The Fear of 13

The Fear of 13
James Earl Jones Theatre
May 26, 2026 

Photo courtesy of The Fear of 13

After being nominated for an Olivier Award for his London stage debut in The Fear of 13, Adrien Brody recreates his role in a stunning Broadway debut.  This is a compelling character in a gripping story of forgiveness and redemption.  Playwright Lindsey Ferrentino based this work on the documentary film by David Sington.  It is an evenly paced, well-structured play with high stakes and well-crafted dialogue.  Director David Cromer creates a tense and claustrophobic atmosphere, then widens the sense of despair.  As hope rises so does suspicion and doubt.  The tension returns, then releases, allowing for satisfying closure. 

Jacki Miles (played by Tessa Thompson) is an advocate for death row prisoners.  She visits once a week and listens, taking notes on the stories they tell and reporting on their treatment, health, and psychological needs.  One prisoner, Nick Yarris (played by Adrien Brody) gets her attention when he quotes from Catcher in the Rye.  Jacki researches the implausible stories he tells to confirm they are the truth.  She finds herself spending more time with him on her visits, and finally admits she is getting involved.  Nick declares to Jacki that he is innocent… and in love with her.  She insists he tell her the full story of how he became incarcerated before they address their emotional situation.  Jacki realizes she could have full access to Nick’s records to better assist with his appeal if they were married.  Once she makes this commitment, there is no turning back. 

Adrien Brody as Nick Yarris
Photo courtesy of The Fear of 13

Nick Yarris is an intense and fascinating character.  He is well read from his time on death row, so he is articulate and knows how weave incredible tales.  Adrien Brody projects a glib and beguiling façade as this character.  He renders child-like traits, while masking deep feelings of hurt and betrayal.  He is vulnerable and full of anguish.  As his darker side rises, you wonder how trustworthy he is.  The more Jacki believes him, the more you fear for her safety.  You want to believe him, but are never really sure.  It is this duality that draws you in emotionally.  

Adrien Brody & Tessa Thompson
Photo courtesy of The Fear of 13

Jacki Miles gradually opens up to Nick.  She takes her responsibilities as an advocate very seriously.  She develops a genuine tenderness for Nick over the course of her visits.  Since she does not jump in unknowingly, the audience willfully goes on this journey with her.  Tessa Thompson splendidly portrays this measured discovery and immersion of emotion.  Her character is sure of herself and confident in every step she takes.  Ms. Thompson and Mr. Brody skillfully shift in their susceptible moments, supporting one another as they waver between hope and helplessness.  Their connection is tender.  Their bond is visceral.

The Fear of 13 is playing at the James Earl Jones Theatre through July 12.  You must see these performances.  The characters go through a harrowing journey, making this play a unique and amazing experience. 

Domenick Danza

Smart People

Smart People

Second Stage Theatre

Tony Kiser Theatre

February 7, 2016

Photo courtesy of Second Stage Theatre

I immediately bought a ticket to see Second Stage Theatre’s production of  Smart People because it is written by playwright Lydia Diamond.  I studied playwriting with her at Chicago Dramatists a number of years ago.  She focused on teaching how to write realistic and riveting dialogue.  Her script overflows with this specialty.  Her dialogue connects the characters on a visceral level, creates compelling relationships which leads to strong conflict, and draws your attention deeply into what drives the play forward.  The production has a few flaws, but Lydia’s writing is sharp and detailed.

The title speaks for itself.  The play is about

Joshua Jackson & Tessa Thompson
Photo courtesy of Second Stage Theatre

four smart people.  Brian (played by Joshua Jackson) is a Harvard professor conducting a study on racism, particularly how a person’s brain reacts when seeing images of people of different races.  Jackson (played by Mahershala Ali) is a surgeon immersed in his residency while simultaneously running a clinic for people at risk.  Ginny (played by Anne Son), also a Harvard professor, is a psychologist who specializes in working with Asian women adapt to American society.  Valerie (played by Tessa Thompson) is an actress who cleans houses to pay off the extreme debt from graduate school.  The lives of these four very smart people intertwine as they emotionally relate and respond to one another based on their racial upbringing, self-image, and stereotypical expectations.  The deeper level of conflict surfaces when they choose to directly share their points of view on race relations.

Tessa Thompson & Mahershala Ali
Photo courtesy of Second Stage Theatre

The four powerhouse actors skillfully deliver these multi-dimensional characters with energy and vitality.  Their relationships are true and their emotional portrayals honest.  Unfortunately, there are times when they move in and out of the light.  Jason Lyons made some very bold choices in his lighting design, yet it does not always illuminate the playing areas completely.  The projections, designed by Zachary G. Borovay, create a strong atmosphere, yet spread over the set in a way that distorts the images.  Scenic design, by Riccardo Hernandez, utilizes the vast stage at the Tony Kiser Theatre, yet take away from the impact of the more intimate scenes.

Smart People runs at Second Stage Theatre through March 6.

Domenick Danza

An Afterthought:

When I got to the box office to pick up my ticket, the matinee had just let out.  There was a group of women heavily into a conversation about the social stereotypes and racial bias the show presented.  Since I just read a very poor blog review about the show, I listened into the discussion to get a different mindset before viewing the performance.  The women were committed to their points of view and impassioned by how the show broadened their frame of understanding. 

When I left the theatre that evening, I found myself agreeing with a few comments I heard earlier, yet I did not think the play made a strong statement about race in America.  The play did resonate with me, and after a few days of thinking about it, I realized that the depth of the characters and juxtaposition of the situations made a stronger statement than I had originally realized.

The two male character, one white and on black, are both frustrated with a specific work situation.  When each character voices their frustration, they face similar repercussions, yet are viewed very differently.  There is a strong commonality to their frustration, yet these two very intelligent, well-educated, hard working men cannot see beyond their own self-image and racial bias in order to bond over their situations. 

Playwright Lydia Diamond

This is one example of the subtle and powerful style in which Lydia Diamond chose to write this play.  There is a lot there, under the surface.  It is the purpose of theatre to make us think.  A catharsis occurs when we are able to view ourselves and the world differently after a shared experience.  Smart People is that kind of play.  See it if you want to understand yourself differently, but don’t expect it to be handed to you with ease.  You’re going to have to think, and that’s what makes good theatre.