Showing posts with label Will Pullen. Show all posts
Showing posts with label Will Pullen. Show all posts

Sunday, May 19, 2019

To Kill a Mockingbird


To Kill a Mockingbird
Shubert Theatre
May 18, 2019

Photo courtesy of To Kill a Mockingbird
Experiencing the Broadway production of To Kill a Mockingbird far exceeds any of the expectations you might have from the praise it continually receives.  Aaron Sorkin’s adaptation preserves the heart of Harper Lee’s coming of age classic.  He gives voice to the racial injustice portrayed in the story in a more direct manner so it becomes relatable to a present-day audience.  He develops numerous minor characters, which magnifies Atticus Finch’s continually telling the children that you will never truly know a person until you “live in their skin.”  This is a slight glimpse into how Mr. Sorkin creates a visceral experience with his adaptation that deepens the connection to an already engaging, touching, and well-known story.  Combine that with phenomenal direction by Bartlett Sher and an amazing cast, lead by Jeff Daniels and Celia Keenan-Bolger, and the theatre rings with an energy that heals and uplifts your soul.

Celia Keenan-Bolger & Jeff Daniels
Photo courtesy of To Kill a Mockingbird
The story goes back and forth in time, starting with Scout Finch (played by Celia Keenan-Bolger), her brother Jem Finch (played by Will Pullen), and their friend Dill Harris (played by Gideon Glick) questioning how someone can die from falling on their knife.  This debate takes them back and forces a close review of the events that took place the summer of 1934 in Maycomb, Alabama, when their father, Atticus Finch (played by Jeff Daniels) was appointed by Judge Taylor (played by Dakin Matthews) to defend Tom Robbins (played by Gbenga Akinnagbe) for the rape and beating of Mayella Ewell (played by Erin Wilhelmi).  The trial is interspersed throughout the telling of the story while the close relationships of the Finch family are revealed.  The outraged community response to Atticus’ defense strategies are threatening to the family’s safety.

Jeff Daniels & Gbenga Akkinnagbe
Photo courtesy of To Kill a Mockingbird
Celia Keenan-Bolger, Will Pullen, and Gideon Glick narrate the transitions of the story.  Their chemistry and timing are flawless.  They are genuine and truthful.  Their growth from innocence toward adulthood is clear and endearing.  Jeff Daniel’s makes the iconic role of Atticus Finch authentically his own.  He creates a multi-dimensional father whose primary focus is to instill a sense of decency and integrity in his children.  His character is real, human, flawed, and straightforward.

There are numerous reasons why Harper Lee’s To Kill a Mockingbird won a Pulitzer Prize in 1960 and has become one of the most well-known and well-loved American classics.  This production not only captures all of those reasons, but deepens the level of understanding in Ms. Lee’s themes and compassionate point of view.

Domenick Danza

Monday, May 22, 2017

Sweat

Sweat
Studio 54
May 21, 2017

Photo courtesy of Sweat
Sweat is a truthful telling of the social and economic events that took place in this country during the years 2000 through 2008 that allows us to clearly reflect on how America has become the divided nation it is today.  Through interviews and research, Pulitzer Prize Winning Playwright Lynn Nottage has written authentic characters who struggle with challenges and face consequences that cause their lives to spiral out of control.  Her characters blindingly face their fears and frustrations head on. 

Tracey (played by Johanna Day), Cynthia (played by Michelle Wilson), and Jessie (played by Alison Wright) are close friends who have worked together on the factory floor in Reading, Pennsylvania for decades.  They are proud that they come from a long line of factory workers.  The year is 2000, and economic disruption is about to crumble the world they have come to know.  Cynthia accepts a promotion into a management position at the factory at the same time that the union contract is being challenged and factory jobs are being relocated to Mexico.  Non-English speaking residents are recruited as scabs during a union walk-out.  Fear, frustration, and betrayal build to heated anger and acts of violence from which there is no return.

Michelle Wilson & Johanna Day
Photos courtesy of Sweat
Johanna Day and Michelle Wilson shine in these brilliantly written, juxtaposed characters.  They build a relationship based on years of trust and reliability that brutally flips during the course of events.  They are the driving force that propels the action of the play.  Their portrayals are riveting, true, and genuine.  James Colby plays Stan, the bartender at the local watering hole.  His character is the neutral, rational negotiator throughout the play.  His portrayal is strong and warm-hearted.  Khris Davis and Will Pullen play younger workers at the factory who face a future with more choices than their parents.  These two actors complement one another amazingly well.  They create characters who face their challenges with opposite points of view.  They are viscerally connected and deliver powerful performances.  
Photo courtesy of Sweat
Kate Whoriskey masterfully directed this superb ensemble cast.  She skillfully builds tensions that explode with powerful human emotions.  The scenic design by John Lee Beatty is brilliant.  The set spins into place, keeping the pace moving quickly.  Lighting Design by Peter Kaczorowski sets a realistic tone, and Projection Design by Jeff Sugg keeps the audience grounded in the time period.

Will Pullen, James Colby, & Khris Davis
Photos courtesy of Sweat
What makes Sweat so powerful is that it is personal.  The emotional upheaval that takes place in the lives of the characters over the eight year span is understood and shared by every member of the audience.  Each character is clearly developed to present a different perspective of the effect of the economic changes in the working class during the years 2000 through 20008.  Ms. Nottage offers a glimpse of hope in the final moment of the play that empowers us to move forward with unity.


Domenick Danza