Showing posts with label Tony Shalhoub. Show all posts
Showing posts with label Tony Shalhoub. Show all posts

Sunday, May 19, 2024

What Became of Us

 What Became of Us
Atlantic Stage 2 Theater
May 18, 2024 

Photo courtesy of Atlantic Theater Company

Shayan Lotfi’s play, What Became of Us, takes the audience on an intimate and emotional journey in the relationship between two siblings.  It is masterfully crafted, uniquely structured, and tenderly written.  The Atlantic Theatre Company production is beautifully directed by Jennifer Chang.  She allows the actor to discover precise moments to reveal their vulnerability.  The characters open their hearts to one another and the audience.  They grow and change over a lifetime of shared and distant experiences.

We first meet Q (played by Rosalind Chao), who tells of when her parents made the decision to immigrate from the old county.  She is a young girl, fascinated by the adventure they are about to embark upon.  She easily tells of her parents selling candies and snacks outside office buildings, then opening their own newsstand, then purchasing the corner store.  Her life changes when her brother, Z (played by BD Wong) is born.  She takes responsibility for his care.  He is everything to her, as she is everything to him. 

BD Wong & Rosalind Chao
Photo courtesy of Atlantic Theater Company

Q and Z continue to tell their stories, directly addressing the audience and referring to one another in the second person.  Their identities develop into their adolescent and teen years.  They become more independent of one another, yet are fully aware of each other’s feelings.  Q remains conservative and connected to her parents.  Z becomes rebellious and makes different choices.  When their parents are killed in a car accident, they find themselves full of unresolved emotions, causing resentment.  They separate.  Years go by without contact.  Z gets married and has a son, the “golden child.”  After six years, he asks his father why he has no other family.  This motivates Z to call his sister.  They re-unite with a different sense of themselves, and are able to connect on a new level. 

Rosalind Chao and BD Wong are phenomenal.  They are fully connected, even though all their dialogue is direct address.  This connection is inherent in everything they do and say.  It morphs as the characters grow and change.  These transitions are clearly mapped out in the writing.  During the first portion of the play, the characters start all their lines with “You…” as they tell the story of how and what the other character did, said, and felt.  All of their thoughts are consumed with the other’s point of view.  The second section, when the characters are estranged, their lines all start with “I” statements, as they share their own thoughts, isolated from anyone else.  In the third and final section, their lines start with “I” statements, followed by a sentence starting with “You...”  The characters have come to a place where their mutual feelings and perspectives mold and shape their experiences.  It doesn’t matter if they agree or are in conflict.  They are able to connect, share, and commune.  This is beautifully writing.  Rosalind Chao and BD Wong embrace these words, and deliver poignant performances. 

Tony Shalhoub, Shohren Aghdashloo, BD Wong, & Rosalind Chao
Photo courtesy of Atlantic Theater Company

What Became of Us is playing at Atlantic Stage 2 Theater.  There are two casts.  BD Wong and Rosalind Chao are performing through June 15.  Tony Shalhoub and Shohren Aghdashloo will step in from June 10 through June 29.  These casting decisions are aligned with Mr. Lotfi’s vision for his play.  His intention “has always been that the roles would alternate between separate parings of actors from different diasporic backgrounds.”  It is sure to be a different experience with the two different casts.  Get your tickets while they last.

Domenick Danza

Monday, February 5, 2018

The Band’s Visit

The Band’s Visit
Ethel Barrymore Theatre
February 4, 2018

Photo courtesy of The Band's Visit
I’ve heard over and over that The Band’s Visit is not a conventional musical.  Now that I’ve seen it, I understand the meaning of that statement.  This show is in a league of its own and is not to be compared to other musicals.  The score, by David Yazbek, takes you deeper into the heart and mind of each character.  The book, by Itamar Moses, captures the rhythm of the Israeli and Egyptian cultures depicted in the story.  David Cromer’s direction lures you into the deep longing and desire of the characters through careful timing, aching looks, and cautious physicalization.  Through fluid movement and gesture, Patrick McCollum’s choreography creates an emotional pulse that causes connection and delicately moves the action forward.

Photo courtesy of The Band's Visit

When eight Egyptian members of the Alexandria Ceremonial Police Orchestra are scheduled to perform in Israel, they accidentally find themselves in the wrong town.  Dina (played by Katrina Lenk) offers to put the musicians and their leader, Tewfiq (played by Tony Shalhoub), up for the night.  The connections made in this one short evening change the outlook of all involved.  To paraphrase Dina, “the most beautiful moments in life are those that are unexpected.” 

Photo courtesy of The Band's Visit
Katrina Lenk and Tony Shalhoub are mystical.  Their intimacy reaches all the way to the mezzanine.  The entire cast works brilliantly as an ensemble, drawing the audience in for their individual, honest, and emotional stories.  Stellar performances are delivered by John Cariani (as Itzik), Ari’el Stachel (as Haled), Adam Kantor (as Telephone Guy), and Daniel David Stewart (as Papi).

The Band’s Visit is a must see!  It is personal, intimate, and poetic.  It will hopefully be at the Ethel Barrymore Theatre for a long time running.
Domenick Danza