Showing posts with label Crystal Finn. Show all posts
Showing posts with label Crystal Finn. Show all posts

Sunday, April 29, 2018

Bobbie Clearly


Bobbie Clearly
Roundabout Theatre Company
Roundabout Underground
Black Box Theatre at the Harold and Miriam Steinberg Center for Theatre
April 28, 2018

Photo courtesy of
Roundabout Theatre Company
Playwright Alex Lubischer makes powerful and poignant statements about compassion and forgiveness in his play Bobby Clearly, then presents you with the harsh reality that taking those actions do not make your experiences any less overwhelming.  His play is structured in such a way that the audience is constantly questioning and wanting to know more.  His characters are well developed and grow over the ten year span of the play’s events.  Director Will Davis finds every intimate moment for this amazing cast to connect truthfully to one another and the audience.  The staging choices are perfect, allowing every person in the black box theatre to be a part of the emotional journey of the characters.  

In 2006 a tragic event occurred that changed the lives of the people of Milton, Nebraska.  Teenager Bobby Clearly (played by Ethan Dubin) brutally murdered Casey Welch in a cornfield.  Officer Darla London (played by Constance Shulman) recounts her connection to Bobby as a young boy and the events leading up to the tragic night.  Casey’s mother, Jane Welch (played by Crystal Finn) decides to present a talent show in her daughter’s memory, which over the years becomes a fundraiser in support of a not-for-profit organization to assist families in crisis.  The community’s optimism and compassion move them forward, yet when Bobbie is released from prison, their forgiveness and healing are put to the test.

Constance Shulman as Officer Darla London
Photo courtesy of Roundabout Theatre Company
The cast is a true ensemble, building relationships that grow over time and reflect honest responses to a tragic event.  Constance Shulman (as Officer Darla) opens and closes the play with monologues that frame the experiences of all the characters.  She becomes the through line that keeps the action moving.  With this character Mr. Lubischer successfully creates an objective observer to the action.  She is able to comment on and propel the action forward.  He brilliantly uses this character to the fullest capacity.

Ethan Dubin as Bobbie Clearly\
Photo courtesy of Roundabout Theatre Company
Mr. Lubischer sets up the premise that the characters are all being interviewed for a documentary about Casey Welch and Bobbie Clearly.  This allows the characters to go back and forth from direct address monologues to present moment scenes.  Their reminiscence of fact ignites the dialogue scenes, revealing the emotional levels of the characters.  It is in this understanding that the story is told.  How much is denial?  How much is truth?  How honest is their forgiveness?  What is the capacity of their bond of compassion?  Mr. Lubischer takes these raw emotions to the breaking point in an unexpected climactic Act III.  He delivers a powerful punch in the final moments of his skillfully crafted play, leaving everyone deep in thought.

You only have one more week to see Bobbie Clearly.  It is playing at the Roundabout Underground Black Box at the Harold and Miriam Steinberg Center for Theatre through May 6.  Try not to miss it!

Domenick Danza




Tuesday, October 11, 2016

Kingdom Come

Kingdom Come
Roundabout Underground
Harold & Miriam Steinberg Center for Theatre / Black Box Theatre
October 9, 2016

Photo Courtesy of Roundabout Theatre Comapany
Kingdom Come is Jenny Rachel Weiner’s new play presently running at the Roundabout Underground.  Ms. Weiner is a skilled playwright with a bold and adventurous voice.  In this play she draws you in with interesting and quirky characters who go to great lengths to conceal their emotional wounds.  She then embarks on a journey of deep self-awareness.  Kip Fagan successfully directs this daring play and sensitive cast with a clear vision and tender touch.

Samantha (played by Carmen M. Herlihy) and Layne (played by Crystal Finn) take a shot at on line dating.  They both meet and fall in love with their ideal mate.  The problem is that their profiles and photos are totally fabricated.  Before they can admit the truth, they have to face it themselves.  What they discover is more profound than they expect.

The cast of Kingdom Come
Photo Courtesy of Roundabout Theatre Company
Carmen M. Herlihy and Crystal Finn deliver strong and realistic performances as Samantha and Layne.  Both characters are troubled, and suffer from emotional and social disorders.  Their individual stories are very diverse, and they each face their challenges in distinctive manners.  Ms. Weiner’s conception of these two characters is unique, and their juxtaposition is enlightening.  Her handling of the plunge into their secret selves is concise and astounding.  Layne, Ms. Finn’s character, opens up and transcends, while Samantha, Ms. Herlihy’s character, has a lot more to overcome and reverts to her weaknesses.  These two actors share moments together that are touching, true, and unexpected. 

Actors Socorro Santiago, Alex Hernandez, and Stephanie Styles bring high energy, humor and charm to their roles.  Set designer Arnulfo Maldonado and lighting designer Thom Weaver create an expansive and realistic playing area in the small, intimate black box space.  Darrel Maloney designs projections that not only illustrate the virtual relationship of the characters, but masterfully reveals their individual perception of the experience.

Playwright Jenny Rachel Weiner
Photo courtesy of
Roundabout Theatre Company
Roundabout Theatre Company does outstanding and honorable work in their underground black box.  More important than their high production values, which I have come to expect from them, is their commitment to developing the voice of the upcoming playwright.  Kingdom Come offers a glimpse into the fact that our on line selves and virtual personas do connect to real people, and can have a deep and meaningful effect on ourselves and those with whom we engage.  This is a very powerful and important message, experienced and understood in a most appropriate venue. 

Kingdom Come runs through December 18.  The black box has open seating and tickets are a very affordable $25. 


Domenick Danza