Showing posts with label Eddie Cooper. Show all posts
Showing posts with label Eddie Cooper. Show all posts

Sunday, April 27, 2025

Dead Outlaw

 Dead Outlaw
Longacre Theatre
April 26, 2025

Photo courtesy of Dead Outlaw
Good storytelling makes its way to Broadway in the production of Dead Outlaw.  The music, by David Yazbek and Erik Della Penna, sets the tone and pace that creates a throughline for the action.  The book, by Itamar Moses, makes a clear distinction between the factual discoveries and the fictional elements in the story.  It all that weaves together in a tall tale that entertains and mystifies.  The mood is playful and light, while the lyrics, also by David Yazbek and Erik Della Penna, combine a somber sense of sentimentality with a jolting story of how life that goes on after death.

In the 1970s, it was discovered that an amusement park puppet was actually the mummified remains of a human being.  The autopsy report uncovered bits of information that lead Coroner Noguchi (played by Thom Sesma) to believe it was the remains of Elmer McCurdy (played by Andrew Durand), who was born in 1911.  The story of Elmer’s life was relatively average, except for his failed attempt at being a legendary bank robber, which led to his getting shot and killed.  When Elmer’s body is not claimed by family, Coroner Johnson (played by Eddie Cooper) injects the body with arsenic, causing long term preservation.  This is the beginning of an adventure that surpasses any experience Elmer had before his death. 

Andrew Durand & Jeb Brown
Photo courtesy of Dead Outlaw

Jeb Brown leads the band and narrates the tale.  He is clear and focused, keeping the story rolling and the tone consistent.  Andrew Durand creates the character of Elmer McCurdy with pathos and gumption.  The audience connects to him right away.  He is a truly empathetic character.  His childhood is filled with sorrow.  He sabotages his one chance for true love.  It is funny how he fails at becoming an outlaw, yet the audience roots for his success.  For the final third of the show, Mr. Durand stands in a coffin as the mummified remains of his character.  He creates an eerie presence that keeps the character connected to the events that follow his death.

Trent Saunders, Andrew Durand, & Eddie Cooper
Photo courtesy of Dead Outlaw

The remaining six cast members play numerous roles.  Julia Knitel is outstanding.  Her portrayal of Maggie, Elmer’s love interest, and Milicent, a young teen who shares her inner thoughts with Elmer’s mummified remains, are honest, warm and vulnerable.  Thom Sesma delivers a rousing number as Coroner Noguchi, telling how he threads together evidence from an autopsy to build a complete story of life and death.  Eddie Cooper shows his versatility and strength, especially in the roles of Grandpa and Coroner Johnson.  Trent Saunders has a stellar scene and song as Andy Payne.  It ends on a somber and striking note.  There are also impressive performances by Dashiell Eaves and Ken Marks.

Dead Outlaw is playing at the Longacre Theatre.  In a time of high-tech productions with jaw dropping special effects, it is refreshing to sit back and experience good storytelling, country rhythms, and simple, innovative staging. 

Domenick Danza

Sunday, November 18, 2018

The Resistible Rise of Arturo Ui


The Resistible Rise of Arturo Ui
Classic Stage Company
November 17, 2018

Photo courtesy of Classic Stage Company
This is an ideal time for a revisit of Bertolt Brecht’s The Resistible Rise of Arturo Ui, and the Classic Stage Company production hits every mark in this political parable.  The Brecht style and utilization of theatre as a vehicle for strong social commentary is heightened in this production by actors changing hats to portray numerous roles and side glances to the audience to acknowledge their presence.  Under the direction of John Doyle this amazing cast finds the poetic timing of Brecht’s writing to incite humor, identification, and outrage.  

Bertolt Brecht wrote The Resistible Rise of Arturo Ui after escaping Germany in 1933.  The play parallels Hitler’s rise to power with that of Brooklyn-born Chicago gangster, Arturo Ui (played by Raul Esparza).  He offers protection to the grocery industry by inciting fear in an unknown enemy.  He them proves the presence of this fictional enemy by having his goons burn down a warehouse.  This action is a reference to the burning down of the Reichstag in 1933, which brought Hitler and the Nazi Party to a powerful public position.  Arturo Ui trains himself to have the public persona he knows he needs to gain power with the working class.  Once this is achieved, he is able to rise to greater self-serving heights.

Raul Esparza as Arturo Ui
Photo courtesy of Classic Stage Company
Raul Esparza displays an amazing range of skill in his portrayal of Arturo Ui.  His character yearns for power and transforms to achieve it.  His vocal characterization goes from nasal and comic to bold and powerful.  His physicalization changes from timid and flippant to magnetic and controlling.  He embodies the power as it shapes his identity.  He takes ownership it, and fully believes it is part of him.  His performance is riveting and inspiring.  You cannot take your eyes off him.  

From the Classic Stage Company electronic program notes: “The play is a parable in which Brecht demonstrates, through satire and high drama, how mundane irrationality can lead to an inhumane and barbaric government."  This is a powerful message for our time, and the cast works as a tight ensemble to deliver it with full impact.  Each actor (George Abud, Eddie Cooper, Elizabeth A. Davis, Christopher Gurr, Omoze Idehenre, Mahira Kakkar, and Thom Sesma) creates distinctive characters that are genuinely layered in truthful detail. 

Raul Esparza & Eddie Copper
Photo courtesy of Classic Stage Company
The purpose of a parable is to simplify a complex situation and offer perspective for deeper and clearer understanding.  The Classic Stage Company production of The Resistible Rise of Arturo Ui does that to perfection.  Don’t miss this timely production.  It is running through December 22.

Domenick Danza