Showing posts with label Arian Moayed. Show all posts
Showing posts with label Arian Moayed. Show all posts

Tuesday, February 2, 2016

The Humans

The Humans
Roundabout Theatre Company
The Helen Hayes Theatre
January 31, 2016

Photo courtesy of The Humans
The Roundabout Theatre Company’s production of The Humans has moved to Broadway’s Helen Hayes Theatre.  The script, written by Stephen Karam, is brilliantly crafted with strong dramatic action that keeps the audience riveted.  Director Joe Mantello directed a seamless ninety minutes of action that enthralls, entertains, and excites.  The cast of five naturalistically delve into the underlying issues that bubble beneath the surface of continuous holiday conversation.  They then boomerang back with understanding that tenderly defines the family network that the play so aptly and realistically portrays. 

Brigid (played by Sarah Steele) invites her family for Thanksgiving dinner.  She has just moved into a new apartment in lower Manhattan that she shares with her boyfriend, Richard (played by Arian Moayed).  Her mother, Deirdre (played by Jayne Houdyshell), is constantly dropping remarks about Brigid and Richard not being married.  Her father, Erik (played by Reed Birney), has been having trouble sleeping and shares one of his disturbing nightmares.  Her sister, Aimee (played by Cassie Beck), is suffering from gastric colitis, has recently broken up with her longtime partner, and is being let go from her law firm.  Momo, her grandmother (played by Lauren Klein), is suffering from dementia and violent outbursts.  The “normal” family holiday stress drives the dinner conversation, revealing a few serious emotional scars.  The evening culminates in an announcement that shakes the foundation and security of this close family unit.

Sarah Steele, Arian Moayed, & Jayne Houdyshell
Photo courtesy of The Humans
This is a true ensemble piece with five strongly developed characters.  Each one carries a storyline of their own.  It is their careful and deliberate intertwining that makes the play engaging.  All the actors are fully committed and create a web of complex relationships that are realistic, truthful, and endearing.  The set, by David Zinn, is an ingenious split level design that effectively allows action to be viewed simultaneously.  The lighting, by Justin Townsend, and sound, by Fitz Patton, create an atmosphere of mystery and suspense that builds as the play reaches its climax.  

Photo courtesy of The Humans
The Humans is performed without an intermission.  There is no late seating and the notice in the program says, “If you leave your seat for any reason during the performance, you will not be permitted to return.”  Rightly so.  The action of this play should not be interrupted once it begins… and should not be missed.  Get a ticket today!


Domenick Danza

Wednesday, May 27, 2015

Guards at the Taj

Guards at the Taj
Atlantic Theater Company
Linda Gross Theater
May 24, 2015

Photo courtesy of Atlantic Theater Company
Can there be only one most beautiful thing in the world?  Can the creation of beauty become extinct?  What is beauty?  These are some of the thematic questions addressed by playwright Rajiv Joseph in Guards at the Taj now playing at Atlantic Theater Company.  This play will make you laugh, and cringe… and ponder beauty.

Humayun and Babur, two of the Emperor’s guards at the Taj Mahal in 1648, are among the first to see the newly completed mausoleum at first light.  They behold this MOST beautiful creation, a monument never to be exceeded in beauty.  They then journey to a blood drenched dungeon, where they face their darkest nightmare and come out with different appreciations of the truth.  Omar Metwally (Humayun) and Arian Moayed (Babur) each develops a unique and realistic character.  Together they create a relatable bond of friendship and adventure.

Arian Moayed, Rajiv Joseph, & Omar Metwally
at the Taj Mahal (Agra, India)
Photo courtesy of Atlantic Theater Company

The script by Rajiv Joseph, well known for his BengalTiger at the Baghdad Zoo (a 2010 finalist for the Pulitzer Prize), spans a broad range of topic as it focuses in on its main theme (the essence and creation of beauty) through the heartfelt comradery of the two characters.  It is profoundly, yet simply, directed by Amy Morton. 

The set is a brutal structure that weighs heavily on the space.  Ingeniously designed by Timothy R. Mackabee, it is realistic, powerful, and alive.  The moments of beauty the script refers to are illuminated by David Weiner’s amazing lighting.  The brightness contrasts the heaviness of the set to create spectacular moments that stand out in the characters’ perspectives.

Guards at the Taj runs through June 28 at Atlantic Theater Company’s Linda Gross Theater.  Put your thinking cap on and ponder the beauty of this piece of theatre.


Domenick Danza