Showing posts with label David Yazbek. Show all posts
Showing posts with label David Yazbek. Show all posts

Sunday, April 27, 2025

Dead Outlaw

 Dead Outlaw
Longacre Theatre
April 26, 2025

Photo courtesy of Dead Outlaw
Good storytelling makes its way to Broadway in the production of Dead Outlaw.  The music, by David Yazbek and Erik Della Penna, sets the tone and pace that creates a throughline for the action.  The book, by Itamar Moses, makes a clear distinction between the factual discoveries and the fictional elements in the story.  It all that weaves together in a tall tale that entertains and mystifies.  The mood is playful and light, while the lyrics, also by David Yazbek and Erik Della Penna, combine a somber sense of sentimentality with a jolting story of how life that goes on after death.

In the 1970s, it was discovered that an amusement park puppet was actually the mummified remains of a human being.  The autopsy report uncovered bits of information that lead Coroner Noguchi (played by Thom Sesma) to believe it was the remains of Elmer McCurdy (played by Andrew Durand), who was born in 1911.  The story of Elmer’s life was relatively average, except for his failed attempt at being a legendary bank robber, which led to his getting shot and killed.  When Elmer’s body is not claimed by family, Coroner Johnson (played by Eddie Cooper) injects the body with arsenic, causing long term preservation.  This is the beginning of an adventure that surpasses any experience Elmer had before his death. 

Andrew Durand & Jeb Brown
Photo courtesy of Dead Outlaw

Jeb Brown leads the band and narrates the tale.  He is clear and focused, keeping the story rolling and the tone consistent.  Andrew Durand creates the character of Elmer McCurdy with pathos and gumption.  The audience connects to him right away.  He is a truly empathetic character.  His childhood is filled with sorrow.  He sabotages his one chance for true love.  It is funny how he fails at becoming an outlaw, yet the audience roots for his success.  For the final third of the show, Mr. Durand stands in a coffin as the mummified remains of his character.  He creates an eerie presence that keeps the character connected to the events that follow his death.

Trent Saunders, Andrew Durand, & Eddie Cooper
Photo courtesy of Dead Outlaw

The remaining six cast members play numerous roles.  Julia Knitel is outstanding.  Her portrayal of Maggie, Elmer’s love interest, and Milicent, a young teen who shares her inner thoughts with Elmer’s mummified remains, are honest, warm and vulnerable.  Thom Sesma delivers a rousing number as Coroner Noguchi, telling how he threads together evidence from an autopsy to build a complete story of life and death.  Eddie Cooper shows his versatility and strength, especially in the roles of Grandpa and Coroner Johnson.  Trent Saunders has a stellar scene and song as Andy Payne.  It ends on a somber and striking note.  There are also impressive performances by Dashiell Eaves and Ken Marks.

Dead Outlaw is playing at the Longacre Theatre.  In a time of high-tech productions with jaw dropping special effects, it is refreshing to sit back and experience good storytelling, country rhythms, and simple, innovative staging. 

Domenick Danza

Sunday, April 21, 2019

Tootsie


Tootsie
Marquis Theatre
April 19, 2019

Photo courtesy of Tootsie
Out of all the movies being made into Broadway musicals lately, I was most excited about seeing Tootsie.  There is so much possibility in the original movie for musical interpretation, and the creative team took every one of these potential jumping off point to the max.  David Yazbek’s score is unique and character driven.  His lyrics start off as sharp and funny, then dive deep into the soul of the characters.  The book, written by Robert Horn, is witty and intelligent.  They set the show in present day and use every possible opportunity for social commentary.  Scott Ellis’ direction is spot on, and yes, Santino Fontana is beyond fabulous in the title role.

Photo courtesy of Tootsie
Actor, Michael Dorsey (played by Santino Fontana) cannot get a job in New York City theatre.  His arrogance has generated more professional enemies than work connections.  His best friend and roommate, Jeff Slater (played by Andy Grotelueschen), reminds him on his 40th birthday of the goals he has yet to achieve.  After coaching his ex-girlfriend, Sandy Lester (played by Sarah Stiles), for an audition of a new musical, Juliet’s Curse, a re-telling of Rome & Juliet, he decides he might stand a chance at getting an acting job if he auditions as someone else.  He creates an alter-ego, Dorothy Michaels, and lands the role of the nurse.  He channels his talent, ego, and ingenuity through his new persona and achieves the professional success he always knew he could, yet his personal life hits a few bumps.  He falls in love with his co-star, Julie Nichols (played by Lilli Cooper), while another cast member, heart throb Max Van Horn (played by John Behlmann), becomes enamored with him.  Michael finds himself trapped under a pile of lies and deceit.  He turns to the wisdom of his alter-ego for a solution.  

The cast of Tootsie
Photo courtesy of Tootsie
You can’t take your eyes off Santino Fontana.  He flips from Michael to Dorothy in an instant.  His vocal characterization is brilliantly matched by his unqualified physicalization, which combine to create a robust portrayal.  The determination of his character drives the action of the show.  The comic timing between him and Andy Grotelueschen is impeccable.  This establishes and builds their relationship.  Sandy Stiles is dynamite, delivering laughs and genuine neurotic moments.  Lilli Cooper delivers song after song of sincere perfection. 

Tootsie is playing at the Marquis Theatre.  It is sure to be a big hit.  Get your tickets right away and prepare for a fun night at the theatre.

Domenick Danza

Monday, February 5, 2018

The Band’s Visit

The Band’s Visit
Ethel Barrymore Theatre
February 4, 2018

Photo courtesy of The Band's Visit
I’ve heard over and over that The Band’s Visit is not a conventional musical.  Now that I’ve seen it, I understand the meaning of that statement.  This show is in a league of its own and is not to be compared to other musicals.  The score, by David Yazbek, takes you deeper into the heart and mind of each character.  The book, by Itamar Moses, captures the rhythm of the Israeli and Egyptian cultures depicted in the story.  David Cromer’s direction lures you into the deep longing and desire of the characters through careful timing, aching looks, and cautious physicalization.  Through fluid movement and gesture, Patrick McCollum’s choreography creates an emotional pulse that causes connection and delicately moves the action forward.

Photo courtesy of The Band's Visit

When eight Egyptian members of the Alexandria Ceremonial Police Orchestra are scheduled to perform in Israel, they accidentally find themselves in the wrong town.  Dina (played by Katrina Lenk) offers to put the musicians and their leader, Tewfiq (played by Tony Shalhoub), up for the night.  The connections made in this one short evening change the outlook of all involved.  To paraphrase Dina, “the most beautiful moments in life are those that are unexpected.” 

Photo courtesy of The Band's Visit
Katrina Lenk and Tony Shalhoub are mystical.  Their intimacy reaches all the way to the mezzanine.  The entire cast works brilliantly as an ensemble, drawing the audience in for their individual, honest, and emotional stories.  Stellar performances are delivered by John Cariani (as Itzik), Ari’el Stachel (as Haled), Adam Kantor (as Telephone Guy), and Daniel David Stewart (as Papi).

The Band’s Visit is a must see!  It is personal, intimate, and poetic.  It will hopefully be at the Ethel Barrymore Theatre for a long time running.
Domenick Danza