American Moore

American Moore

Red Bull Theater

Cherry Lane Theatre

August 29, 2019

Photo courtesy of Red Bull Theater

The Red Bull Theater production of American Moor offers a riveting perspective on Shakespeare’s character of Othello.  Although there are two roles in this show, it is pretty much a one-character play.  Director Kim Weild works closely with Lighting Designer, Alan C. Edwards and Sound Designer, Christian Frederickson to create quick and smooth transitions between the action and the formidable inner monologues, while keeping the focus sharp and the pace briskly moving forward.

Keith Hamilton Cobb
Photo courtesy of Red Bull Theater & Bay State Banner

An Actor (played by Keith Hamilton Cobb) is on stage alone, script in hand, preparing the role of Othello.  He is a black male, six feet four inches tall, with a commanding voice.  He tells of his love for Shakespeare, the passion of the words and the emotional depth of the characters.  The audition begins.  His first attempt at the monologue is focused and powerful.  The Director (played by Josh Tyson) gives a few notes.  The Actor is not comfortable with how this interpretation will reflect on the character of Othello.  Through a series of inner monologues, the Actor justifies his discomfort based on the evidence in Shakespeare’s text.  He expresses how, as a black man, he has a more visceral understanding of how Othello would handle that specific moment.  The Actor knows to keep this point of view to himself if he wants the job.  Will his hubris get the best of him, as it does Othello?

Keith Hamilton Cobb successfully portrays this character as charming and intelligent with a great sense of humor.  He is in command of every moment, every transition, and every delivery of the Shakespeare material.  He wears this character like a second skin, which makes sense because he is also the playwright.  His performance reflects his understanding of each layer in the skillful writing.  It is sharply structured and effectively crafted.  He makes strong and bold statements that hold lasting meaning and take time to process.

American Moor is playing at Cherry Lane Theatre through October 5.  Check it out.

Domenick Danza

Coriolanus

Coriolanus

Red Bull Theater

Barrow Street Theatre

October 22, 2016

Photo courtesy of Red Bull Theater

Red Bull Theater’s production of Coriolanus is filling the Barrow Street Theatre with the insistence of conspiracy, insurrection, and fury.  Through the vision of director Michael Sexton, this historic Shakespeare tale of ego and pride is made relevant to our present political environment.  As the program states: “The Scene: Rome, 492 BCE, Here, Now.”  By placing the audience in the center of the action, Mr. Sexton and the design team, Brett J. Banakis (set and lighting) and Brandon Wolcott (sound), makes this bloody and aggressive production a visceral experience for all who attend.

Dion Johnstone as Coriolanus
Photo courtesy of Red Bull Theater

When Caius Martius (played by Dion Johnstone) is victorious in battle, he is haled “Coriolanus” and thrust into the political spotlight by his close friend and supporter Menenius Agrippa (played by Patrick Page). Sicinius Velutus (played by Stephen Spinella) and Junius Brutus (played by Merrritt Janson) see to it that the people rebel against Coriolanus’ brusque demeanor and forceful temperament.  The upheaval leads to his banishment.  Coriolanus finds shelter with his enemy Tullus Aufidius (played by Matthew Amendt).  Together they plan on overthrowing the government.  The only one able to convince him to back down from revenge is his mother Volumnia (played by Lisa Harrow), causing disgrace for her and a tragic ending for him.

Patrick Page as Menius Agrippa
Photo courtesy of Red Bull Theater

The performances are powerful and commanding.  The ensemble incites your emotions the moment the play begins.  The political alliances and rivalries are intriguing.  Dion Johnstone and Lisa Harrow deliver performances with depth and honesty that shed light on the flaws and motivations of characters who thrive on power.  Patrick Page, Stephen Spinella, and Merritt Janson embody political figures ruled by the duality of a public life in politics.

The Red Bull Theater production of Coriolanus is stark, bold, and realistic.  Go see it and get a jolt of just how true it is that history repeats itself.  It will be playing at Barrow Street Theatre through November 20.

Domenick Danza

The Changeling

The Changeling

Red Bull Theater

Lucille Lortel Theatre

December 31, 2015

Photo courtesy of Red Bull Theater

The Changeling, the Renaissance tragedy set in Spain, is remounted by Red Bull Theatre and presently playing in the West Village at the Lucille Lortel Theatre.  Jesse Berger boldly directed this dark and graphic tale of love and murder.  If you enjoy well done, classic theatre set in the time period in which it was written, this production is for you.  The characters are all genuinely driven by their desire and swallowed up by the fate they initiate for themselves.

Sara Topham & Christian Coulson
Photo by Carol Rosegg
Courtesy of Red Bull Theater

When Beatrice-Joanna (played by Sara Topham) meets the noble Alsemero (played by Christian Coulson), they fall immediately in love.  She is so overtaken that she plots with her father’s servant, DeFlores (played by Manoel Felciano), to murder Alonzo (played by John Skelley), to whom her father has previously betrothed her.  Unbeknownst to Beatrice-Joanna, DeFlores sees this as an opportunity to bond himself to her and demand what his heart desires, her maidenhood and loyalty. 

Christopher McCann &Andrew Weems
Photo by Carol Rosegg
Courtesy of Red Bull Theater

The subplot of the play takes place in “a madhouse resembling Bedlam, or Bethlehem Hospital, the famous London institution for the incarceration and ‘cure’ of madmen and fools.”*  This setting adds disorder, chaos, and comic relief to the darkness of the main plot, while deepening the level of intrigue and lunacy.  Actors Bill Army, Phillipe Bowgen, Christopher McCann, Michelle Beck, and Andrew Weems realistically create this locale and level of mayhem.

The entire cast is superb.  Each character is clearly developed with a strong sense of setting and time period.  They all deliver the classic language, which is Red Bull’s specialty, with natural comfort and expertise.  The set, costumes, and lighting (by Marion Williams, Beth Goldenberg, and Peter West) create an authentic atmosphere.  Choreography, by Tracy Bersley, in the opening of the first and second act clearly and skillfully sets up the action and pace for what follows.

Photo by Carol Rosegg
Courtesy of red Bull Theater

This is my first experience with Red Bull Theater.  They are “dedicated to the presentation  of vital and imaginative productions of heightened language plays and to the development of new plays written in a similar vein.  With the Jacobean plays of Shakespeare and his contemporaries as its cornerstone, Red Bull Theatre engages the intellect and imagination of today’s theatergoers through intimate and evocative staging of great classic stories.”*  If The Changeling is an example of the quality of their work, I look forward to seeing future productions.  It runs at the Lucille Lortel Theatre through January 24.  Check it out!

Domenick Danza

*These quotes come directly from Red Bull Theater’s program for The Changeling.