Showing posts with label David Marantz. Show all posts
Showing posts with label David Marantz. Show all posts

Friday, July 18, 2025

A Midsummer Night’s Dream

 A Midsummer Night’s Dream
Shakespeare in the Parking Lot
The Drilling Company
July 17, 2025

Photo courtesy of The Drilling Company,
Shakespeare in the Parking Lot
The Drilling Company’s Shakespeare in the Parking Lot production of A Midsummer Night’s Dream is two hours of pure joy.  This is their thirtieth year of presenting free summer Shakespeare on the Lower East Side.  Artistic Director Hamilton Clancy has gathered a phenomenal troupe this summer to continue his well-loved tradition.  They are a highly skilled combination of accomplished regulars and bold new faces. 

Egea (played by Lizabeth Allen) brings his daughter, Hermia (played by Miranda Reilly) to Duke Theseus (played by David Marantz) because of her disobedience.  Egea wants Hermia to marry Demetrius (played by Kaleb Baker), but Hermia wants to marry Lysander (played by Patrick Hart).  To make matters worse, Demetrius has been spending time with Helena (played by Lia Bonfilio), but he does not love her.  Theseus proclaims that Hermia must follow her mother’s orders or suffer the consequences.  Lysander and Hermia plan to flee to where Athenian law has no power, and marry there.  Helena hears of this plan and tells Demetrius.  Their paths cross in the forest on a midsummer’s night, where magic and mischief run wild. 

David Marantz, Una Clancy,
& Alessandro Colla
Shakespeare in the Parking Lot regulars, David Marantz and Una Clancy double as Theseus/Oberon and Titania/Hippolyta.  Their relationships in these roles are strikingly different.  They light a fire as Oberon and Titania, creating edgy, zealous characters.  Miranda Reilly, Patrick Hart, Lia Bonfilio, and Kaleb Baker are passionate and endearing as Hermia, Lysander, Helena, and Demetrius.  Their timing is strong, and their chemistry is potent.  Lizbeth Allen has a strong presence as Egea.  Thammie Laine Quach, Jasmine Gonzales, and Aria Martinelli are mystical and beguiling as Mustardseed, Moth, and Cobweb. 

The Mechanicals are a striking group of actors.  Alessandro Colla and Evangeline Fontaine make their long-awaited comeback to Shakespeare in the Parking Lot.  Mr. Colla is fierce and untamed as Bottom / Pyramus, and Ms. Fontaine is commanding and precise as Peter Quince.  Adam Joy Sall delivers a meek and tender Robin Starling / Moon.  Basil Lvoff is grounded and composed as Snug / Lion.  Marion Stenfort portrays Snout / Wall with a musical flair.  Chris Martel is charming as Flute / Thisbe.  Their individual characters are strong and distinct.  Their comic timing is impeccable.  

Andy Rowell as Puck

Andy Rowell delivers a devilish Puck.  He grabs the audience’s attention from the minute he enters, and they willingly follow him on his magical adventure.  He develops a stunning rapport with Mr. Marantz’s Oberone.  The brightest newcomer to Shakespeare in the Parking Lot is Marie Claire as the Changeling.  

A Midsummer Night’s Dream is playing Thursdays through Saturdays at 7:00 PM through August 2.  The parking lot is on the corner of Rivington & Norfolk.  Take the F Trian to Delancey.  Nothing says summer more than FREE outdoor Shakespeare, and no one does it better than the Drilling Company’s Shakespeare in the Parking Lot. 

Domenick Danza

Sunday, July 18, 2021

The Two Noble Kinsmen

 The Two Noble Kinsmen
Shakespeare in the Parking Lot
The Drilling Company
July 16, 2021 

Photo courtesy of The Drilling Company

Shakespeare in the Parking Lot is back… and better than ever!  This summer they are presenting a glorious production of William Shakespeare & John Fletcher’s TheTwo Noble Kinsmen in two locations: the parking lot at the Clemente Cultural Center (107, Suffolk St. on the Lower East Side) and in Bryant Park (6th Ave. & 42 St.).  Director Hamilton Clancy has gathered a remarkably sharp company of actors for this rarely seen Shakespeare piece.  It is not to be missed.

After Athens is victorious in war with Thebes, Duke Theseus (played by Lukas Raphael) imprisons two noble cousins, Palamon (played by Bradford Frost) and Arcite (played by John Caliendo).  From their prison window, Palamon and Arcite spot Emilia (played by Liz Livingston), who is the sister of Duke Theseus’ wife, Hippolyta (played by Kathleen Simmonds). Both men are enamored and begin arguing over the right to woo her affections.  When Arcite is released from prison and banished from Athens, he disguises himself and sneaks into court to get close to Emilia.  Meanwhile, the Jailors Daughter (played by Jane Bradley) falls madly in love with Palamon and helps him escape. 

Palamon and Arcite find each other in the woods.  Though happy to see one another, they continue to fight for the right to pursue Emilia.  When Duke Theseus discovers them fighting, they reveal their true identities and the reason for the fight.  Theseus sets a date for a duel between the two cousins.  He promises Emilia’s hand to the victor, and death to the loser.

The Jailor’s Daughter has gone mad in her unrequited love of Palamon.  Her father (played by David Marantz) consults a doctor (played by Mary Linehan) to cure her.  The Wooer of the Jailor’s Daughter (played by Remy Souchon) willingly plays his part in her cure. 

Arcite wins the duel for Emilia’s hand, then dies when falling from his horse.  Palamon gains his life and love, but loses his noble cousin and closest friend. 

Bradford Frost as Palamon & John Caliendo as Arcite
Photo courtesy of The Drilling Company

Bradford Frost and John Caliendo bring humor and honesty to the complicated relationship between Palamon and Arcite.  One minute they are inseparable cousins and the next they are fighting to the death.  They create genuine characters, earnestly motivated by love and honor.  Liz Livingston is strong and resolute as Emilia.  Even though she is unwavering in her conviction not to marry either kinsman, she takes the responsibility of the duel very seriously.  Her deliberation is portrayed with high integrity and meticulous care.

Jane Bradley as the Jailer's Daughter
Photo courtesy of The Drilling Company

Jane Bradley is mesmerizing as the Jailer’s Daughter.  The physicality of her character consumes her.  She opens her heart with unwavering trust and steadfast conviction.  The humor is brought to an even higher level in Mary Linehan’s impeccable portrayal of the Doctor, Remy Souchon’s winning portrayal of the Wooer of the Jailer’s Daughter, and David Marantz’s staunch portrayal of the Jailer.  Their characterizations are flawless and their timing is impeccable.   

Lukas Raphael is noble and proud as Theseus, and Kathleen Simmonds is regal and commanding as Hippolyta.  There are strong performances by Lizabeth Allen, Elowyn Castle, Ja’Quawn Turner, and Bob Arcaro, each creating numerous and distinct characters who engage the audience in the progress of the action. 

Director Hamilton Clancy and Assistant Director Karla Hendrick have outdone themselves with this production.  The Two Noble Kinsmen will be at Bryant Park on July 19, 20, & 21 at 7:30 PM, then back at the Clemente Cultural Center parking lot on July 28, 29, & 30 at 7:00 PM.  All performances are FREE.  No one does outdoor Shakespeare better that The Drilling Company.  Don’t miss it!  

Domenick Danza

Sunday, September 1, 2019

Othello


Othello
The Drilling Company
Bryant Park Shakespeare
August 31, 2019

Photo courtesy of The Drilling Company
The Drilling Company brings the summer to a dramatic close with their Bryant Park Shakespeare production of Othello.  Director Hamilton Clancy brings together a talented cast who delivers moving performances of these classic characters.  His choice of modernizing the costumes and setting allows for accessibility to the complex story line and simplicity to the stage pictures.

Iago (played by David Marantz), a third ranking officer, is passed over for a promotion by Othello (played by Emmanuel Elpenord), the top ranking General.  When Othello secretly marries Desdemona (played by Liz Livingston), Iago sees an opportunity to seek his revenge.  He plans to fill Othello’s head with lies about Desdemona cheating on him with Cassio (played by Bradford B. Frost).  The proud and strong general falls into Iago's deceit,  and is overcome with jealousy and emotion.  His reactions and behavior threatens his own authority.  Once Iago supplies physical proof of this fabricated story, provided by his unsuspecting wife, Emilia (played by Karla Hendrick), Othello is easily manipulated into take desperate action.

Liz Livingston & Emmanuel Elpenard
Photos courtesy of The Drilling Company
Emmanuel Elpenord is a solid and commanding Othello.  He builds a trusting and open relationship with David Marantz’s Iago.  The two men have a strong chemistry, which makes the plot build and unfold in a believable manner.  David Marantz plays Iago’s duality with a balance of charm and cunning that creates an aura of evil treachery.  Liz Livingston portrays Desdemona with grace and sincerity, which heightens the impact of the tragic ending.  Karla Hendrick is outstanding as Emilia.  You gain a visceral understanding of her marriage to Iago through her glances, tone, and physicality.  Her respect and care for Desdemona are genuine.  Bradford B. Frost portrayal of Cassio is honest and bold.  Jack Sochet, David Sitler, Kendra Lee Oberhauser, Kyle Maxwell, and Jake Lesh also deliver strong performances.

Photo courtesy fo The Drilling Company
& Bryant Park Shakespeare
Othello is playing at Bryant Park at 7:00 PM, Thursday through Saturday, September 5-7.   This is your last chance to enjoy FREE Summer Shakespeare.  After twenty-five years of producing outdoor Shakespeare in NYC, The Drilling Company is one of the best.  Make it a classic ending to your summer and go see it.

Domenick Danza

Tuesday, July 12, 2016

A Class Act

A Class Act
New World Stages
July 9, 2016

Photo courtesy of A Class Act
A Class Act, a new play by Norman Shabel, reveals the behind the scenes strategies, secrets, and scheming that take place when a large American chemical company is facing a class action suit worth tens of billions of dollars.  The plot includes blackmail, dirty secrets, fast paced legal jargon, decisions made with integrity, and heated and foulmouthed conference table negotiations.  It is the plot twist at the end that makes the story unique and worth watching.  Director Christopher Scott savors the moment of this unexpected punch and allows the audience to piece together what actually motivated the characters to take action.

After the General Corporation loses a class action suit in California, they face a national class action suit for the same wrong doings.  Toxic waste has poisoned the water and caused cancer and death to millions of innocent victims.  Yes, the premise is the same as what won Julia Roberts her Academy Award in Erin Brockovich, but in this play the line between the good guys and the bad guys is constantly blurred.  There are indications of themes that drove Ibsen’s An Enemy of the People that keep the tensions building to the end. 

Photo courtesy of A Class Act
David Marantz (as Edward Duchamp) delivers an impassioned monologue about the risks that large corporations take in developing products that improve the quality of lives of people around the world.  This moment levels the playing field by making the high profit bad guy into a valuable player in the progress of civilization  Mr. Marantz’s zeal lands this monologue with a genuine belief that brings the issue into an unrealized light.  Lou Liberatore (as Ben Donaldson) and Matthew DeCapua (as Frank Warsaw) have very strong scenes where the integrity of their characters is on the line, and they rise above the threat.  They both create honest moments with grit and determination that raise the stakes for the plot.  The fiery scenes between Andrew Ramcharan Guilarte (as Ignatio Perez) and Jenny Strassburg (as Dorothy Pilsner) keep the action moving.  Even though they are lawyers on the same side, their opposing tactical perspectives create conflict and quicken the pace of the play.  Their comradery strengthens through their differences and carries the action through to the conclusion.

The cast of A Class Act
Photo courtesy of A Class Act
The script is not structurally sound, yet it does a great job of dramatizing legal details in direct and understandable language.  Its authenticity is unquestionable, since playwright Norman Shabel is himself a lawyer.  If you like stories about high stakes legal proceedings, this is the play for you.  A Class Act will be playing at New World Stages through September 4.


Domenick Danza