Purlie Victorious

 Purlie Victorious
 A Non-Confederate Romp Through the Cotton Patch
The Music Box
September 23, 2023 

Photo coourtesy of Purlie Victorious

The Broadway revival of Ossie Davis’s 1961 play, Purlie Victorious, is truly joyous.  Kenny Leon directs a stellar cast, with the right touch of style, melodrama, and grit that allows Ossie Davis’s writing to ring with truth, humor, and relevance.  

Purlie Victorious Judson (played by Leslie Odom, Jr.) searched for a young girl to pretend to be his deceased cousin so he could get a five hundred dollar inheritance that is being held by Ol’ Cap’n Cotchipee (played by Jay O. Sanders).  He finds Lutiebelle Gussie Mae Jenkins (played by Kara Young) on his travels through Alabama, and brings her back to Georgia.  Missy Judson (played by Heather Alicia Simms) thinks Lutiebelle will pass as their deceased cousin, but her husband, Gitlow (played by Bille Eugene Jones), needs some convincing.  They almost pull it off until Lutiebelle signs the wrong name on the papers.  Purlie is on the run for trying to swindle Ol’ Cap’n Cotchpie, but comes back in force to preserve Lutiebelle’s reputation.

Leslie Odom, Jr., & Kara Young
Photo courtesy of Purlie Victorious

Leslie Odom, Jr. and Kara Young are great together.  Mr. Odom is full of life as Purlie.  His vitality fills the stage and energizes all the characters to take action.  Ms. Young portrays Lutiebelle as an innocent, nervous girl who transforms into a determined young woman.  She is willing to open up and take a risk, all due to Purlie’s inspiration.  These two actors have a great chemistry, and keep the audience fully engaged in the action of the story. 

Heather Alicia Simms & Billy Eugene Jones
Photo courtesy of Purlie Victorious

Heather Alicia Simms and Billy Eugene Jones are a strong pair as Missy and Gitlow Judson.  Their relationship is full of fire, and their timing is fast and sharp.  Jay O. Sanders creates a wicked villain in the character of Ol’ Cap’n Cotchipee.  This role is played with a precise balance of humor and malice to keep it from being too dark.  There are also strong performances by Vanessa Bell Calloway as Idella Landy and Noah Robbins as Charlie Cotchipee.

This cast delivers a completely enjoyable experience of a gem of a play.  Purlie Victorious is playing at The Music Box.  Don’t miss it. 

  

Domenick Danza

Des Moines

 Des Moines
Theatre for a New Audience
Polonsky Shakespeare Center
December 23, 2022 

Photo courtesy of Theatre for a New Audience

Denis Johnson crafted his play Des Moines with mesmerizing dialogue that captures interest and builds intrigue.  His characters are on the edge, dark, and simmering.  The Theatre for a New Audience production is riveting.  Director Arin Arbus uses Mr. Johnsons rhythms and silences to lure the audience and involve them in the action.  Once engaged, there is no release, just a plunging spiral, fueled by unwavering hope.

Michael Shannon, Johanna Day, & Arliss Howard
Photo courtesy of Theatre for a New Audience

Dan (played by Arliss Howard) is home from work at the Car Barn, where he drives a taxi.  He and his wife Marta (played by Johanna Day) share the news of their day.  A woman, Mrs. Drinkwater (played by Heather Alicia Simms) came by Dan’s work to inquire about a ride he gave her husband to the airport.  It was her husband’s final cab ride.  His plane crashed and he was killed.  Mrs. Drinkwater asks Dan about her husband’s last words, then shows him her husband’s wedding ring, which she accidentally leaves with Dan.  Marta tells Dan that Father Michael (played by Michael Shannon) will be stopping by, which reminds Dan that he saw Father Michael outside a gay bar at closing time, wearing woman’s make-up.  When Father Michael arrives, Marta breaks the news to Dan that the Doctor told her she has two to four months to live.  They decide to go out for a drink, leaving Father Michael with Jimmy (played by Hari Nef) who is in a wheelchair due to complications during sex change surgery.  When Mrs. Drinkwater arrives to pick up her husband’s wedding ring, the drinking begins.  When Dan and Marta return, the drinking accelerates.  They all sing Karaoke, baring their souls in a drunken frenzy.  Morning comes.  They all stand tall to face the day ahead.  

Arliss Howard & Hari Nef
Photo courtesy of Theatre for a New Audience

This cast of actors each create truthful, multi-layered characters, who are all driven by deep need and propelled by boundless energy.  The action builds as these drives connect, uniting them on their journey of facing insurmountable personal challenges.  Each actor has a clear sense of what keeps their characters moving forward.  This is what sustains the audience’s investment in the heightened action.  There is sorrow, but no grieving  There is conflict, but no animosity.  They spiral into darkness, then slowly and steadily rise with hope.

The Theatre for a New Audience production of Des Moines is masterfully conceived and skillfully directed and performed.  Denis Johnson has written a truly unique piece of theatre.  You become one with these character in their bizarre mingling and faithful persistence.  The play is compelling and thought provoking.  This production has been extended through January 8 at the Polonsky Shakespeare Center in downtown Brooklyn.  

Domenick Danza

Fairview

Fairview

Theatre for a New Audience

Polonsky Shakespeare Center

July 11, 2019

Photo courtesy of Theatre for a New Audience

Jackie Sibblies Drury’s Pulitzer Prize winning Fairview turns the table on the audience in order to give them a different perspective on race in this country.  Director Sarah Benson and Choreographer Raja Feather Kelly collaborate with skillful precision, layering this amazing production with meticulous detail that creates a profound effect.  In true Brechtian style, the audience is encouraged to questions their percepton and see the familiar through a different perspective.  Going a step further, the audience is drawn into becoming an active participant, gaining an understanding of the clear and profound message of the playwright.

Charles Browning, Heather Alicia Simms, & Roslyn Ruff
Photo courtesy of Theatre for a New Audience

At first we watch the story of a wealthy, suburban black family as they prepare for the birthday celebration of their matriarch.  Beverly (played by Heather Alicia Simms), is nervously preparing the dinner.  Her husband, Dayton (played by Charles Browning), teases and supports her, while pretending to have forgotten to pick up the root vegetables needed for the dinner.  In comes Beverly’s high maintenance and gossipy sister, Jasmine (played by Roslyn Ruff), pushing buttons and raising Beverly’s stress level.  Beverly and Dayton’s teenage daughter, Keisha (played by Mayaa Boateng), returns from her basketball practice and asks her Aunt Jasmine to help her convince her mother to allow her to take a year off before starting college.  Amid the hectic craze, the lights focus in on Keisha for a serious, pensive moment.  The stress of the evening is all too much for Beverly.  She faints from the overstimulation.

Mayaa Boateng as Keisha
Photo courtesy of Theatre for a New Audience

During the next section of the play we hear a discussion on race.  The question is asked, “If you could choose, which race would you be born into?”  While this voice-over dialogue is being heard, the previous scene reruns silently.  The precise timing allows for a different insight into the characters we thought we knew.  Our observations are filtered through the dialogue being heard.

The third section of the play is wildly absurd, yet the playwright remains in complete control of the voices and images that make her audience question their individual perception.  The full cast brilliantly leads an unsuspecting audience to a complete and brutal reversal of reality.  None of this would be possible if not for the total trust you place in the character of Keisha.  Ms. Boateng is truthful, warm, and endearing in this monumental role.

Playwright Jackie Sibblies Drury
Photo courtesy of Berkeley Rep

Soho Rep’s Fairview is playing downtown Brooklyn at Theatre for a New Audience through August 11.  There are no words that can explain the impact of this production.  It boldly takes the concept of Brecht’s “epic theatre” forward into the 21^st century.  You need to be there yourself to fully experience, understand, and be a part of its impact.

Domenick Danza

By the Way, Meet Vera Stark

By the Way, Meet Vera Stark

Signature Theatre

The Pershing Square Signature Center

February 23, 2019

Photo courtesy of Signature Theatre

In By the Way, Meet Vera Stark playwright Lynn Nottage tackles the racial stereotypes generated by the early years of Hollywood.  Together with Director Kamilah Forbes, they put a mirror to the audience for a deep look at how these images still live inside our minds today.  Although first produced in 2011, this play has a timely voice.  The Signature Theatre production brings together an impeccable cast and design team to celebrate Ms. Nottage’s poignant and powerful writing.

Act I opens in Hollywood in 1933.  We are in the posh living room of movie start Gloria Mitchel (played by Jenni Barber).  She is preparing for a screen test with her maid, Vera Stark (played by Jessica Frances Dukes).  While Gloria is nervous, scattered, and high strung, Vera is grounded, focused, and strong-willed.  Vera wants to be a movie actress, yet the color of her skin creates great limitation for her in the movie industry.  In her small apartment she commiserates with her roommate Lottie (played by Heather Alicia Simms), while her second, fair-skinned roommate, Anna Mae (played by Carra Patterson), goes on a date with a white movie director.  Vera meets Leroy Barksdale (played by Warner Miller) while waiting for Gloria to complete her screen test.  Leroy is a musician who claims to be the “Guy Friday” for the film’s director, but turns out to be his chauffer.  All the characters collide at a Hollywood party hosted by Gloria, where their lives and careers are propelled into the lime light.

Warren Miller & Jessica Frances Dukes
Photo courtesy of Signature Theatre

Act II fast forward to 2003.  Vera Stark had success as a film actress, and a retrospective on her career is being presented.  The focus is on the movie she made with Gloria Mitchell in 1933.  The host, Herb Forrester (also played by Warner Miller) shows a 1973 television interview where Vera and Gloria are reunited and come close to spilling a few secrets of Hollywood glamour.

Jessica Francis Duke is captivating as Vera Stark.  She is direct and truthful in the early Hollywood scenes.  Her character’s optimism and determination keep the first act moving.  She and Warner Miller have an amazing chemistry.  Their scenes together are riveting.  They play each and every moment with scintillating musicality.  Ms. Dukes makes a brilliant transition in the portrayal of Vera in 1973.  Her presence is powerful, and her interpretation is rich in subtext that reveals volumes.

Jessica Frances Dukes & Jenni Barber
Photo courtesy of Signature Theatre

In the final scene, Ms. Nottage makes a bold statement about the courage and integrity of black women in early Hollywood.  Ms. Dukes and Ms. Barber play this moment to perfection, giving an eternal voice to the courage and self-awareness of these pioneers.

The Signature Theatre production of By the Way, Meet Vera Stark has been extended.  It is playing at The Pershing Square Signature Center through March 10.  Do whatever you can to get a ticket.  It is not to be missed.

Domenick Danza

Fabulation, or the Re-Education of Undine

Fabulation,

or the Re-Education of Undine

Signature Theatre

Pershing Square Signature Center

December 26, 2018

Photo courtesy of Signature Theatre

What happens when the life you create for yourself collapses around you, leaving you with no choice but to return to your family, who you turned your back on years earlier?  That is the dramatic question and story line of Lynn Nottage’s comedy, Fabulation, or the Re-Education of Undine.  Director Lileana Blain-Cruz finds the timing needed to deliver the laughs in the cutting humor and direct address of the main character.  Ms. Nottage’s play is full of social commentary and bitter sarcasm, yet offers a glimpse for a more hopeful tomorrow. 

Undine (played by Cherise Boothe) is a self-made, high powered, very successful PR exec, who calls all the shots with total disregard for everyone but herself.  When her husband, Herve (played by Ian Lassiter), drains her bank accounts and abandons her, she finds herself pregnant and destitute.  She returns to her family in Brooklyn, who, according to the stories she make up when she re-created herself after college, died in a fire.  The culture shock of her return to the housing projects is heightened when she is arrested for buying crack for her addicted Grandmother (played by Heather Alicia Simms).  As dark as things get, nothing is greater than her fear of having a baby and becoming a mother.

J. Bernard Calloway & Cherise Boothe
Photo courtesy of Signature Theatre

Charisse Boothe delivers a tremendous performance in the difficult and complex role of Undine.  She is brash, pushy, condescending, and unlikeable, yet Ms. Boothe keeps a hold of the audience’s attention as they engage in her character’s journey.  Each one of Undine’s outbursts peels back a layer of her harsh exterior until her vulnerable heart is finally exposed.  At that moment you realize that Ms. Boothe has been playing every one of Undine’s brutal traits with that susceptible heart, which is why you connected to her struggle from the start.

Photo courtesy of Signature Theatre

The cast is a brilliant ensemble, playing numerous and varied roles.  Funny, touching, and raw character are created by Mayaa Boateng, Marcus Callender, J. Bernard Calloway, Dashiell Eaves, Ian Lassider, Nikiya Mathis, and Heather Alicia Simms. 

Fabulation, or the Re-Education of Undine is playing at Pershing Square Signature Center through January 13.  There’s still time to get a ticket.

Domenick Danza