The Beast in the Jungle

The Beast in the Jungle

Vineyard Theatre

June 15, 2018

Photo courtesy of Vineyard Theatre

The Beast in the Jungle, with music by John Kander and book by David Thompson, is now running at Vineyard Theatre.  Inspired by the Henry James novella, this “dance play” tells the romantic and tragic story of the missed opportunities for love.  Director/Choreographer Susan Stroman skillfully weaves realistic narrative with ballet and stylized movement to emotionally engage the audience in this dark tale.

John Marcher (played by Peter Friedman) advises his nephew (played by Tony Yazbeck) that if he truly loves his girlfriend, who just broke up with him because he cannot commit, he needs to run back to her, get on his knees, and ask her to marry him.  John Marcher tells his nephew the story of when he met May Bertram (played by Irina Dvorovenko) in Naples, and fell instantly in love with her.  It was the beast within him that compelled him to run from her as the mutuality of their feelings began to flourish.  This beast reared its ugly head again when they met by chance twenty years later.  It is not until sharing his story with his nephew that John faces his inner demons and is able to release them.

Irina Dvorovenko & Tony Yazbeck
Photo courtesy of Vineyard Theatre

Peter Friedman beautifully takes the audience through John Marcher’s story, facing the truth in the climax of the play.  Tony Yazbeck plays the young John Marcher as the story of his early years is told through dance.  Mr. Yazbeck is vulnerable and charming in this role.  His physical characterization and dance skills are strong and charismatic.  His transformation superbly reflects Mr. Friedman’s character.  Irina Dvorovenko is a beautiful match to Mr. Yazbeck.  She is an amazing dancer.  They connect and build a genuine relationship that carries the action of the story forward.

Photo courtesy of Vineyard Theatre

Susan Stroman uses an ensemble of six women to play numerous roles and create the setting and atmosphere of a beach in Italy, and English garden, and a New York City art gallery.  These six phenomenal dancers appear out of the darkness and create smooth transitions throughout the show.  They create the “beast” with a few simple and well-choreographed effects that evoke powerful images representing the main character’s deep-seeded fear.

John Kander’s score is lush and romantic.  Ms. Stroman’s choreography utilizes his rhythms and enhances the passionate swell in his score.  The Beast in the Jungle has been extended at Vineyard Theatre through June 24.  It is beautiful storytelling. 

Domenick Danza

The Amateurs

The Amateurs

Vineyard Theatre

February 17, 2018

Photo courtesy of Vineyard Theatre

In his new play, The Amateurs, Jordan Harrison examines a number of compelling themes and concepts about the human experience throughout the ages.  There are many layers and points of entry in this new work.  The superb Vineyard Theatre production allows the audience to engage and journey through them all, and emerge with a broader view, a release, a purifications… or as they say in the play, a catharsis.

The play opens in the 1300s in the middle of a morality play.  A group of traveling players are portraying the seven deadly sins, when one falls ill with the black plaque.  He quickly dies and is left behind to be buried in a communal grave.  His sister, Hollis (played by Quincy Tyler Bernstine), is more affected by this than the rest of the traveling troupe.  Larking (played by Thomas Jay Ryan) continues to push his cast in getting ready to present their new play about Noah’s flood for the Duke.  When the players are visited by the ghost of their deceased colleague, the action of the play ceases and the playwright (played by Michael Cyril Creighton) enters to offer context to the dilemma and review a number of options for how to continue.  The ideas and questions he brings up are fully realized when the journey of the traveling players resumes.

Photo courtesy of Vineyard Theatre

Michael Cyril Creighton fills the twenty or so minute section as the playwright with depth, poignancy, impeccable timing, and serious humor.  He shares the character’s personal experiences of being bullied in middle school, learning to be afraid of AIDS in high school, and addresses the fact that Noah’s wife refuses to board the arc in the morality play.  He is joined in this middle section of the play by Quincy Tyler Bernstine, who steps out of her role as Hollis and shares with the audience an enlightened experience she once had while playing Mrs. Cratchit in a regional theatre production of A Christmas Carol.  She equally matches Mr. Creighton’s poignancy and humor.  This section frames the entire experience of the play and focuses the audience to view and understand the themes and messages.  These two actors masterfully bring to the fruition what this magnificent writing deserves.

The full cast of "The Amateurs"
Photo courtesy of Vineyard Theatre

The entire cast is amazing.  Kyle Beltran (as Brom), Greg Keller (as the Physic), Jennifer Kim (as Rona), and Thomas Jay Ryan (as Larking) bring richness and dry humor to this unprecedented play.  Director Oliver Butler finds the perfect pace that allows the impact of the themes to pop.  Scenic design by David Zinn and lighting design by Jen Schriever create a weighty atmosphere of encumbrance, mystery, and wonder.

Playwright Jordan Harrison examines the development of the individual identity as the root of the survival of humankind.  He clearly puts it out there that there are no safe places to hide from catastrophic events, such as the black plague, the great flood, the AIDS crisis, or anything else we might presently be facing.  He then sums it up in the succinct statement that “life is long.”  The Amateurs runs at the Vineyard Theatre through March 18.  It is definitely a MUST SEE! 

Domenick Danza

Harry Clarke

Harry Clarke

Vineyard Theater

October 28, 2017

 

Photo courtesy of Vineyard Theatre

Billy Crudup is starring in a one character play at Vineyard Theatre.  Written by David Cale, Harry Clarke is a psychological exploration of one man’s quest for acceptance and struggle with identity.  Director Leigh Silverman finds the significant moments of this ninety minute piece that allow the audience to laugh with the main character, empathize with his flaws, and feel shocked by his bold, threatening behavior.

Philip Brugglestein (played by Billy Crudup) was born in Evanston, IL and grew up in South Bend, IN.  He discovers at an early age that he is more comfortable with himself when speaking in a British accent.  After an abusive outburst by his father during his adolescence, an alter-ego emerges.  Harry Clarke is a bold Cockney who is not afraid to take risks and speak his mind.  A number of years later, while living in New York City, Harry Clarke re-emerges during a low period in Philip’s life.  This time he makes a deal with Philip.  Harry wants Philip to give over to him 100% for a three month trial period.  Philip agrees and embarks on the journey of no return.

Billy Crudup, Director Leigh Silverman, and Playwright David Cale
Photos courtesy of Vineyard Theatre

Billy Crudup is magnificent in this role.  He embodies numerous characters as he tells this alarming story.  The accent and vocal rhythm of each character is so distinct that you recognize them immediately.  The characters of Philip Brugglestein and Harry Clarke also have a distinguishing physicalization that visibly identifies them.  Mr. Crudup’s transitions are smooth and clear.  He is absorbing and engaging.  It is an enthralling performance.

Playwright David Cale has written an intriguing character.  He skillfully structures the telling of this story with unexpected reveals that hook the audience’s attention and peak their curiosity. 

Harry Clarke is playing at Vineyard Theatre through December 10.  If you are a Billy Crudup fan, you will love this show.  If you are not, you will definitely become one after seeing it.  

Domenick Danza

This Day Forward

This Day Forward

Vineyard Theatre

November 5, 2016

Photo courtesy of Vineyard Theatre

This Day Forward is Nicky Silver’s new play presently in previews at Vineyard Theatre.  The two acts of this funny and dark play are set forty-six years apart, and portray how a decision made at a turning point in life can have a lasting effect.  Director Mark Brokaw successfully takes the high arc of dramatic action all the way through to the end of the journey of the play.  The production has an amazing ensemble, most of whom play different characters in each act.

The first act takes place at the St. Regis Hotel in 1958 on the wedding night of Martin (played by Michael Cane) and Irene (played by Holly Fain).  He is head over heels in love, and she is nervous about telling him something she knows will upset him.  She finally blurts it out and sets into motion the course of the rest of their lives.  Act II takes place forty-six years later in 2004, where the fruits of their lives are displayed for all to see.

The Cast of This Day Forward
Photo courtesy of Vineyard Theatre

Holly Fain is bright and charismatic as young Irene.  She is an optimistic and adorable bride.  She has moments that reveal her darker, antagonistic side that are truly hysterical and foretelling.  June Gable shines in Act II as the older Irene.  She carries the forty-six year history of this character in every cell of her body and glance of her eyes.  In Act I Ms. Gable provides tremendous comic relief and insight into the mindset of the time period as a maid at the St. Regis Hotel.  She is wonderfully impactful.  Michael Crane is vulnerable and eager as the young Martin in Act I, and brings a depth and determination to his role of Noah in Act II.  Francesca Faridany is explosive, both funny and disturbing, as Sheila in Act II.  Andrew Burnap is humorous as Donald in Act I, and charming and sensitive as Leo in Act II.  Joe Tippett is rough, tough, and loveable as Emil.

The first act is funny.  It is set in an idealistic time with a number of twists that set up infinite possibilities, and Mr. Silver skillfully utilizes every one of them.  The second act delivers the punch.  It is biting and realistic, and speaks to what is most valuable in life.  The irony is that this message comes from a character who never attained it.  This Day Forward runs at Vineyard Theatre through December 18.

Domenick Danza