Showing posts with label Bruce Norris. Show all posts
Showing posts with label Bruce Norris. Show all posts

Sunday, August 20, 2017

A Parallelogram

A Parallelogram
Second Stage Theater
Tony Kiser Theater
August 18, 2017
 
Photo courtesy of Second Stage Theater
In his play A Parallelogram, Bruce Norris asks the questions: If you are able to go back and live your life over again, knowing how it will turn out, would you do it?  There are a lot of complex issues to contemplate in a decision like this.  His play, while delivering a lot of laughs, considers them all, and also looks at the probability of affecting a different outcome if you have the courage to change your actions.

Bee (played by Celia Keenan-Bolger) is in the middle of a heated discussion with her boyfriend Jay (played by Stephen Kunken), when the woman she met at the grocery store earlier that day (played by Anita Gillette) pushes a button on her remote and rewinds the scene so Bee can relive it.  She does this a few times until Bee is satisfied with her participation in the discussion.  The woman explains to Bee the science behind the phenomenon.  She then reveals to the audience that she is from the future, when most of the population of the world dies off from a mysterious illness.  She does not.  She is Bee in the future.  She is able to tell Bee the outcome of her experiences.  The remote (a parallelogram) offers Bee the opportunity to move backwards and forwards in time to assess her choices and possible change her behavior.  Will any of this effect the final outcome?

Photo courtesy of Second Stage Theater
Celia Keenan-Bolger portrays Bee rationally and logically, allowing for the transitions in time to be realistic and believable.  Her character is driven by and inquisitive desire to understand how her actions can improve the future.  She challenges the rules of the parallelogram as set up by her older self, and keeps the action flowing forward with her determination.  Anita Gillette is beguiling, direct, and funny as Bee's older self.  Her monologues are full of information needed to understand the context of the story.  She delivers them with charm, energy and delight, keeping the audience engaged as the complex layers of the story unfold.  Since Bee’s boyfriend is not in the know of the phenomenon, Stephen Kunken plays Jay as the straight man for most of the jokes, setting up and following through with the situational humor keenly established by Ms. Bolger and Ms. Gillette.  He does not miss a beat.  His comic timing and physicality is spot on.

Celia Keenan-Bolger & Anita Gillette
Photo courtesy of Second Stage Theater
The set, designed by Rachel Hauck, is a realistic rendition of two interior locations.  What makes it spectacular is the way they move into place.  At the push of a button, the stage right and left walls smoothly spin and the upstage wall moves forward, then back again.  This, along with lighting design by Kenneth Posner and sound design by Matt Tierney, creates the swift flow the story line requires in order to be credible and engaging. 

Mr. Norris’ play is very well constructed and keeps you thinking throughout.  The direction by Michael Greif keeps the action tightly focused on the details that make the show work.  The Second Stage Theater production of A Parallelogram is closing on August 20.  Their upcoming season looks great.  Check out their website for details. 


Domenick Danza

Sunday, July 12, 2015

The Qualms

The Qualms
Playwrights Horizons
July 3, 2015

Photo courtesy of Playwrights Horizons
The Qualms by Bruce Norris takes an intense look at human nature, personal freedoms, and the need to compete, dominate, and submit.  It is a political and social encounter that is relevant, funny and, at times, awkward.  It forces you to look at those disconcerting moments and assess your deep-seated beliefs.

When Gary (played by John Procaccino) and Teri (played by Kate Arrington) met Chris (played by Jeremy Shamos) and his wife Kristy (played by Sarah Goldberg) on vacation, they invite them to a partner-swapping party they regularly host with two other couples.  As the party gets heated up, Chris gets uptight.  It gets ugly fast as everyone’s hot button issues are revealed and insecurities are enflamed.  The ensemble cast is sharp and tight.  Their timing is perfect and their characters are realistic and fully grounded.  Each has an individual moment of reveal that is genuine and true, and keeps the audience riveted.

Kate Arrington, Jerremy Shamos, and Sarah Golberg
in The Qualms at Playwrights Horizons
Photo courtesy of Playwrights Horizons
Bruce Norris won the Pulitzer Prize for his play Clybourne ParkThe Qualms has the same rhythmic dialogue that packs a punch.  In this play he has written eight distinct characters who reflect different points of view.  This creates connection, debate, and engagement on numerous levels.  Director Pam MacKinnon finds each of these levels and magnifies their significance.  She has skillfully orchestrated the rise and fall of the action to create a naturalistic setting with humorous, realistic, and uncomfortable moments.  The open floor plan of the set by Todd Rosenthal allows the movement needed for the characters to take sides when the action builds.

The cast of The Qualms at Playwrights Horizons
Photo courtesy of Playwrights Horizons
“Shit is complex,” states Gary blatantly in a philosophic moment of near the end of the play.  That sums it up in a heartbeat.  Bruce Norris truly knows how to encapsulate complex issues into a ninety minute script.

                           Domenick Danza