Gypsy

 Gypsy
Majestic Theatre
June 17, 2025

Photo courtesy of Gypsy

Audra McDonald puts her unique brand on the iconic role of Rose in the Broadway revival of Gypsy.  Director George C. Wolfe found the urgency that drives every scene.  All the characters are fueled by a primal energy, a yearning for their desires and deep seeded need.  It gives this production a cutting-edge nuance.  Camille A. Brown’s choreography is a truly new take on this Broadway classic.  The movements are fully grounded in character.  Her dances propel the action and enhance the story.  The cast and ensemble are phenomenal. 

Rose (played by Audra McDonald) is pushing her two young daughters, Baby June (played by Mila Jaymes) and Baby Louise (played by Kyleigh Vickers) into show business.  Rose believes that June has all the talent.  Louise works extra hard to back up her sister.  Rose steals from her father (played by Thomas Silcott) to follow her dream and build a full act for the girls.  When she is auditioning the act, she meets Herbie (played by Danny Burstein).  Rose convinces him to represent them, and he starts obtaining bookings on the vaudeville circuit.  Rose refuses to see that the girls are outgrowing the act.  June (played by Jordan Tyson) runs off with Tulsa, one of the dancers in the show (played by Kevin Csolak), leaving Louise (played by Joy Woods) to take over.  Rose builds a whole new act around Louise, but since vaudeville is dying, they wind up taking a booking in a burlesque house.  Rose gives in and decides to marry Herbie at the end of their contract.  When the star stripper does not show up for her number, Rose does what she does best.  She pushes Louise into the spotlight. 

Joy Woods, Audra McDonald, & Danny Burstein
Photo courtesy of Gypsy

Audra McDonald roars as Rose.  She is determined, protective, and fearless.  Danny Burstein brings a
new fire to the character of Herbie.  He and Ms. McDonald have amazing chemistry.  They are an equal match.  Their characters go head to head, and always find the balance that keeps them moving forward.  

The most challenging part of playing the role of Louise is portraying her transition from a tomboy into a young woman.  Joy Woods handles this with skill and grace.  She matures from one scene to the next, creating a gradual change that shows the passage of time as the action unfolds.  By the end of the show, she is a queen in her own right, and the audience has seen it unfold one moment at a time.  

Joy Woods & Audra McDonald
Photo courtesy of Gypsy

Jordan Tyson portrays June with feisty energy.  The character is fueled by frustration, caused by her mother’s expectation.  This plays very well against Ms. Woods’ Louise, who is always working to decelerate the conflict between June and Rose.  June’s decision to leave with Tulsa is hurtful to Rose, yet it is clear by Ms. Tyson’s portrayal that it is fully motivated by her anger toward her mother and made with total disregard for her feelings.

Gypsy is playing at the Majestic Theatre.  It is an energized revival with a stellar cast, who all deliver tremendous performances. 

Domenick Danza

Ohio State Murders

 Ohio State Murders
James Earle Jones Theatre
December 26, 2022 

Photo courtesy of Ohio State Murders

Audra McDonald transforms herself into the role of Suzanne Alexander in Adrienne Kennedy’s Ohio State Murders.  She shares the stage with four skilled actors, yet the piece plays like a one-character show.  The other characters enhance the action and keep it centered in the present, while Ms. McDonald’s character narrates the full story, weaving through time with an emotionally impactful outcome.  Director Kenny Leon carefully finds the moments for Ms. McDonald to explore rich subtext that draws the audience in and fully connects them to the main character’s journey.

Suzanne Alexander (played by Audra McDonald) is asked where the violent images in her work come from.  This questions takes her back to the years she spent at Ohio State University.  As a young Black woman, she faces the limitations place on her and dives into her literature studies.  She is enamored by her professor, Robert Hampshire (played by understudy Christian Pedersen).  He recognizes the brilliance in her papers and assignments.  She is asked to leave the dormitory when she finds out she is pregnant.  Shunned by her parents, she goes to live in New York City with her Aunt Louise (played by Lizan Mitchell).  She gives birth to twin girls, and, supported by her aunt, returns to Ohio State to continue her studies.  Everything is progressing well, until the abduction and murder of one of her twin baby girls.  She stays at Ohio State, hoping to find out who committed this horrendous crime.  It is not until two years later, when her second daughter is murdered, that she finds out.  All is kept private, until she is asked about the violent images in her work.  She then speaks freely. 

Photo courtesy of Ohio State Murders

Adrienne Kennedy’s writing is compelling.  It has a natural flow that keeps the audience hanging on for the next sentence.  The piece is relatively chronological, yet has subtle loops in time that reveal details that deepen the action and propels it forward.  These are powerful moments that make the audience listen more intently and think more acutely.  

Audra McDonald encompasses every nuance in Ms. Kennedy’s writing.  She personalizes the character’s experience at Ohio State in the 1950’s so you can feel the atmosphere and identify with her challenges.  Ms. McDonald finds the richness beneath the written words, creating a character with genuine depth.  She is eager, vulnerable, and tenacious.  You can see the weight of character’s life experiences in Ms. McDonald’s eyes in the opening scene.  By the end of the story, you fully comprehend what she carries. 

Ohio State Murders is playing at the James Earl Jones Theatre through February 12.  The renovation of the theatre is remarkable.  This play is the perfect way to celebrate the new space.  Don’t miss it! 

Domenick Danza

Frankie & Johnny in the Clair de Lune

Frankie & Johnny in the Clair de Lune

Broadhurst Theatre

June 1, 2019

Photo courtesy of Frankie & Johnny in the Clair de Lune

Audra McDonald and Michael Shannon are astounding in Terrance McNally’s Frankie & Johnny in the Clair de Lune.  Director Arin Arbus finds the perfect rhythm to build the tension and intimacy between the characters.  Mr. McNally’s play is just as impactful today as it was when it was first produced in 1987.  This is because of its subject matter: the connection between two people in need.  A story like this is timeless and will forever touch the soul of an audience.

Audra McDonald & Michael Shannon
Photo courtesy of Frankie & Johnny in the Clair de Lune

Frankie (played by Audra McDonald) is on her first date with Johnny (played by Michael Shannon).  He is the short order cook at the diner where she works as a waitress.  They go to a movie, stop for ice cream, then go to her one-room walk up apartment.  That is where the play begins, in Frankie’s apartment, where her and Johnny are is the throws of passion.  He adores her.  The more she showers her with complements, the higher her guard goes up.  As they share details of their lives, they find they have a lot in common.  They are both originally from Allentown, Pennsylvania.  Both their mothers deserted them at a young age.  They both hide the scars they carry.  Gradually, Johnny wears down Frankie’s protective shell.  When the sun comes up in the morning, they have to face the reality of their lives with a different sense of themselves and one another.

Arin Arbus, Michael Shannon, Terrance McNally, & Audra McDonald
Photo courtesy of Frankie & Johnny in the Clair de Lune

The timing and chemistry between Ms. McDonald and Mr. Shannon are crisp and fluid.  There is a lot of humor in their continual badgering.  The pay off is the connection they create.  It is honest and genuine.  There are heightened moments of fear, followed by profound moments of calm.  The production is beautifully orchestrated.

Frankie & Johnny in the Clair de Lune is paying at the Broadhurst Theatre.  It is Terrance McNally at his most intimate.  The production is tenderly directed and stunningly performed, proving that amazing things can happened under the "light of the moon."

Domenick Danza

Shuffle Along, or the Making of the Musical Sensation of 1921 and All that Followed

Shuffle Along

or the Making of the Musical Sensation of 1921 and All that Followed

The Music Box

April 9, 2016

Photo courtesy of Shuffle Along

There is something amazing happening on the stage at the Music Box.  Audra MacDonald, Brian Stokes Mitchell, and Billy Porter lead a tremendously skilled cast and ensemble of twenty-six singers/dancers in a show that is powerful, entertaining, informative and thought provoking.  Shuffle Along, or the Making of the Musical Sensation of 1921 and All that Followed tells the story as clearly as the title states.  It has the original music and lyrics by Eubie Blake and Noble Sissle, arrangements and orchestrations by Daryl Waters, and a new book by George C. Wolfe.  Savion Glover’s choreography is astounding!  He recreates the style and syncopation of the era with his own signature and flair.

The first act tells about how F.E. Miller (played by Brian Stokes Mitchell) and Aubrey Lyles (played by Billy Porter) teamed up with composer Eubie Blake (played by Brandon Victor Dixon) and lyricist Noble Sissle (played by Joshua Henry) to write a new musical for Broadway that challenged their creative voices in ways the social and racial norms would not allow.  Their show stars Lottie Gee (played by Audra MacDonald) and Gertrude Saunders, who is later replaced by Florence Mills (both roles played by Adrienne Warren).  Each scene chronicles their struggle and fortitude.  They never falter from moving toward achieving their goal, which is proudly illustrated in the Act I finale with the bold and vivacious production number from the original Shuffle Along. 

Photo courtesy of Shuffle Along

The second act follows the rise to fame and tragic downfall of this little known creative team.  Mr. Wolfe’s book gives a stylistic insight into the cultural limitations of the time and the historic significance of these artists’ unsung contribution.  His most well written and directed scenes are ones that elucidate the love affair between Eubie Blake and Lottie Gee.  Audra MacDonald and Brandon Victor Dixon have a phenomenal chemistry in these roles.  Their characters are multi-dimensional and full of heart, charm, and determination.  Ms. MacDonald has a number of strong moments that reveal the desperate need of her character after years of personal and professional struggle.  Billy Porter and Brian Stokes Mitchell also have a strong chemistry as the comic writing duo of Miller and Lyles.  Their timing is a reflection of their backstory and relationship.  Billy Porter delivers a heart wrenching, show stopping number in the second act. 

One of the ingenious points of Mr. Wolfe’s book is the way he has addresses actors playing numerous roles.  His casting in these instances is phenomenal.  Brooks Ashmanskas plays a number of these roles with dexterity, humor, and commitment.  Adrienne Warren has a powerful singing voice and versatile acting skills that is gallantly shown off in the roles she undertakes. 

The show has a few more weeks of previews before it opens on April 28.  There is still work to be done to tighten up the impact of the story, yet this creative team is sure to deliver.  It is an awe-inspiring effort, envisioned and led by Mr. Wolfe, which is sure to have an extraordinary pay off.  For more historic details about the original production of Shuffle Along, read the New York Times Magazine section article from March 27.  It will inspire you to buy a ticket. 

Photo courtesy of Shuffle Along

Domenick Danza