Showing posts with label Frank Wood. Show all posts
Showing posts with label Frank Wood. Show all posts

Monday, February 17, 2020

The Perplexed


The Perplexed
Manhattan Theatre Club
New York City Center Stage I
February 15, 2019

Photo courtesy of Manhattam Theatre Club
“Two households, both alike in dignity… from ancient grudge break to new mutiny, where civil blood makes civil hands unclean… From forth the fatal loins of these two foes, a pair of star-cross’d lovers…”  Those well-known opening lines from William Shakespeare’s Romeo & Juliet are the premise for Richard Greenberg’s play The Perplexed.  He uses this classic conflict to unearth two families’ dark pasts on the day of their children’s wedding.  The Manhattan Theatre Club production brings together a stellar cast who deliver laughs and poignant moments.  This supposedly happy occasion starts an unraveling of secrets that quickly gets out of control.

It is the wedding day of Isabelle (played by Tess Frazer) and Caleb (played by JD Taylor).  They were best friends as toddlers, then a chance meeting on a subway platform reunited them and started their romance.  The wedding is an elaborate affair taking place at Isabelle’s grandfather’s 5th Avenue home, which includes a golden ballroom that can host a large crowd of people neither Isabelle nor Caleb have ever met.  Isabelle’s mother, Evy (played by Margaret Colin), is not too happy about the wedding.  There is a history of bad blood between her and Caleb’s mother, Natalie (played by Ilana Levine).  The focus of the day shifts when Isabelle’s brother, Micah (played by Zane Pais), is outed as a porn star.  His father, Joseph (played by Frank Wood), is distant with his son over this issue.  When long-kept family secrets are revealed, a strong bond between father and son is created.  A chance for this couple’s happiness emerges when Caleb steps up and takes action in an unconventional manner.

Tess Frazer & JD Taylor
Photo courtesy of Manhattan Theatre Cluc
Truthful moments rise to the surface amid the sarcastic humor, roller coaster of emotions, and underlying family pressure.  Mr. Greenberg skillfully crafts these in his writing, and Director Lynne Meadow successfully focuses the audience’s attention on them.  These scenes are memorable, honest, and, at times, heartbreaking.  Frank Wood is captivating in these moments.   His portrayal of Joseph, father of the bride, is riveting.  He recounts his emotional abuse at the hand of his father, then takes a stand, something he has never been able to do before.  Margaret Colin is commanding as Evy, mother of the bride.  Her characters creates the through line of action for the play, and Ms. Colin does a masterful job of maintaining the audience’s attention and admiration.  There are also strong performances from Patrick Breen and Eric William Morris.

The scenic design by Santo Loquasto stunningly depicts the extravagant library of a wealthy 5th Avenue residence with secret nooks for eavesdropping, which are used to advance the intrigue.  The Perplexed is playing at New York City Center Stage I through March 29.

Domenick Danza



Monday, January 2, 2017

The Babylon Line

The Babylon Line
Lincoln Center Theatre
At the Mitzi E. Newhouse
December 31, 2016

Photo courtesy of Lincoln Center Theatre
Lincoln Center Theatre’s production of The Babylon Line is astounding.  Richard Greenberg’s script is prolific.  His characters are bold, honest, peculiar, and real. Director Terry Kinney finds just the right rhythm and flow for the play in order to keep the audience focused on the characters, their challenges, and their connections.

It is 1967 and Aaron Port (played by Josh Radnor) commutes on the Babylon Line to teach a creative writing adult education class in Levittown, Long Island.  His class is an eclectic mix of six students.  He is drawn to one student in particular, Joan Dellamond (played by Elizabeth Reaser).  She is a bit of an outcast, yet has a promising writing style with a unique voice.  The students in the class gradually open up in their writing, while the instructor remains separate and aloof.  The class comes to an end, yet their stories do not.

Photo courtesy of Lincoln Center Theatre
There are strong performances by the entire cast.  Josh Radnor is charming and allusive as Aaron Port.  Elizabeth Reaser has a quirkiness that is disturbing and off beat.  As the details of her character are revealed, the depth of these qualities hold true.  She grows and changes due to the connection to Josh Radnor’s’character.  Their honesty and relationship is riveting.  Randy Graff is commanding as Frieda Cohen.  Maddie Corman and Julie Halston join with her in creating a trio of Long Island housewives that are both funny and sad.  Perhaps the most amusing touch by Mr. Greenberg is when he builds Maddie Corman's character into the main character in his play Our Mother's Brief Affair.  Frank Wood and Michael Overholtzer are brilliantly underplayed and ever present.  These actors all create rich, realistic characters with the specific backstories in Mr. Greenberg’s script.  Their relationships keep the energy flowing throughout the play.

Photo courtesy of Lincoln Center Theatre
The set by Richard Hoover and costumes by Sarah J. Holden strongly establish the time period and location of the play.  Lighting by David Weiner and sound by Rob Milburn and Michael Bodeen allow for a consistent tone and smooth transitions.  All of this supports Mr. Greenberg’s theme that the ending of a story is really the beginning.

The Babylon Line is playing at Lincoln Center Theatre at the Mitzi E. Newhouse through January 22.  Time is running out.  Get there before it closes.


Domenick Danza