Showing posts with label James Lapine. Show all posts
Showing posts with label James Lapine. Show all posts

Monday, November 29, 2021

Flying Over Sunset

 Flying Over Sunset
Lincoln Center Theater
Vivian Beaumont Theater
November 28, 2021 

Photo courtesy of Lincoln Center Theater

Flying Over Sunset is a psychological exploration of three true to life characters from the mid-20th century (Aldous Huxley, Clare Boothe Luce, and Cary Grant).  The events leading up to the story are true, yet the action of the play is fiction.  It is a known fact that Aldous Huxley, Clare Boothe Luce, and Cary Grant experimented with LSD.  Playwright/Director James Lapine springboards this actuality into a journey of profound discovery and deep insight.  Tom Kitt’s music and Michael Korie’s lyrics lure the audience further in by engaging their imaginations and amplifying their emotions.  

We first meet Aldous Huxley (played by Harry Hadden-Paton) when his is shopping at Rexall Drugs with his wife Maria (played by Laura Shoop).  She instructed their close friend Gerald Heard (played by Robert Sella) to let Aldous try LSD.  The drug takes effect while they are shopping, and everything in the store vividly comes to life for Aldous. 

Tony Yazbeck, Harry Hadden-Paton, & Carmen Cusack
Photo courtesy of Lincoln Center Theater

Cary Grant (played by Tony Yazbeck) makes an appointment with his wife’s therapist (played by Nehal Joshi) to request a dose of LSD.  While under the influence of the drug, he sees himself as a child (played by Atticus Ware) performing in vaudeville in England, dressed in girl’s clothing.  Cary faces buried memories from his childhood, including his father’s abuse and his mother’s abandonment.

Gerald visits his dear friend Clare Boothe Luce (played by Carmen Cusack) in the garden of her Connecticut home.  She asks him to gives her LSD.  While under the influence, she sees a vision of her deceased daughter and mother, both of whom died in tragic car accidents.  She is joyous and comforted by this vision. 

During a chance meeting at the Brown Derby in Los Angeles, Aldous Huxley, Clare Boothe Luce, and Cary Grant reveal the serious changes they are all facing.  They joke that the one thing they all have in common is their experimentation with LSD.  They decide to meet and, with Gerald as their guide, share an LSD trip.  This experience takes them in separate directions, yet bonds them in genuine moments of mutual need and earnest understanding. 

Robert Selia, Harry Hadden-Paton,
Carmen Cusack, & Tony Yazbeck
Photo courtesy of Lincoln Center Theater

This is truly an ensemble musical, as each character has a separate and strong story line that comes together in the end.  Carmen Cusack is vibrant as Clare Boothe Luce.  Her character oozes with charm and her singing is magical.  Harry Haddon-Paton has a strong presence as Aldous Huxley.  He does everything as a stiff upper lip Englishman with a high intellect.  Tony Yazbeck is smooth as Cary Grant.  He captures the image perfectly, and fills the character with the truths and challenges the man struggled with his whole life.  Atticus Ware is outstanding as Archie Leach, the young Cary Grant.  He and Mr. Yazbeck complement one another very well.

Robert Sella (as Gerald Heard) is the glue that brings all the characters and events of the story together.  His character is consistently present, and his performance is firmly grounded.  There are also strong performances by Laura Shoop, Nehal Joshi, Kanisha Marie Feliciano, Michelle Ragusa, and Emily Pynenburg.  

Michelle Dorrance’s choreography creates rhythms that give the show a driving pulse.  Her duets create strong relationships and viscerally move the plot forward.  The set, designed by Beowulf Boritt, makes this Lincoln Center Theater production visually stunning. 

Flying Over Sunset explores the hardships that separate us and the opportunities that can bring us together.  It is playing at the Vivian Beaumont Theater through February 6. 

Domenick Danza

Monday, October 17, 2016

Falsettos

Falsettos
Lincoln Center Theater
Walter Kerr Theatre
October 15, 2016

Photo courtesy of Lincoln Center Theater
Lincoln Center Theater is celebrating William Finn’s Falsettos with a poignant revival at the Walter Kerr Theatre.  Under the directions of James Lapine, this powerhouse cast delivers breathtaking performances.  The production offers a chance to stop and think of not only how far we have come in just a few short decades, but what took place that propelled us forward and how important it is to not fall back.

Act I takes place in 1979.  Marvin (played by Christian Borle) has left his wife, Trina (played by Stephanie J. Block), and son, Jason (played by Anthony Rosenthal), for his lover, Whizzer (played by Andrew Rannells).  In an attempt to maintain a sense of connection, Trina and Jason see Marvin’s psychologist, Mendel (played by Brandon Uranowitz).  The entanglement intensifies when Mendel falls in love with Trina and they get married.  The emotional upheaval that comes with the breakdown of the traditional family is tenderly illustrated in this act.  Uncertainty is felt by all the characters.  Stephani J. Block keeps the humor high in her rendition of the song “I’m Breaking Down.”  She and the men in the cast comically illustrate her point of view about this tough transition in the song “March of the Falsettos.”

The cast of Falsettos
Photo courtesy of Lincoln Center Theater
Act II takes place in 1981.  Marvin has split with Whizzer and befriended his neighbors, Dr. Charlotte (played by Tracie Thoms) and her girlfriend, Cordelia (played by Betsy Wolfe).  When Jason invites Whizzer to his baseball game, Marvin and he start up again.  While plans for Jason’s Bar Mitzvah are underway, Whizzer is diagnosed with AIDS.  Tracie Thoms succinctly expresses the helplessness and confusion that was felt at the beginning of the AIDS crisis.  Christian Borle creates a number of sincere and honest moments that connect to what he tells his son in Act I, that love is most important.  It is the chemistry of this amazing ensemble that allows the message of Falsettos to ring true and come full circle.

This production lacks the groundbreaking effect that it had when it was originally produced at Playwrights Horizon in 1981.  It does, however, allow us to reminisce on decades past and reflect on what is important to carry forward in the decades to come.


Domenick Danza