Lunar Eclipse

 Lunar Eclipse
2^nd Stage Theater
The Pershing Square Signature Center
May 31, 2025

Photo courtesy of 2nd Stage Theater

Donald Margulies’ new play, Lunar Eclipse, is now running Off-Broadway.  It is an intimate two-hander, filled with deep sentiment that lingers long after the play is over.  Mr. Margulies structured the piece to parallel the stages of a lunar eclipse.  Director Kate Whoriskey shapes the emotions in the dialogue to gently draw the audience in.  Reed Birney and Lisa Emery are wonderful together.  Their connection is honest, innate, and effortless. 

George (played by Reed Birney) is sitting in the middle of a field in the dead of night, crying.  When a car pulls up and headlights illuminate his emotional state, he quickly pulls himself together.  It is his wife, Em (played by Lisa Emery), who has come to keep him company.  It is George’s ritual to watch the lunar eclipse, and she brought supplies to get them through the cold night.  Em tells George she saw him crying when she drove up.  He denies it at first, then finally opens up.  George admits that he misses their newly deceased pet dog.  They reminisce about all the dogs they have had on the farm over the years, all of whom have been buried in the field where they are sitting.  He also tells Em that he is awake in the middle of the night worried about the state of the world, and is having trouble remembering everyday details.  She makes light of his getting older.  They talk about their inability to have children and the challenges they faced adopting.  George tells Em that he knows how and when they are both going to die. 

Photo courtesy of 2nd Stage Theater

As in all Donald Margulies plays, the rhythm of the dialogue flows naturally, which offers visceral insight into the relationship of the characters.  They poke and tease, lose their patience, shut down, then selfishly blurt out their feelings.  What is different in this piece is the location.  A farm in western Kentucky requires a different pace and ease than Ms. Margulies’ earlier plays, and it works beautifully.  The audience sits back and absorbs the revelations in the dialogue. 

In the final scene George and Em are transported back in time to the night they ventured out to the field to watch their first lunar eclipse together.  They are young and hopeful.  They have their whole lives ahead of them.  This scene perfectly frames the couple’s reflections during the previous scenes.  Their journey has just begun and, knowing where it takes them, we understand the importance of appreciating every moment. 

Lunar Eclipse is playing at The Pershing Square Signature Center through June 22.  It is a touching and intimate play.  Go see it. 

Domenick Danza

Letters from Max

 Letters from Max
Signature Theatre Company
The Griffin Theatre
The Pershing Square Signature Center
February 22, 2023 

Photo courtesy of Signature Theatre Company

Sarah Ruhl’s Letters from Max, now playing at Signature Theatre, is a heartwarming telling of the relationship between teacher and student that grows into a mutually supportive and creative camaraderie.  It is based on the book Ms. Ruhl wrote with Max Ritvo.  It contains their correspondence over a number of years and through challenging and painful times.  The production is simply and effectively conceived, driven by a combination of direct address and dialogue scenes that depict moments of genuine connection and admiration.  Director Kate Whoriskey sculpts this piece into an intimate journey through pain and fear into understanding, peace, and love.

Sarah (played by Jessica Hecht) first meets Max (played by Ben Edelman) when he attended her playwriting class at Yale.  She immediately notices his light and creativity.  Max, a poet and comic, who never wrote a play in his life, was in remission from pediatric cancer.  He and Sarah share emails, letters, and texts, discussing their creative perspectives.  They quickly bond.  When Max’s cancer returns, their correspondence takes on a more serious tone.  Sarah says that she often felt like the student.  Max was teaching her so much about life, and challenging her to see herself more clearly.  Max undergoes a number of trial treatments for his cancer, yet never loses his creative drive or stops writing.  

Ben Edelman & Jessica Hecht
Photo courtesy of Signature Theatre Company

Jessica Hecht is phenomenal in the role of Sarah.  Her heart is open from the first moment, and continues to expand throughout the action of the play.  Her connection with Ben Edelman (Max) is truthful and tangible.  Mr. Edelman’s character faces his mortality with courage and endurance, which is reflected back to him through the relationship he creates with Ms. Hecht’s character.  Their bond is genuine.  They welcome the audience into their story, yearning to share the experience. 

The discussions of life, death, and life after death in the letters are wise, caring, and hopeful.  The audience comes to conclusions along with the characters, as they share their stories and ponder their fates. 

Letters from Max is playing at the Griffin Theatre at the Pershing Square Signature Theatre Center through March 19.  Go see it!  It will do your heart some good. 

Domenick Danza

Clyde’s

 Clyde’s
Second Stage Theater
The Helen Hayes Theater
December 29, 2021 

Photo courtesy of Second Stage Theater

Lynn Nottage successfully steps into a new genre with her play Clyde’s.  It is bold and funny, yet still packs Ms. Nottage’s signature strong social message.  Director Kate Whorisky finds the pace and energy to keep the action moving.  The cast brilliantly creates larger than life characters who carry a vivid sense of vulnerability and humanity.

Uzo Aduba & Ron Cephas Jones
Photo courtesy of Second Stage Theater

Clyde (played by Uzo Aduba) owns a sandwich shop on a “nondescript stretch of road, in Berks
County, Pennsylvania.”  Montrellous (played by Ron Cephas Jones) urges Clyde to up the quality of the sandwiches in order to get more attention for the restaurant.  Clyde refuses to taste  his handiwork.  Montrellous trains the other kitchen workers, Raphael (played by Reza Salazar) and Letitia (played by Kara Young), to create new sandwiches with scrupulously chosen ingredients.  When Jason (played by Edmund Donovan) is hired to work in the kitchen, the creative momentum is thrown off.  Jason has recently been released from prison and is covered with white supremacist tattoos.  One by one each character reveals their incarceration history.  This is what they all have in common.  They desperately need their jobs at Clyde’s to get their lives on track, yet Clyde brutally keeps them all in place.  When a customer demands relish on one of Montrellous’ gourmet sandwich creations, all hell breaks loose. 

The Full Cast of Clyde's
Photo courtesy of Second Stage Theater

Uzo Aduba is a powerhouse as Clyde.  Her character makes dramatic entrances throughout the play, surprising and terrorizing the kitchen staff.  She is extreme and overbearing.  She pushes each one of her workers to the edge.  Just as it reaches a high point, Ms. Aduba softens and backs away, making you think there is a heart within her.  She then returns even more full of fire.  

Ron Cephas Jones is poetic and calming as Montrellous.  Reza Salazar is dynamic as Rafael.  Kara Young is a ball of energy as Letitia.  Edmund Donovan portrays Jason like a bomb ready to explode.  These skilled actors create characters with a burning desire to get out of the confines of their circumstances.  They are people who made mistakes in their past.  Their stories are complicated and touching.  You yearn for them to break out of the restrictions Clyde callously imposes on them. 

In this play, Ms. Nottage uses the kitchen of the sandwich shop to represent the limitations people put on themselves for past mistakes.  Clyde is the power that holds them down, whether it be the voice within or societal and economic challenges.  As each character forgives themselves, they move on, releasing themselves from Clyde’s demoralizing control. 

The Second Stage Theater production of Clyde’s is a MUST SEE.  It is playing at the Helen Hayes Theater through January 16.  Get a ticket today! 

Domenick Danza

Cardinal

Cardinal

Second Stage Theater

Tony Kiser Theater

January 13, 2018

Photos courtesy of Second Stage Theater

If you paint the town red, literally paint all the buildings in the town red, it will attract people and improve the economy for long-time residents.  This is the premise for Greg Pierce’s new play Cardinal, now playing at Second Stage Theater.  His characters are realistic and multi-layered.  The conflicts that arise are compelling and engaging.  Director Kate Whoriskey keeps the action moving, building the tension through to the very end.

Lydia Lensky (played by Anna Chlumsky) pitches a brilliant idea to Jeff Torm (played by Adam Pally), the Mayor of her hometown.  She proposes that by painting all the downtown buildings red, cardinal actually, their dying upstate New York factory town will become a destination stop.  It passes the city vote and gets the attention of a Chinese businessman who compromises the integrity of the plan.  Townspeople are quickly displaced, and Lydia’s intention becomes questionable.

The Cast of Cardinal
Photo courtesy of Second Stage Theater

Adam Pally is charming and likeable as the gullible, young mayor who suffers from depression and obsessive behavior.  Anna Chlumsky is a driving force as Lydia.  The relationship they create is complex, intriguing, and believable.  It propels the action of the play.  Becky Ann Baker and Alex Hurt play two long-time, mother/son residents of the town.  Their pacing and connectedness create the atmosphere of what life in this small town has been for generations.  Their fears and resistance to change are truthful and clearly understood.  Stephen Park and Eugene Young play the father/son business partners who cash in on the red city.  They play their scenes with just the right balance of humor and determination.

The Second Stage Theater’s production of Cardinal is running at the Tony Kiser Theater through February 25.  The play offers a unique glimpse at how consequences can get out to hand when making decision for the wrong reasons.  It makes a strong statement about how our deepest fear often manifests itself when we choose to run from it.

 Domenick Danza

Sweat

Sweat

Studio 54

May 21, 2017

Photo courtesy of Sweat

Sweat is a truthful telling of the social and economic events that took place in this country during the years 2000 through 2008 that allows us to clearly reflect on how America has become the divided nation it is today.  Through interviews and research, Pulitzer Prize Winning Playwright Lynn Nottage has written authentic characters who struggle with challenges and face consequences that cause their lives to spiral out of control.  Her characters blindingly face their fears and frustrations head on. 

Tracey (played by Johanna Day), Cynthia (played by Michelle Wilson), and Jessie (played by Alison Wright) are close friends who have worked together on the factory floor in Reading, Pennsylvania for decades.  They are proud that they come from a long line of factory workers.  The year is 2000, and economic disruption is about to crumble the world they have come to know.  Cynthia accepts a promotion into a management position at the factory at the same time that the union contract is being challenged and factory jobs are being relocated to Mexico.  Non-English speaking residents are recruited as scabs during a union walk-out.  Fear, frustration, and betrayal build to heated anger and acts of violence from which there is no return.

Michelle Wilson & Johanna Day
Photos courtesy of Sweat

Johanna Day and Michelle Wilson shine in these brilliantly written, juxtaposed characters.  They build a relationship based on years of trust and reliability that brutally flips during the course of events.  They are the driving force that propels the action of the play.  Their portrayals are riveting, true, and genuine.  James Colby plays Stan, the bartender at the local watering hole.  His character is the neutral, rational negotiator throughout the play.  His portrayal is strong and warm-hearted.  Khris Davis and Will Pullen play younger workers at the factory who face a future with more choices than their parents.  These two actors complement one another amazingly well.  They create characters who face their challenges with opposite points of view.  They are viscerally connected and deliver powerful performances.  

Photo courtesy of Sweat

Kate Whoriskey masterfully directed this superb ensemble cast.  She skillfully builds tensions that explode with powerful human emotions.  The scenic design by John Lee Beatty is brilliant.  The set spins into place, keeping the pace moving quickly.  Lighting Design by Peter Kaczorowski sets a realistic tone, and Projection Design by Jeff Sugg keeps the audience grounded in the time period.

Will Pullen, James Colby, & Khris Davis
Photos courtesy of Sweat

What makes Sweat so powerful is that it is personal.  The emotional upheaval that takes place in the lives of the characters over the eight year span is understood and shared by every member of the audience.  Each character is clearly developed to present a different perspective of the effect of the economic changes in the working class during the years 2000 through 20008.  Ms. Nottage offers a glimpse of hope in the final moment of the play that empowers us to move forward with unity.

Domenick Danza