Showing posts with label Stephen Karam. Show all posts
Showing posts with label Stephen Karam. Show all posts

Sunday, September 25, 2016

The Cherry Orchard

The Cherry Orchard
Roundabout Theatre Company
American Airlines Theatre
September 23, 2016


Photo courtesy of Roundabout Theatre Company
Stephen Karam’s new adaptation of The Cherry Orchardpresently in previews at Roundabout Theatre Company, is spectacular.  Mr. Karam brings Chekhov’s masterpiece into the 21st century, making clear the economic class changes in Russia in 1904.  Director Simon Godwin highlights moments for each character that range from heartwarming to victorious to tragic.  Together this partnership takes the audience on a journey deep within their own fears, resistances, and futures.  They create a final act that is pertinent to present day class struggles. 

The Andreyevich family is facing bankruptcy.  Their estate, which includes their most valued cherry orchard, is soon to be auctioned off to pay their debts.  Ranevskaya (played by Diane Lane) returns from Paris in an attempt to unite with her family in saving the cherry orchard.  They face the monumental challenges that come with an unwillingness to accept their economic collapse and present circumstances.

Diane Lane & Harold Perrineau
Photo courtesy of Roundabout Theatre Company
Harold Perrineau is encouraging and confident as Lopakhin, whose father and grandfather were serf (slaves), once owned by the Andreyevich family.  The parallels of Tsar Alexander II’s Emancipation Reform of 1861 to Abraham Lincoln’s Emancipation Proclamation in 1863 are clear and effective.  Lopakhin’s sense of empowerment is victorious when he purchases the cherry orchard at auction.  It is a severely jubilant moment that packs a mighty punch to the Andreyevich family.  Mr. Perrineau’s portrayal is authentic and truthful. 

Led by Diane Lane, the entire cast is outstanding.  She is revered, tender, and stoic as Ranevskaya.  Ms. Lane carries the grandeur of her character’s past as a protection from the future.  Her sense of hope and belief is powerful, and her loss and grief are devastating.  John Glover is charming, silly, and strong as her brother, Gaev.  The naiveté of his character brings levity to the seriousness of the family’s situation, which magnifies their downfall.  Joel Grey is sad and touching as Firs, the aging butler.  His grasp of the old ways is potent and eerie.  His timing and humor are endearing, illustrating a warm view of the family’s obsolete lifestyle.  There are also strong performances by Chuck Cooper, Tavi Gevinson, Celia Keenan-Bolger, Kyle Beltran, Tina Benko, Susannah Flood, and Quinn Mattfeld. 

The set design by Scott Pask is brilliant.  His powerful images and choices of symbols conjure broad emotions that force the audience to delve into their imagination.  This is further enhanced by the lighting design of Donald Holder.  Michael Krass’ costume designs span centuries, thus pushing the perspective into the present.  Together these designers make the family’s loss and reluctant acceptance of change a valid occurrence to a present day audience.

Celia Keenan-Bolger, Diane lane, Tavi Gevinson, & Kyle Beltran
Photo courtesy of Roundabout Theatre Company
This production is not to be missed.  Chekhov’s complex characters and deeply emotional play is relevant and alive in Mr. Karam’s new version.  The Cherry Orchard runs at the American Airlines Theatre through December 4.


Domenick Danza

Tuesday, February 2, 2016

The Humans

The Humans
Roundabout Theatre Company
The Helen Hayes Theatre
January 31, 2016

Photo courtesy of The Humans
The Roundabout Theatre Company’s production of The Humans has moved to Broadway’s Helen Hayes Theatre.  The script, written by Stephen Karam, is brilliantly crafted with strong dramatic action that keeps the audience riveted.  Director Joe Mantello directed a seamless ninety minutes of action that enthralls, entertains, and excites.  The cast of five naturalistically delve into the underlying issues that bubble beneath the surface of continuous holiday conversation.  They then boomerang back with understanding that tenderly defines the family network that the play so aptly and realistically portrays. 

Brigid (played by Sarah Steele) invites her family for Thanksgiving dinner.  She has just moved into a new apartment in lower Manhattan that she shares with her boyfriend, Richard (played by Arian Moayed).  Her mother, Deirdre (played by Jayne Houdyshell), is constantly dropping remarks about Brigid and Richard not being married.  Her father, Erik (played by Reed Birney), has been having trouble sleeping and shares one of his disturbing nightmares.  Her sister, Aimee (played by Cassie Beck), is suffering from gastric colitis, has recently broken up with her longtime partner, and is being let go from her law firm.  Momo, her grandmother (played by Lauren Klein), is suffering from dementia and violent outbursts.  The “normal” family holiday stress drives the dinner conversation, revealing a few serious emotional scars.  The evening culminates in an announcement that shakes the foundation and security of this close family unit.

Sarah Steele, Arian Moayed, & Jayne Houdyshell
Photo courtesy of The Humans
This is a true ensemble piece with five strongly developed characters.  Each one carries a storyline of their own.  It is their careful and deliberate intertwining that makes the play engaging.  All the actors are fully committed and create a web of complex relationships that are realistic, truthful, and endearing.  The set, by David Zinn, is an ingenious split level design that effectively allows action to be viewed simultaneously.  The lighting, by Justin Townsend, and sound, by Fitz Patton, create an atmosphere of mystery and suspense that builds as the play reaches its climax.  

Photo courtesy of The Humans
The Humans is performed without an intermission.  There is no late seating and the notice in the program says, “If you leave your seat for any reason during the performance, you will not be permitted to return.”  Rightly so.  The action of this play should not be interrupted once it begins… and should not be missed.  Get a ticket today!


Domenick Danza