Showing posts with label John Procaccino. Show all posts
Showing posts with label John Procaccino. Show all posts

Wednesday, August 24, 2016

The Layover

The Layover
Second Stage Theatre
Tony Kiser Theatre
August 21, 2016

Photo courtesy of Second Stage Theatre
The Layover is a thought provoking play presently running at Second Stage Theatre.  Director Tripp Cullman focuses the actors on creating strong, realistic relationships that ring true and evoke empathy.  Leslye Headland's script is well structured, full of unexpected turns, and driven by clear, crisp dialogue. 

Shellie (played by Annie Parisse) and Dex (played by Adam Rothenberg) meet on a flight from Chicago to New York.  When the flight is cancelled and passengers are put up in the airport Marriott, they have a one night stand before going back to their normal lives.  They are both unable to get the other one out of their thoughts.  Finally, one of them hires a private investigator to track the other one down, and finds that everything that was said was a lie.

Adam Rothenberg & Annie Parisse
Photo courtesy of Second Stage Theatre
The scenic design, by Mark Wendland, stylistically divides the expansive space of the Tony Kiser Theatre to allow concentrated focus during the more intimate scenes.  He also splits the space so that scenes in separate locations can be delivered simultaneously.  Mr. Cullman effectively stages these parallel scenes so the characters can stare at each other across time and distance.  This heightens the theme of how certain experiences stay alive in our minds for extended periods of time.  This premise is explored through the point of view of the two main characters and Shellie’s father (played by John Procaccino).  The theme is strong, relatable, and prolifically expressed.  It is further enhanced through lighting design by Japhy Weideman and video design by Jeff Sugg.

Amelia Workman, Quincy Dunn-Baker,
Arica Himmel, & John Procaccino
Photo courtesy of Second Stage Theatre
The chemistry between Annie Parisse and Adam Rothenberg is palpable and visceral.  Both actors hook you in scene one, and skillfully transition your attention as the deeper layers of their characters are revealed.  There are also strong performance from John Procaccino, Amelia Workman, Quincy Dunn-Baker, and Arica Himmel.

The Layover is running at Second Stage Theatre through September.  The ending has some mystery and provides discussion of the characters’ true motivations and sense of reality.  See it with a friend and prepare for an in depth conversation afterwards.


Domenick Danza

Sunday, July 12, 2015

The Qualms

The Qualms
Playwrights Horizons
July 3, 2015

Photo courtesy of Playwrights Horizons
The Qualms by Bruce Norris takes an intense look at human nature, personal freedoms, and the need to compete, dominate, and submit.  It is a political and social encounter that is relevant, funny and, at times, awkward.  It forces you to look at those disconcerting moments and assess your deep-seated beliefs.

When Gary (played by John Procaccino) and Teri (played by Kate Arrington) met Chris (played by Jeremy Shamos) and his wife Kristy (played by Sarah Goldberg) on vacation, they invite them to a partner-swapping party they regularly host with two other couples.  As the party gets heated up, Chris gets uptight.  It gets ugly fast as everyone’s hot button issues are revealed and insecurities are enflamed.  The ensemble cast is sharp and tight.  Their timing is perfect and their characters are realistic and fully grounded.  Each has an individual moment of reveal that is genuine and true, and keeps the audience riveted.

Kate Arrington, Jerremy Shamos, and Sarah Golberg
in The Qualms at Playwrights Horizons
Photo courtesy of Playwrights Horizons
Bruce Norris won the Pulitzer Prize for his play Clybourne ParkThe Qualms has the same rhythmic dialogue that packs a punch.  In this play he has written eight distinct characters who reflect different points of view.  This creates connection, debate, and engagement on numerous levels.  Director Pam MacKinnon finds each of these levels and magnifies their significance.  She has skillfully orchestrated the rise and fall of the action to create a naturalistic setting with humorous, realistic, and uncomfortable moments.  The open floor plan of the set by Todd Rosenthal allows the movement needed for the characters to take sides when the action builds.

The cast of The Qualms at Playwrights Horizons
Photo courtesy of Playwrights Horizons
“Shit is complex,” states Gary blatantly in a philosophic moment of near the end of the play.  That sums it up in a heartbeat.  Bruce Norris truly knows how to encapsulate complex issues into a ninety minute script.

                           Domenick Danza