presented by La Femme Theatre Productions, poetically captures Tennessee Williams’ rhythms to draw you into the complexity of the characters.  Director Austin Pendleton orchestrates this stellar cast to gradually reveal their characters yearnings, motivations, and inner fears.  The scenic and lighting design by Harry Feiner magnificently creates a single room living space on the poorer side of St. Louis in 1939.  The overcrowded set dressing brilliantly reflects the characters’ deep need for fulfillment.  The four women in the cast gracefully dive beneath the surface to deliver heartfelt, genuine performances.

Dottie (played by Jean Lichty) is waiting for a very important call, while her roommate, Bodey (played by Kristine Nielson) is frying chicken and preparing deviled eggs for a Sunday picnic at Creve Coeur.  Bodey is obsessed with Dottie getting together with her brother, Buddy.  Dottie has her heart set on another man, the principal at the school where she teaches.  Bodey does not believe he is a good match for Dottie.  When Helena (played by Annette O’Toole) arrives and asks to speak to Dorothea, it takes Bodey a few minutes to realize she is asking for Dottie.  Helena is a teacher at the same school as Dottie.  They have been planning on getting an apartment together in a more affluent neighborhood, and Helena is there to collect the down payment.  Bodey thinks Helena is there to break some disturbing gossip to Dottie, and tries to keep them from speaking privately.  The presence of Miss Gluck (played by Polly McKie), the upstairs neighbor who suffers from depression due to the recent death of her mother, triggers specific reactions from each of the three women.  When Helena finally has a private moment with Dottie, she has to face her greatest fear.   

Kristine Nielsen, Jean Lichty, & Annette O'Toole
Photo courtesy of La Femme Theatre Productions

Tennessee Williams creates three highly complex characters in Dorothea (Dottie), Bodey, and Helena.  Dorothea is the fragile, idealistic, and aging Southern Belle who puts tremendous effort into maintaining her superficial and calm façade.  Jean Lichty reveals Dottie’s true heart in the opening scene with Bodey.  Their friendship is genuine.  Kristine Nielsen portrays Bodey as highly protective of Dottie.  Bodey’s personal need for Dottie to marry her brother is never spoken, but viscerally communicated by Ms. Nielsen.  When Dottie faces her fears in the climax of the play, Ms. Lichty relies on the genuine connection she created in the opening scene to build her character’s courage and fortitude.

Annette O’Toole’s Helena is highbrow and uptight.  Her entrance immediately creates a problem for Bodey.  Ms. O’Toole and Ms. Nielsen explore many levels of this conflict.  They build and vary their tone and physicality.  Even when they find a moment of agreement, they never drop the tension of competition.  After all her aggressive behavior, Ms. O’Toole is still able to elicit empathy when Helena’s deep sense of isolation is uncovered.

Annette O'Toole, Jean Lichty, Kristine Nielsen, & Pollu McKie
Photo courtesy of La Femme Theatre Productions

Miss Gluck represents the lonely end that each of the three women fear.  Polly McKie creates a dark and imposing presence that none of the other actors on stage can avoid.  She is what unites these characters in their struggle to survive.

This lesser produced Tennessee Williams play is a gem of complexity.  As he does in his other works, Williams sets up the fragile, artistic soul of the main character.  In this play, however, he surprises us by revealing the tender and vulnerable side of the characters who push their expectations on her.  Austin Pendleton and this marvelous cast take the audience on a truthful and intimate journey.  A Lovely Sunday for Creve Coeur is playing at the Theatre at St. Clements through October 21.   

Domenick Danza