Showing posts with label Tina Landau. Show all posts
Showing posts with label Tina Landau. Show all posts

Sunday, May 11, 2025

Floyd Collins

 Floyd Collins
Lincoln Center Theater
at the Vivian Beaumont
May 10, 2025

Photo courtesy of Lincoln Center Theater
The Lincoln Center Theater production of Floyd Collins is touching, bold, and absorbing.  Adam Guettel’s score captures the Kentucky setting and the 1925 time period.  His music delivers the emotions of each character, illuminating the urgency of their traumatic experience.  Director Tina Landau, who also wrote the book, creates an encompassing atmosphere for the story.  The characters are fully dimensional, driven by strong objectives that create active conflict that builds throughout the show.  This is not an easy story to tell, and this cast and creative team tell it beautifully. 

Floyd Collins (played by Jeremy Jordan) spends his time exploring underground caves, seeking a cavern with immeasurable magnificence.  He plans on claiming it and opening it to the public to enjoy and spend money on visits.  He calls out in the darkness of the underground spaces, listening for a delayed echo.  When he finally finds one, he also finds himself trapped under a large limestone boulder.  People come from miles to help with his rescue.  Over the seventeen days he is trapped underground, the story of his rescue efforts spreads throughout the country.

Jason Gotay & Jeremy Jordan
Photo courtesy of Lincoln Center Theater
The songs composed for the character of Floyd Collins are stunning, and Jeremy Jordans voice rings
with clarity and emotion.  It’s as if they were written especially for him.  Jason Gotay plays Floyd’s brother, Homer.  They develop an endearing bond.  Their characters are distinctly different, making their relationship genuine and honest.  Lizzy McAlpine portrays their fragile sister Nellie.  Deep within her breakable exterior lies the rock that her brothers rely on.  When these three skilled actors join in song, magic happens.  Taylor Trensch plays reporter, Skeets Miller.  His character is quirky and likeable.  He matures because of his participation in the rescue effort, carrying the action forward to the end of the story.   
 

The vast stage of the Vivian Beaumont theater is purposefully and efficiently utilized.  Lighting creates the claustrophobic underground spaces.  This effectively contrasts with the openness of the scenes on the surface.  The staging is simple and extraordinary.  The cast of fifteen is amazing. 

Floyd Collins is playing at the Vivian Beaumont Theater through June 22.  Don’t miss it! 

Domenick Danza

Wednesday, April 23, 2025

Redwood

 Redwood
Nederlander Theatre
April 22, 2025

Photo courtesy of Redwood
The Broadway production of Redwood is a mind-blowing experience.  The setting is established through breathtaking projections.  The audience is transported deep into a California redwood forest, surrounded by stars at night and greeted by the rising sun glimmering through the branches in the morning.  Hana S. Kim’s video design, Jason Ardizzone-West’s scenic design, and Scott Zielinski’s lighting skillfully merge as one, drawing the audience into a journey of the senses.  The cast is phenomenal, emotionally engaging the audience in their private beliefs and healing process.  The book, by Tina Landau, cuts right to the core of the issue, delivering a powerful impact that carries the story to a spectacular conclusion.

Jesse (played by Idina Menzel) is struggling through denial and grief caused by the loss of her son.  She is in therapy with her wife, Mel (played by De’Adre Aziza), but it's not helping.  As the one-year anniversary of her son's death approaches, Jesse takes off in her car and drives across the country.  She finds herself in the middle of a redwood forest.  She is greeted by two environmental scientists, Finn (played by Michael Park) and Becca (played by Khaila Wilcoxon).  Becca urges Jesse to leave so they can continue with their work, but Finn has a sympathetic ear.  He allows Jesse to climb a majestic redwood, where she remains for a number of days, facing what she has been running from for the past year.  

Khaila Wilcoxon & Idina Menzel
Photo courtesy of Redwood

Idina Menzel masterfully commands the stage in this role.  Her songs are potent.  Her voice is powerful.  Her character is flawed and searching.  She plays with humor and sarcasm when she needs to deflect her feelings, while delivering genuine moments of grief and revelation.  

The score, by Kate Diaz, is bold and fervent.  Most of the songs are passionately belted, but as the main character faces her fears, the tone shifts.  Zachary Noah Piser plays Jesse’s son, Spencer.  He delivers a heartfelt solo near the end of the show that quiets the noise in his mother’s head.  He is tender and direct, open and present.  The song beautifully conveys the message of the story, but it is Mr. Piser who makes it memorable. 

Photo courtesy of Redwood

This cast of five creates truthful characters with heart.  The material is rich, allowing the audience to get to know each of them.  Director Tina Landau weaves them together and focuses the action to culminate in a riveting conclusion.

Redwood is playing at the Nederlander Theatre.  Don’t miss it! 

Domenick Danza


Sunday, August 19, 2018

SpongeBob SquarePants, The Broadway Musical


SpongeBob SquarePants
The Broadway Musical
Palace Theatre

Photo courtesy of SpongeBob SquarePants, the Broadway Musical
Tina Landau has taken the one-dimensional characters and elementary humor of a popular Nickelodeon cartoon and transformed it into a Broadway spectacular.  SpongeBob SquarePants, the Broadway Musical is over the top fun!  Book writer Kyle Jarrow creates story arcs for each character as they hilariously struggle to achieve their goal.  The phenomenal cast personifies these under water creatures with strong physical and visual support by costume designer David Zinn and hair and wig designer Charles G. LaPointe.  The set, by David Zinn, explodes off the stage of the Place Theatre with imaginative shapes and vibrant color.

Danny Skinner, Ethan Slater, & Christina Sajous
Photo courtesy of SpongeBob SquarePants, the Broadway Musical
SpongeBob (played by Ethan Slater) starts his day at Bikini Bottom like any other.  We meet his friend Patrick Star (played by Danny Skinner), the cranky Squidward (played by Gavin Lee), Sandy Cheeks, the squirrel (played by Christina Sajous), Eugene Krabs, owner of the Krusty Krab where SpongeBob works (played by Brian Ray Norris), and his daughter Pearl (played by Jai’ Len Christine Li Josey).  They are all happy to face the day ahead, except Squidward of course.  Suddenly the ground shakes and there is a special report that a large and dangerous volcano, Mount Humungous, is ready to erupt and inevitably destroy Bikini Bottom.  Everyone goes into hysterics and is ready to follow the diabolical scheme of Sheldon Plankton (played by Wesley Taylor) and Karen the Computer (played by Catherine Ricafort) to flee for their lives, while unknowingly become hypnotized and under their power.  It is up to SpongeBob, Sandy, and Patrick to save the day.

Gavin Lee as Squidward
Photo courtesy of SpongeBob SquarePants, the Broadway Musical
The outstanding vocal characterizations and physical timing of the cast is fascinating.  It keeps the audience engaged throughout the show.  Ethan Slater is a phenomenon.  His amazing vocal range is only surpassed by his physical strength and dexterity.  Gavin Lee skillfully embodies the curmudgeonly Squidward.  He masterfully becomes one with his four-legged costume.  You can’t help but love and root for this downtrodden creature.  Danny Skinner is loveable as Patrick.  Christina Sajous is energetic and sharp as Sandy.  These four performers have a strong connection and genuine chemistry that builds as they face their outlandish and believable challenges.

Jai'Len Christine Li Josey as Pearl
Photo courtesy of SpongeBob SquarePants, the Broadway Musical
Jai’ Len Christine Li Josey is outstanding as Pearl.  She has a strong presence and powerful singing voice.  Brian Ray Taylor is a bold Eugene Krab, creating conflict and thankfully seeing the error of his ways in the end.  Wesley Taylor and Catherine Ricafort are positively evil.  Due to their amazing teamwork, their self-serving plan is raucously carried out with wicked detail and credible precision.   

SpongeBob SquarePants, the Broadway Musical is scheduled to close on September 16.  With choreography by Christopher Gattelli and a score composed by a long list of famous musicians, Tina Landau has created a wild and crazy fun night of imaginative theatre.  You have only a few weeks left to experience it.  Don’t miss out!

Domenick Danza