Showing posts with label Jordan Harrison. Show all posts
Showing posts with label Jordan Harrison. Show all posts

Monday, February 19, 2018

The Amateurs


The Amateurs
Vineyard Theatre
February 17, 2018

Photo courtesy of Vineyard Theatre
In his new play, The Amateurs, Jordan Harrison examines a number of compelling themes and concepts about the human experience throughout the ages.  There are many layers and points of entry in this new work.  The superb Vineyard Theatre production allows the audience to engage and journey through them all, and emerge with a broader view, a release, a purifications… or as they say in the play, a catharsis.

The play opens in the 1300s in the middle of a morality play.  A group of traveling players are portraying the seven deadly sins, when one falls ill with the black plaque.  He quickly dies and is left behind to be buried in a communal grave.  His sister, Hollis (played by Quincy Tyler Bernstine), is more affected by this than the rest of the traveling troupe.  Larking (played by Thomas Jay Ryan) continues to push his cast in getting ready to present their new play about Noah’s flood for the Duke.  When the players are visited by the ghost of their deceased colleague, the action of the play ceases and the playwright (played by Michael Cyril Creighton) enters to offer context to the dilemma and review a number of options for how to continue.  The ideas and questions he brings up are fully realized when the journey of the traveling players resumes.

Photo courtesy of Vineyard Theatre
Michael Cyril Creighton fills the twenty or so minute section as the playwright with depth, poignancy, impeccable timing, and serious humor.  He shares the character’s personal experiences of being bullied in middle school, learning to be afraid of AIDS in high school, and addresses the fact that Noah’s wife refuses to board the arc in the morality play.  He is joined in this middle section of the play by Quincy Tyler Bernstine, who steps out of her role as Hollis and shares with the audience an enlightened experience she once had while playing Mrs. Cratchit in a regional theatre production of A Christmas Carol.  She equally matches Mr. Creighton’s poignancy and humor.  This section frames the entire experience of the play and focuses the audience to view and understand the themes and messages.  These two actors masterfully bring to the fruition what this magnificent writing deserves.


The full cast of "The Amateurs"
Photo courtesy of Vineyard Theatre
The entire cast is amazing.  Kyle Beltran (as Brom), Greg Keller (as the Physic), Jennifer Kim (as Rona), and Thomas Jay Ryan (as Larking) bring richness and dry humor to this unprecedented play.  Director Oliver Butler finds the perfect pace that allows the impact of the themes to pop.  Scenic design by David Zinn and lighting design by Jen Schriever create a weighty atmosphere of encumbrance, mystery, and wonder.

Playwright Jordan Harrison examines the development of the individual identity as the root of the survival of humankind.  He clearly puts it out there that there are no safe places to hide from catastrophic events, such as the black plague, the great flood, the AIDS crisis, or anything else we might presently be facing.  He then sums it up in the succinct statement that “life is long.”  The Amateurs runs at the Vineyard Theatre through March 18.  It is definitely a MUST SEE! 

Domenick Danza

Monday, December 21, 2015

Marjorie Prime

Marjorie Prime
Playwrights Horizons
December 19, 2015

Photo courtesy of Playwrights Horizons
Is virtual reality a mere reflection of projected thoughts, or does it have a life separate and individual from those programming it?  This is a question that arises from experiencing Jordan Harrison’s Marjorie Prime at Playwrights Horizons.  The play is skillfully crafted and seamlessly directed to blur the lines between these realms.  The cast draws you deeply into their world and intimately connects you to their hopes and fears.

Tess (played by Lisa Emery) and Jon (played by Stephen Root) set up their aging mother, Marjorie (played by Lois Smith), with a prime of her deceased husband (played by Noah Bean).  The purpose for this is two-fold: first, to keep her company and second, to keep her memories alive.  A prime is a computer generated image in the likeness of a specific person.  This prime can interact as this individual when programmed with information about your relationship and details of your shared experiences.  Since perception frames most involvements, the truth of these interactions becomes questionable.  This is why Tess is skeptical of the effect these conversations have on her mother.  Jon is certain of the benefit they offer, since he sees improvement in Marjorie’s outlook.  He later understands Tess’s concerns when he has a need to develop a personal relationship with a prime.

Lisa Emery, Lois Smith, & Noah Bean
Photo courtesy of Playwrights Horizons
This play is all about relationship, and director Anne Kauffman has brought these four actors to a place where their interactions are truthful and sincere.  Lois Smith is superb as Marjorie.  She portrays the numerous layers of this aging character with strength, conviction, and detail.  Lisa Emery elicits great emotion and compassion as a woman who yearns for connection with her mother in order to resolve her deepest struggles.  Stephen Root’s character is continually warm, caring, and empathetic.  The chemistry between him and Ms. Emery is natural and dynamic.  Noah Bean emits a grounded calm that makes you understand why every character in the play willingly opens up and graciously reveals themselves to him. 

Stephen Root, Lois Smith, & Lisa Emery
Photo courtesy of Playwrights Horizons
Jordan Harrison's writing proves that a skilled playwright can lead you on a journey almost anywhere.  His dialogue is full of dramatic action that keeps you riveted.  The final scene of the play takes a stunning turn.  Can life’s most complex challenges be virtually resolved by merely combining streams of logic to given facts?  Marjorie Prime is extended at Playwrights Horizons until January 24.  See it and understand the depth and value of Marjorie’s simple statement, “How nice that we could love somebody.”


Domenick Danza