Floyd Collins

 Floyd Collins
Lincoln Center Theater
at the Vivian Beaumont
May 10, 2025

Photo courtesy of Lincoln Center Theater

The Lincoln Center Theater production of Floyd Collins is touching, bold, and absorbing.  Adam Guettel’s score captures the Kentucky setting and the 1925 time period.  His music delivers the emotions of each character, illuminating the urgency of their traumatic experience.  Director Tina Landau, who also wrote the book, creates an encompassing atmosphere for the story.  The characters are fully dimensional, driven by strong objectives that create active conflict that builds throughout the show.  This is not an easy story to tell, and this cast and creative team tell it beautifully. 

Floyd Collins (played by Jeremy Jordan) spends his time exploring underground caves, seeking a cavern with immeasurable magnificence.  He plans on claiming it and opening it to the public to enjoy and spend money on visits.  He calls out in the darkness of the underground spaces, listening for a delayed echo.  When he finally finds one, he also finds himself trapped under a large limestone boulder.  People come from miles to help with his rescue.  Over the seventeen days he is trapped underground, the story of his rescue efforts spreads throughout the country.

Jason Gotay & Jeremy Jordan
Photo courtesy of Lincoln Center Theater

The songs composed for the character of Floyd Collins are stunning, and Jeremy Jordans voice rings
with clarity and emotion.  It’s as if they were written especially for him.  Jason Gotay plays Floyd’s brother, Homer.  They develop an endearing bond.  Their characters are distinctly different, making their relationship genuine and honest.  Lizzy McAlpine portrays their fragile sister Nellie.  Deep within her breakable exterior lies the rock that her brothers rely on.  When these three skilled actors join in song, magic happens.  Taylor Trensch plays reporter, Skeets Miller.  His character is quirky and likeable.  He matures because of his participation in the rescue effort, carrying the action forward to the end of the story.    

The vast stage of the Vivian Beaumont theater is purposefully and efficiently utilized.  Lighting creates the claustrophobic underground spaces.  This effectively contrasts with the openness of the scenes on the surface.  The staging is simple and extraordinary.  The cast of fifteen is amazing. 

Floyd Collins is playing at the Vivian Beaumont Theater through June 22.  Don’t miss it! 

Domenick Danza

American Son

American Son

Booth Theatre

December 8, 2018

Photo courtesy of American Son

In his play, American Son, playwright Christopher Demos-Brown brings emotional depth and a broader perspective to the harsh realities of our present day social struggle and racial divide.  Director Kenny Leon builds the dramatic tension while the main characters revisit the misunderstandings and betrayals in their marriage during a highly vulnerable event.  The distance between this newly separated husband and wife starts with the difference in their race and upbringing, then shift to their egos, deep rooted fears, and unfulfilled expectations.  Kerry Washington and Steven Pasquale are both riveting, delivering truthful performances grounded in a genuine sense of connection.   

Kerry Washington, Steven Pasquale, & Jeremy Jordan
Photo courtesy of American Son

It is 4:00 AM in a police station in Miami, Florida.  Kendra (played by Kerry Washington) is waiting, impatient, and emotionally drained.  Officer Paul Larkin (played by Jeremy Jordan) enters and informs her that he has no news on the whereabouts of her son Jamal, but can verify that his car was in a reported incident.  Protocol demands that she wait for the arrival of Lieutenant Stokes (played by Eugene Lee) for further information.  When Kendra’s husband, Scott (played by Steven Pasquale) shows up, Officer Larkin mistakes him for Lieutenant Stokes and proceeds to fill him in on the case.  Scott’s bureaucratic handling of the situation sends Kendra further into hysterics and generates arguments about their failed marriage and the raising of their son.  When Scott’s brother texts him a link to a video of a local police shooting, they become seriously concerned about Jamal’s well-being.

Kerry Washington & Steven Pasquale
Photo courtesy of American Son

Kerry Washington delivers a monologue in the first half of the show that exposes the deeply rooted fear her character has been unable to get her arms around since the birth of her son.  This is a powerful and truthful moment, and Ms. Washington delivers it with genuine passion.  Steven Pasquale’s response to this monologue succinctly illustrates the distance between the two characters.  It is not until there is evidence that their son could be in serious danger that his character rises to the realities of the situation and exposes his vulnerability.  The richness in Mr. Pasquale’s performance is found in the juxtaposition of his reserve and unanticipated emotional outburst.  These two actors vividly portray the unknown elements that exist between two people in a long term relationship, as well as the bond that unites them forever.   

Eugene Lee’s Lieutenant Stokes takes immediate control upon his arrival and brings a perspective to the situation that expands and deepens the truth and thematic strength of the play.  This is where playwright Christopher Demos-Brown transports the emotionally driven story into broader complexity, challenging your sense of right and wrong and presenting themes that strike the heart of every audience member.

American Son is a well written, well directed, and timely piece of theatre.  The performances are very worth seeing.  The ending is impactful and unexpected.  It is running at the Booth Theatre through January 27.  

Domenick Danza