Bat Boy

 Bat Boy
Annual Gala Presentation
New York City Center
October 31, 2025

Photo courtesy of City Center

The New York City Center Annual Gala Presentation of Bat Boy is electrifying.  Laurence O’Keefe’s score is energetic and bold.  It sets a mysterious tone, while building a distinctive world where unusual events are believable.  His lyrics layer in humor and moments of discovery that propel the action.  The story, by Keythe Farley & Brian Flemming, is unique and full of surprises.  Their writing succinctly establishes bizarre, sympathetic characters that are emotionally engaging.  Director Alex Timbers finds the rhythm and pace that sets it all ablaze.  The cast is stupendous, creating the perfect balance of macabre fantasy and realistic drama. 

When a Bat Boy (played by Taylor Trensch) is found in a cave by three sibling adventurers (played by Andrew Durand, Olivia Puckett, & John-Michael Lyles), Sheriff Reynolds (played by Tom McGowan) seeks the expertise of Dr. Parker, the town veterinarian (played by Christopher Sieber).  Dr. Parker’s wife, Meredith (played by Kerry Butler), tenderly cares for the creature.  She teaches it to speak and read.  She names it Edgar.  When the townspeople grow suspicious and voice their apprehension, Meredith and her daughter, Shelley (played by Gabi Carrubba), jump to Edgar’s defense.  This makes Dr. Parker dangerously jealous.  He takes extreme action to fire up the townspeople’s fear, which quickly gets out of hand.  This brings Shelley and Edgar closer, which forces Meredith to reveal a dark, buried secret.

Kerry Butler & Taylor Trensch
Photo courtesy of City Center

Taylor Trensch is phenomenal as Edgar.  His physicality creates a shocking creature, who then
transforms into an intelligent young man.  His vocal quality adds humor and sophistication to his genially grotesque character.  He exhibits terrifying flashes where his untamed tendencies overpower his learned behavior.  His timing in these moments is impeccable, making them jarring and authentic.  

Kerry Butler portrays Merdith as a staunch conservative.  This is vastly contrasted in the scenes where she opens her heart to Edgar.  They are genuine, warm, and touching.  She and Mr. Trensch develop a trusting and honest connection.  Gabi Carrubba’s Shelley is rebellious and independent.  She discovers a different side of herself after spending time with Edgar.  She becomes thoughtful and emotionally aware, compelling the story to take a deep dive in the second act.  Dr. Parker’s reaction to his family’s allure to Edgar is unsettling.  Christopher Sieber successfully plays this lethal descent into madness for every laugh he can, keeping the audience on the edge of their seats.

Christopher Sieber as Dr. Parker
Photo courtesy of City Center

Alex Newell is stunning and magical in their cameo appearance as The God Pan.  There are also outstanding performances by Marissa Jaret Winokur, Tom Mc Gowan, Andrew Durand, Jacob Ming-Trent, Olivia Puckett, John-Michael Lyles, and an excellent ensemble. 

Bat Boy is playing at City Center through November 9.  This is an excellent production.  It is fun and entertaining, while delivering a pertinent message of acceptance.  Don’t miss it! 

Domenick Danza

Floyd Collins

 Floyd Collins
Lincoln Center Theater
at the Vivian Beaumont
May 10, 2025

Photo courtesy of Lincoln Center Theater

The Lincoln Center Theater production of Floyd Collins is touching, bold, and absorbing.  Adam Guettel’s score captures the Kentucky setting and the 1925 time period.  His music delivers the emotions of each character, illuminating the urgency of their traumatic experience.  Director Tina Landau, who also wrote the book, creates an encompassing atmosphere for the story.  The characters are fully dimensional, driven by strong objectives that create active conflict that builds throughout the show.  This is not an easy story to tell, and this cast and creative team tell it beautifully. 

Floyd Collins (played by Jeremy Jordan) spends his time exploring underground caves, seeking a cavern with immeasurable magnificence.  He plans on claiming it and opening it to the public to enjoy and spend money on visits.  He calls out in the darkness of the underground spaces, listening for a delayed echo.  When he finally finds one, he also finds himself trapped under a large limestone boulder.  People come from miles to help with his rescue.  Over the seventeen days he is trapped underground, the story of his rescue efforts spreads throughout the country.

Jason Gotay & Jeremy Jordan
Photo courtesy of Lincoln Center Theater

The songs composed for the character of Floyd Collins are stunning, and Jeremy Jordans voice rings
with clarity and emotion.  It’s as if they were written especially for him.  Jason Gotay plays Floyd’s brother, Homer.  They develop an endearing bond.  Their characters are distinctly different, making their relationship genuine and honest.  Lizzy McAlpine portrays their fragile sister Nellie.  Deep within her breakable exterior lies the rock that her brothers rely on.  When these three skilled actors join in song, magic happens.  Taylor Trensch plays reporter, Skeets Miller.  His character is quirky and likeable.  He matures because of his participation in the rescue effort, carrying the action forward to the end of the story.    

The vast stage of the Vivian Beaumont theater is purposefully and efficiently utilized.  Lighting creates the claustrophobic underground spaces.  This effectively contrasts with the openness of the scenes on the surface.  The staging is simple and extraordinary.  The cast of fifteen is amazing. 

Floyd Collins is playing at the Vivian Beaumont Theater through June 22.  Don’t miss it! 

Domenick Danza

The Seven Year Disappear

 The Seven Year Disappear
The New Group
Pershing Square Signature Center
The Alice Griffin Jewel Box Theatre
February 24, 2024 

Photo courtesy of The New Group

Jordan Seavey’s The Seven Year Disappear is mind blowing.  The New Group production is masterfully conceived.  Director Scott Elliott found a style and pace for the play that viscerally conveys the nature of the relationship of the two main characters.  The ending delivers an unexpected satisfaction that leaves the audience in a state of amazement.

Miriam (played by Cynthia Nixon) is a performance artist.  She is managed by her son, Naphtali (played by Taylor Trensch).  He just got her a commission from MoMA.  She is thrilled, and gets to work right away.  Miriam disappears the day of the MoMA announcement.  Naphtali is in a state of panic.  He starts drinking again.  He hires an investigator.  He turns to his mother’s previous manager, Wolfgang, who has not heard from her.  Naphtali realizes the disappearance is all part of Miriam’s new piece.  He turns his back on the art world, and starts working on Hillary Clinton’s presidential campaign.  Seven years later, as he is getting his life together, Miriam returns, expecting Naphtali to be part of the final phase of her seven year project. 

Photo courtesy of The New Group

Cynthia Nixon and Taylor Trensch deliver fascinating performances.  In addition to Miriam, Ms. Nixon plays numerous roles (Wolfgang and other friends and connections of Naphtali).  Her transitions are seamless.  The style in which it is written demands you listen carefully in order to find out who these characters are and how they relate to Naphtali and the disappearance of his mother.  Ms. Nixon is bold, daring, and commanding in each of these roles.  She grabs your attention, spikes your curiosity, and lures you into the journey.  

Taylor Trensch & Cynthia Nixon
Photo courtesy of The New Group

The character of Naphtali is complicated.  He is lost and searching, more for himself than for his mother.  Mr. Trensch peels back layers one by one to reveal a vulnerable core.  You are as uncertain as he is as to the reality of his situation, upbringing, and future.  At the end, it all lands in a place of knowing and a sense of calm.

Playwright Jordan Seavey has crafted a unique piece of theatre.  The scenes are out of order, causing the audience to piece the events together.  The play is carefully structured to provide details that answer the questions as they flood your mind.  This continuous reveal creates a forward moving action that keeps you fully engaged in the characters and their story. 

The Seven Year Disappear is playing at Pershing Square Signature Center’s Alice Griffin Jewel Box Theatre through March 31.  It is mesmerizing and powerful.  Don’t miss it! 

Domenick Danza

Camelot

 Camelot
Lincoln Center Theater
at the Vivian Beaumont
July 1, 2023 

Photo courtesy of
Lincoln Cetner Theater

The Lincoln Center Theater revival of Lerner & Loewe’s Camelot tells the tale of an idyllic realm, built on the belief in equality and justice.  The book, revised by Aaron Sorkin, focuses on the challenge of this ideal, and the battle between intellect and mysticism.  Bartlett Sher majestically directs this stellar cast, drawing the audience into a regal world of knighthood, integrity, and respect, which dissolves due to jealousy, mistrust, and treachery.

Princess Guenevere of France (played by Phillipa Soo) is promised to King Arthur of England (played by Andrew Burnap) in a treaty of peace between their countries.  Guenevere, unhappy about her pending nuptials, offers her dowry to a stranger she meets in the forest to help her escape.  Little does she know that this stranger is Arthur, who has been walking in the woods out of nervousness over meeting his new bride.  Arthur sings to Guenevere of the idyllic Camelot, the Camelot of his dreams, the metaphor of his perfect and peaceful home.  She agrees to go with him to the castle, where she joins him in creating this utopia.  She and Arthur discuss the possibilities of transforming his band of knights into a noble assembly, with equal voice and influence.  The knights are uncertain about this change, but are definitely averse to Arthur’s decision to invite the French to join his round table.  Lancelot de Lac (played by Jordan Donica) travels from France and pledges his honor to King Arthur and his vision for Camelot.  Lancelot is strong and suave.  He quickly gains the trust of the king, and catches the eye and heart of the queen.    

Phillipa Soo, Andrew Burnap, & Jordan Donica
Photo courtesy of Lincoln Center Theater

King Arthur is written as a young man who unwillingly has the crown thrust upon him when he
removed the sword, Excalibur, from the stone.  Andrew Burnap nobly portrays this youth with charm and ambition.  He is eager to make his mark on the kingdom and create a better future for its people.  He transforms into a ethical leader, yet never loses his youthful outlook.  Phillipa Soo portrays Guenevere as a feisty, determined young woman.  She takes her role as queen seriously, while joyfully participating in shaping the court and kingdom to her husband’s vision.  They become true partners.  Jordan Donica’s Lancelot is bold and confident.  His commitment to his beliefs and role as a knight outweigh his secret passion for Guenevere.  These three actor have luminous chemistry.  They develop their relationships through integrity and respect.  Their singing voices soar, filling the theatre with joyous passion. 

Photo courtesy of Lincoln Center Theater

The entire cast delivers excellent performances.  Dakin Matthews is wise and grounded as both Merlyn and Pellinore.  Taylor Trensch is sneaky and undermining as Mordred.  Marilee Talkington is mysterious and conniving as Morgan Le Fey.

Set design by Michael Yeargan is truly magnificent.  The interiors of the castle are simple and expansive.  The space then opens up even further to sprawling exterior scenes.  The projections by 59 Productions and lighting by Lap Chi Chu enhance the set design by creating intimate areas and vast regions. 

Photo courtesy of Lincoln Center Theater

The opening scene between Arthur and Guenevere is Mr. Sorkin’s strongest writing.  The characters are
introduced with wit and humor, smoothly establishing the conflict between them and vigorously setting the story in motion.  

Camelot is set to close on July 23.  Time is running out.  Get your tickets while you still can. 

Domenick Danza

Hello Dolly!

Hello Dolly!

Sam S. Shubert Theatre

July 18, 2017

  

Photo courtesy of Hello Dolly!

Before you read on, I did not see Bette Midler in Hello Dolly!  Donna Murphy performs on Tuesday nights, and tickets are available at the TKTS booth.  I wanted to see the production and the cast of Tony winners and nominees, so I grabbed a ticket.  And, oh yes, my life is definitely better for it!  This is a stellar production that far exceeds any one name. The sets, the choreography, the direction, the orchestrations, the voices, and the full cast and chorus are incomparable.  Donna Murphy is spectacular.  This is classic musical theatre revived to perfection.

Matchmaker, Dolly Levi (played by Donna Murphy), has her eyes set on marrying Yonkers businessman Horace Vandergelder (played by David Hyde Pierce).  He, however, is ready to propose to Irene Molloy (played by Kate Baldwin).  Dolly also plans to get Horace to accept that his niece Ermengarde (played by Melanie Moore) is going to marry struggling artist Ambrose Kemper (played by Will Bolton).  Dolly has her hands full, so when Horace’s store clerk, Cornelius (played by Gavin Creel), and his coworker, Barnaby (played by Taylor Trensch), decide to play hooky from work and travel to New York City to find adventure, she is able to get everything in motion to achieve her goals.

Beanie Feldstein, Taylor Trensch, Kate Baldwin, & Gavin Creel
Photo courtesy of Hello Dolly!

Donna Murphy is joyous in the role of Dolly Levi.  Her voice is powerful and she makes the character her own.  David Hyde Pierce is a curmudgeon you root for.  You know he has a heart under his crusty exterior, and you rejoice when it is finally exposed.  In the song “Penny in My Pocket” he makes the most out of a momentary pause that give an insightful glimpse into his inner world.  Kate Baldwin creates an Irene Molloy with zest and gumption.  Her rendition of “Ribbons Down My Back” is fun and touching, light and revealing.  Gavin Creel’s Cornelius is innocent and eager.  The action of every one of his scenes is propelled forward by his energy.  Taylor Trensch and Beanie Feldstein are perfect together as Barnaby and Minnie Fay.  Their energy connects from the first moment they are seen together, and their naiveté is splendid.

Photo courtesy of Hello Dolly!

The scenic and costume design by Santo Loquasto is a bright and bold spectacle.  They set the mood and tone of each scene with the proper balance of reality and nostalgia.  Choreography by Warren Carlyle is crisp and alive.  The style is sharp and consistent.  It is the genius of director Jerry Zacks that brings it all together to deliver a musical theatre experience that feeds your soul and makes your spirit soar.

If you need to remember how great life can be, go see Hello Dolly!  It will hopefully be playing at the Shubert Theatre, showcasing one big name star after another, for years to come.

Domenick Danza